DID YOU READ

“Paul,” Reviewed

“Paul,” Reviewed (photo)

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Centuries from now, historians of early twenty-first century popular culture will surely point to “Paul” as the ultimate example of geek culture’s invasion of mainstream Hollywood filmmaking. Here is a movie about nerds, written by nerds, made for nerds, in which the word “nerd” appears in the dialogue at least a dozen times. This movie is a Toby Radloff cameo away from being the dorkiest movie ever created.

The film concerns a road trip of the sort that only happens in movies, the kind where friendships are tested and strengthened, romance is found in the most unexpected places, and wacky car chases occur between government agents and men in RVs. In another movie, we might label these cliches and brand the whole experience artificial. But it feels wholly appropriate for “Paul,” a movie made entirely of quotations, both visual and verbal, from other movies. If I had to venture a guess, I would estimate that no less than 15% of all dialogue spoken in this movie is lifted directly out of other movies.

That’s par for the course for stars and co-writers Simon Pegg and Nick Frost, who only make movies about other movies, like “Shaun of the Dead,” where they used their knowledge of zombie movies to survive a zombie apocalypse, or “Hot Fuzz,” in which they applied cop movie logic to their jobs as police officers in a sleepy British village. Pegg and Frost have played these sorts of roles so many times already that their mere presence as intensely devoted friends and pop culture aficionados is something a movie quotation itself.

In “Paul,” they play Graeme and Clive, British buddies who cap off their first trip to San Diego Comic-Con with a road trip through the American southwest. Hardcore sci-fi fanboys, they want to soak in the atmosphere of America’s UFO hotspots, from Area 51 to Roswell. But they get more atmosphere than they bargained for one night on a dark and deserted stretch of road, when they stumble upon a real live alien named Paul — voiced by Seth Rogen but played by an impressively lifelike CGI creation — who’s been stranded on Earth for decades after crashing his spaceship here back in 1947. Tired of being a prisoner of the US government, he’s engineered an escape attempt which now requires the help of our two incredulous geeks.

There are obstacles along the way, including Jason Bateman cast against type as the badass government agent assigned by an unseen “Big Guy” (shades of “Charlie’s Angels,” “The X-Files,” and just a smidge of “Knight Rider”) to bring Paul back into custody. And there’s the opportunity for romance as well in the form of Ruth (Kristen Wiig), a trailer park employee with an eye disease that requires her to wear Warren Beatty’s glasses from the end of “Bonnie and Clyde” (curious that Pegg and Frost dressed up their movie nerd’s dream girl like Beatty and not Dunaway). But really the stakes are extremely low. The mood is warm and funny, as the mood is in any Pegg and Frost team-up. There are lots of cute cameos and supporting roles from funny folks like Jane Lynch and Bill Hader. But that’s about it.

“Paul” borrows heavily from so many movies — “E.T.” obviously, but also “Jaws,” “Aliens,” “Easy Rider” and many more — but while it definitely takes their lines or plots, it doesn’t quite replicate their emotional stakes or dramatic payoffs. Unlike the movies its creators love and are paying homage to here, “Paul” is one big goof. It’s worth noting that Pegg and Frost’s previous buddy movies were directed by Edgar Wright, who made his own movie without them last summer, “Scott Pilgrim Vs. the World” (“Paul” is directed by “Superbad”‘s Greg Mottola). I liked both of the movies the movies Pegg and Frost and Wright made separately, but neither as much as the ones they made together. Call me a nerd, but I’m looking forward to their next collaboration.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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