DID YOU READ

“I Saw the Devil,” Reviewed

“I Saw the Devil,” Reviewed (photo)

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Torture porn may have run its course in American cinema, but it’s alive and (mentally un)well in South Korea, a country whose brutal horror movies in recent years put ours to shame. The Koreans are kicking our butts when it comes to horror with both brains and guts. I’m referring to two different kinds of guts, by the way: the gooey, gunky, bloody kind of guts and the brave-enough-to-push-and-provoke-an-audience kind of guts. “I Saw the Devil” isn’t quite torture porn but it takes all of the core elements of that subgenre — graphic, sadistic violence, fundamental questions about decency and morality — and spins them into something better: entertaining, thought-provoking, and scary as hell.

The film begins on a snowy night on a lonely stretch of road where a vicious killer named Kyung-chul (“Oldboy”‘s Choi Min-sik) finds and then kills a stranded female motorist. As he drags her body away, the victim’s blood stains the snow a deep shade of crimson. Innocence has been spoiled, once and forever, and there’s no going back. That’s because Kyung-chul’s victim had a fiance and unfortunately for him he’s a special agent named Soo-hyun (Lee Byung-hun, best known to American audiences as Storm Shadow in “G.I. Joe: The Rise of Cobra”). Soo-hyun works as a spy, reporting to the man who would have been his father-in-law; he gives Soo-hyun the fiance’s case file, announces he’s going on a vacation, and leaves his son-in-law alone to find his justice by any means necessary.

Eventually, Soo-hyun does track down Kyung-chul, but his thirst for revenge won’t let him just kill him. Instead, he begins stalking Kyung-chul, following as he searches for new victims. Whenever Kyung-chul’s about to strike, Soo-hyun interrupts, leaving him some new bruises and a serious case of serial killer blue balls. Kyung-chul recovers and the process begins all over again.

As this bloody dance between the two characters escalates, the film really begins to take off. Director Kim Jee-woon, who made “A Tale of Two Sisters” and last year’s crackling “kimchi western” “The Good, The Bad, The Weird,” knows how to manipulate an audience. He’s not interested in making a classic cat-and-mouse chase where the outcome and the viewer’s allegiance is never in doubt. Instead he creates a sort of cat-and-equally-scary-cat scenario, and invites us to react as we see fit. Kyung-chul is an unrepentant, inhuman murderer. But Soo-hyn’s not much better. So who do you side with? You can’t even really root for humanity in general, since almost every character in “I Saw the Devil” turns out to be a psychopathic killer, right down to the random taxi driver who picks up a hitchhiking Kyung-chul and just happens to have a dead body in the trunk of his car.

Jee-woon’s not the first guy to hypothesize that a man might have to become a monster in order to defeat a monster. But with the film’s unrelenting pacing and visceral action sequences, there’s very little time to dwell on the clichés. Just as he did in “The Good, The Bad, The Weird,” Jee-woon nails that irresistible mix of compelling characters and inventive fight and chase choreography. He’s also uncommonly good at building interesting worlds for his deranged heroes and villains to do battle in: the Eastern Western frontier of “The Good, The Bad, The Weird” and now the dark, sinister landscape of “I Saw the Devil,” all remote houses in the woods, empty nighttime roads, and menacing meat lockers. This movie makes a very strong argument for vegetarianism.

Jee-woon starts from a place we have seen before — somewhere between “Saw” and “Death Wish” — but the journey from there is uniquely his. His two leads are perfect foils for one another. One’s homely, the other’s handsome, but both are equally terrifying, an obvious but effective statement on the way that evil comes in all shapes and sizes. So do movies, but most aren’t this good.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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