This browser is supported only in Windows 10 and above.

DID YOU READ

Remembering Elizabeth Taylor: “Cat on a Hot Tin Roof”

Remembering Elizabeth Taylor: “Cat on a Hot Tin Roof” (photo)

Posted by on

The “Cat on a Hot Tin Roof” of the silver screen is a neutered one. The characters, scenario, and rough plot of this 1958 film are all identical to the 1955 Tennessee Williams play it is based on, but many of the finer details have been smudged, obscured, or removed altogether because of the restrictions of the Motion Picture Production Code of the time. Thus, the “Cat on a Hot Tin Roof” we can watch today (it’s currently available on Netflix Watch Instantly) starring Paul Newman, Burl Ives, and Elizabeth Taylor at the absolute apex of her beauty, is certainly not the one Williams’ would have preferred we watch. But while the omissions and changes make “Cat on a Hot Tin Roof” a less authentic reflection of the author’s vision, they also make it a more authentic reflection of the author’s times and that, in turn, gives the film a kind of an unusual power. You know the expression “a love that dare not speak its name.” This film works so hard not to speak its name, that it reveals it anyway through the desperateness of its evasions.

Let’s begin with Taylor herself, who deserves a good deal of the credit for the film’s success despite the fact that her role is supplementary to the ones played by Newman and Ives. She plays “Maggie the Cat” of the title, a woman who came from nothing to marry Newman’s Brick, the favored but disillusioned and alcoholic son of an extremely wealthy Southern family. Brick and Maggie have travelled to his family’s plantation on the eve of his father Big Daddy’s (Ives) 65th birthday, fearfully awaiting the test results from his trip to a clinic. Even after Big Daddy returns home with a clean bill of health, Brick, who’s broken his foot in a drunken attempt to recreate his past athletic glories, refuses to participate in the birthday party. Maggie, worried that Brick’s greedy brother Gooper (Jack Carson) will steal their inheritance, desperately tries to coax him from boozy stupor, but Brick rejects all her entreaties.

I don’t think it is an understatement to say that Taylor in “Cat on a Hot Tin Roof” is one of the most stunningly beautiful women ever photographed by a movie camera. A few scenes into the film, she peels off her already sexy outfit and saunters around in a cleavage-bearing white slip. The only word my vocabulary contains to accurately describe the sight of Taylor in this ensemble is one I learned from Tex Avery cartoons: “AwOOOOOOga.” Men throughout history have fought wars just for a glimpse of a woman like this but Brick barely notices her. Which is how we immediately know there is more to his depression than frustration over his bum foot. It’s how we also know, despite the screenplay’s frantic attempts to suggest to the contrary, that Brick is — or has at least contemplated life as — a homosexual.

This is the material from Williams’ play that the Production Code could not abide. As Big Daddy eventually confronts his wayward son about his drinking and his depression, the truth — or rather a truth — comes out. Brick recently lost a friend named Skipper, and that loss has, for some reason, sent Brick into his drunken tailspin. But why? Brick seems more emotionally invested in Skipper’s death than anyone would be for a simple friend, even a good one. Williams’ play never fully detailed the extent of Skipper and Brick’s relationship, but it strongly hinted at homosexuality on the part of one, or perhaps both. The film version is scrubbed clean of any direct references, but there some rather obvious allusions, always in lines of dialogue that are quickly silenced, like this evocative exchange between Brick and Big Daddy:

Brick: Skipper and I were friends. Can you understand that?

Big Daddy: Gooper and Mae said that Skipper —

Brick: Skipper is the only thing that I’ve got left to believe in. And you are draggin’ it through the gutter!

Big Daddy: Now just a minute!

Brick: You are making it shameful and filthy, you!

Censorship demanded many more changes to “Cat on a Hot Tin Roof”‘s text and subtext, particularly to its ending. But whether intentionally or not, the changes to Williams’ play by screenwriters James Poe and Richard Brooks (who also directed the film), turn “Cat” into an example of the exact thing that Brick rails against in his drunken argument with Big Daddy: mendacity. He drinks, he claims, to numb himself to the lies and liars of the world around him. It might have been nice to have all of the play’s original homosexual content transferred to the film. But the reality of 1958 America was not a kind one to gay men and women, who often had to live unhappy heterosexual lives against their will. Hiding Brick’s truth, relegating it to innuendos and entendres, reflects the sad world Brick lived in. In some ways, it makes it even sadder.

Though Taylor doesn’t provide the film’s best performance — that would be Ives’ in my opinion, as the boisterous, menacing, charming, obsessive, and extraordinarily complex Big Daddy — she more than earns her Academy Award nomination in the role (she ultimately lost to Susan Hayward for “I Want to Live!”). Even as its treatment of Brick’s possibly homosexuality date the film to the conservative 1950s, its treatment of Maggie belongs to a later, freer era. Or maybe an earlier one; in many ways, Taylor reminds me here of her character in 1944’s “National Velvet.” Once again, Taylor plays a self-made woman, willful and determined to carve out a place for herself over the objections of skeptical men. After watching just a few of her starring roles, it’s quickly becoming very easy to see what generations of American women saw in her (my grandmother was a huge fan). She was simultaneously strong and feminine during a time when those words were too often considered mutually exclusive.

Those words certainly describe Maggie in “Cat on a Hot Tin Roof.” But while the film’s title suggests Maggie as some sort prowling beast, the movie ultimately shows Maggie’s sexuality in a positive light. Note the way Maggie is always dressed in white, even while wearing some of the luckiest lingerie in movie history. Notice too how often Brooks lights her more brightly than her co-stars, particularly during the climactic scenes between Big Daddy and the rest of the family, where Maggie who provides the potential olive branch that will help repair Brick and Big Daddy’s broken relationship. Maggie isn’t a predator; she is a beacon and a healer, for Brick and for the entire family. Her ultimate effect on her husband may not be a realistic solution to Brick’s emotional turmoil, but in a mendacious film about mendacious times, it feels like a hopeful one.

Watch More
Uncle-Buck

Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

Watch More
IFC_Portlandia-AORewind-blog

A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

Posted by on
GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

Watch More
SistersWeekend_103_MPX-1920×1080

WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

Posted by on

Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

IFC_Comedy-Crib_Sisters-Weekend-Series-Image

IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

SistersWeekend_101_MPX-1920x1080

IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

IFC_Comedy-Crib_Sisters-Weekend_About-Image

IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

SistersWeekend_102_MPX-1920x1080

IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

Watch More