“Rubber,” Reviewed

“Rubber,” Reviewed (photo)

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April 1st is really the perfect day to release “Rubber,” since it feels like one giant prank on anyone curious enough to go see a movie about a psychokinetic automobile tire. In the spirit of the day (and the film), I was seriously tempted to write a 6,000 word rave and then end it with a giant “APRIL FOOLS!” People talk about the line between laughing with or at a movie. You don’t laugh with or at “Rubber.” It laughs at you.

The plot, though weird, sounds intriguing enough. This is that “killer tire movie” you might have heard about touring around the festival circuit from last year. And true to that tagline, a tire does indeed spring to inexplicable life and roll around the American Southwest, picking people off with psychokinetic powers. But writer/director Quentin Dupieux isn’t satisfied with simple quirk: he gets deeper into the quirk, down to the very quark of the quirk, to tell a truly deranged story. While said tire is on its rolling rampage, we’ve also got to contend with frequent asides to a mysterious bunch of strangers who are being forced to watch the tire’s activities through binoculars, along with a strange police officer who is convinced that all the events transpiring in the film are, in fact, events transpiring in a film.

It’s this police officer, Lt. Chad (Stephen Spinella) who enunciates Dupieux’s larger point with “Rubber.” “In the Steven Spielberg’s movie ‘E.T,,'” he says directly to camera in the film’s first scene, “why is the alien brown? No reason.” After listing off several other films that operate on the principle of “no reason,” Chad explains that “all great films, without exception, contain an element of no reason,” and that life itself is filled with no reason. Thus, he decrees by way of introduction, the film we are about to watch is a great ode to no reason. And sure enough nothing in this movie happens for any good reason at all, and I suppose there is a certain refreshing sense of freedom in any movie that can take wild digressions and completely annihilate any sense of logic like this one does.

But more often than not, Dupieux doesn’t explore the outer boundaries of surrealism and experimentation; he simply screws with the audience and labels it surrealism and experimentation. And his “no reason” mantra essentially becomes his excuse for any flaw I could list here, from the dreadful acting, to the bracing stupidity of the characters, to the repetitiveness of the tire’s murderous schtick. Those movies that Chad mentions — “E.T.,” “JFK,” and “The Pianist” amongst others — may have an element of no reason. But that also means they have some element of reason, and “Rubber” simply doesn’t. Then again, maybe it doesn’t need a reason. But a point would have been nice. Testing the audience — even testing their patience — is fine if there’s a point. But Dupieux’s approach specifically negates the possibility of him finding one in the material.

Spinella has a certain demented panache as Lt. Chad and I wouldn’t have minded seeing him in another movie where he could have been the focus of the action rather than the omniscient ringleader of it. His crazy “no reason” monologue marks “Rubber”‘s high point. It’s all downhill from there, which is good for tires but bad for movies. In a world of no reasons, I struggle to find a good one to see this movie. Even on April Fools’ Day.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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