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“I Saw the Devil,” Reviewed

“I Saw the Devil,” Reviewed (photo)

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Torture porn may have run its course in American cinema, but it’s alive and (mentally un)well in South Korea, a country whose brutal horror movies in recent years put ours to shame. The Koreans are kicking our butts when it comes to horror with both brains and guts. I’m referring to two different kinds of guts, by the way: the gooey, gunky, bloody kind of guts and the brave-enough-to-push-and-provoke-an-audience kind of guts. “I Saw the Devil” isn’t quite torture porn but it takes all of the core elements of that subgenre — graphic, sadistic violence, fundamental questions about decency and morality — and spins them into something better: entertaining, thought-provoking, and scary as hell.

The film begins on a snowy night on a lonely stretch of road where a vicious killer named Kyung-chul (“Oldboy”‘s Choi Min-sik) finds and then kills a stranded female motorist. As he drags her body away, the victim’s blood stains the snow a deep shade of crimson. Innocence has been spoiled, once and forever, and there’s no going back. That’s because Kyung-chul’s victim had a fiance and unfortunately for him he’s a special agent named Soo-hyun (Lee Byung-hun, best known to American audiences as Storm Shadow in “G.I. Joe: The Rise of Cobra”). Soo-hyun works as a spy, reporting to the man who would have been his father-in-law; he gives Soo-hyun the fiance’s case file, announces he’s going on a vacation, and leaves his son-in-law alone to find his justice by any means necessary.

Eventually, Soo-hyun does track down Kyung-chul, but his thirst for revenge won’t let him just kill him. Instead, he begins stalking Kyung-chul, following as he searches for new victims. Whenever Kyung-chul’s about to strike, Soo-hyun interrupts, leaving him some new bruises and a serious case of serial killer blue balls. Kyung-chul recovers and the process begins all over again.

As this bloody dance between the two characters escalates, the film really begins to take off. Director Kim Jee-woon, who made “A Tale of Two Sisters” and last year’s crackling “kimchi western” “The Good, The Bad, The Weird,” knows how to manipulate an audience. He’s not interested in making a classic cat-and-mouse chase where the outcome and the viewer’s allegiance is never in doubt. Instead he creates a sort of cat-and-equally-scary-cat scenario, and invites us to react as we see fit. Kyung-chul is an unrepentant, inhuman murderer. But Soo-hyn’s not much better. So who do you side with? You can’t even really root for humanity in general, since almost every character in “I Saw the Devil” turns out to be a psychopathic killer, right down to the random taxi driver who picks up a hitchhiking Kyung-chul and just happens to have a dead body in the trunk of his car.

Jee-woon’s not the first guy to hypothesize that a man might have to become a monster in order to defeat a monster. But with the film’s unrelenting pacing and visceral action sequences, there’s very little time to dwell on the clichés. Just as he did in “The Good, The Bad, The Weird,” Jee-woon nails that irresistible mix of compelling characters and inventive fight and chase choreography. He’s also uncommonly good at building interesting worlds for his deranged heroes and villains to do battle in: the Eastern Western frontier of “The Good, The Bad, The Weird” and now the dark, sinister landscape of “I Saw the Devil,” all remote houses in the woods, empty nighttime roads, and menacing meat lockers. This movie makes a very strong argument for vegetarianism.

Jee-woon starts from a place we have seen before — somewhere between “Saw” and “Death Wish” — but the journey from there is uniquely his. His two leads are perfect foils for one another. One’s homely, the other’s handsome, but both are equally terrifying, an obvious but effective statement on the way that evil comes in all shapes and sizes. So do movies, but most aren’t this good.

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

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Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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