DID YOU READ

Remembering Elizabeth Taylor: “National Velvet”

Remembering Elizabeth Taylor: “National Velvet” (photo)

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IFC.com film writer Matt Singer is embarrassingly unfamiliar with the filmography of the late Elizabeth Taylor. This week he’s catching up with as many of her movies as he can.

At approximately 2:14 AM on March 24, an unexplained rise in pollen localized entirely in my bedroom sparked an outbreak of watery eyes while I was watching the film “National Velvet.” Though I could find no record of any kind of mass pollen migration with the National Weather Service or American Allergenic Council of America, I know it happened. It’s the only explanation for my uncontrollable tears that makes any sense. Surely it couldn’t have been the movie. Surely, I, a 30 year old man with no daughters who hates horses, wasn’t crying at “National Velvet.”

I surely was. “National Velvet” is a beautiful, charming movie and it jerked the hell out of my tears. What affected me wasn’t how sad the movie is, but how sweet and inspirational it is. Now I understand why “National Velvet” has been a cultural touchstone for decades. This isn’t just a cutesy story about a girl and a horse: it’s the empowering tale of a young woman who accomplishes her dreams; dreams, I should add, that aren’t of the “find a guy and marry him” variety. Released in 1945 and set some twenty years before, its strong feminist message is less dated today than many of the iconic girl-centric movies I grew up with in the 1980s. It features an empowering mother-daughter relationship of a kind I’m unaccustomed to seeing in movies. That’s what caught me off-guard, the shot at the end of the movie when mother and daughter embrace in silent acknowledgement of their bond and mutual love. Suddenly you’d have thought I was chopping onions in my bedroom at two in the morning.

The mother, Mrs. Brown, is played by Anne Revere; the daughter, Velvet, by Elizabeth Taylor, who became a full-fledged movie star at the age of thirteen with “National Velvet.” It is easy to see why. She has an infectious smile and a rabid enthusiasm for life. The Elizabeth Taylor I know — and the point of this ongoing exercise is I don’t know her all that well — is a lusty bombshell of a woman. So it was a bit surprising to see how Taylor built her stardom on pure, uncontaminated innocence. Velvet is so unequivocally good she’s practically a saint; the patron saint of pre-teen girls everywhere who love horses more than life itself.

Oh how Velvet loves her horse. She calls him The Pie and, truth be told, the horse playing The Pie always looks a little perturbed to be acting alongside her. Velvet doesn’t notice. She’s the one with blinders on; she loves The Pie with a passion so intense it could melt steel. Velvet acquires him in an auction. The Pie is a troublemaker and his former owner decides to rid himself of the damage and liabilities he causes by selling him for one pound to a random lucky winner in the small English village where he lives. That lucky winner, of course, turns out to be Velvet. Part of The Pie’s problem is no pen can hold him. But Velvet sees his fence jumping as a skill, and a chance to prove to the world both his merit and hers.

That’s where Mrs. Brown comes in. As we slowly learn over the course of the film, Velvet’s stern, reserved mother had a bit of a wild streak in her youth. As a 20-year-old, she swam the English Channel for no other reason than to prove she could. At the time, everyone said she was mad. When Velvet comes to her with her own mad idea — enter The Pie into the Grand National, the biggest horserace in the country — she supports her 100%. Clearly Mrs. Brown sees some of her younger self in Velvet, and also The Pie, who also has trouble finding a productive outlet for his athletic inclinations. Cue the eyeball faucets.

“National Velvet” has a terrific cast that also includes top-billed Mickey Rooney as a drifter who wanders into Velvet’s town and becomes The Pie’s trainer and Donald Crisp as Velvet’s father, a great big Tootsie Pop of a man: a hard exterior surrounding a gooey heart. Angela Lansbury also appears, almost unrecognizably, in one of her earliest roles — the first I’ve ever seen that conclusively proves she wasn’t born a middle aged mystery novelist — as one of Velvet’s sisters. The film’s stakes are never very heavy or large, though there is one scary scene where The Pie falls ill. Mostly “National Velvet” is a simple story about what’s possible for anyone, boy or girl, when they follow their dreams. But it’s never less than totally charming.

That goes for Taylor too. Velvet is so unabashedly sweet, and the film is so completely free of irony, that she borders on self-parody (released in another time period, “National Velvet” would have made great material for a “Saturday Night Live” sketch, with Belushi as Liz, of course). But there is something irresistible about Taylor in this part. An actor needs to commit to what she does, and she is fully committed. I believe she would step in front of a bullet for that damn horse. When she refuses to let Mr. Brown exploit The Pie’s newfound fame, her eyes welling with tears as she pleads to leave him home with her…

…I’m sorry, does anyone have a tissue?

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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Draught Pick

Sam Adams “Keeps It Brockmire”

All New Brockmire airs Wednesdays at 10P on IFC.

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From baseball to beer, Jim Brockmire calls ’em like he sees ’em.

via GIPHY

It’s no wonder at all, then, that Sam Adams would reach out to Brockmire to be their shockingly-honest (and inevitably short-term) new spokesperson. Unscripted and unrestrained, he’ll talk straight about Sam—and we’ll take his word. Check out this new testimonial for proof:

See more Brockmire Wednesdays at 10P on IFC, presented by Samuel Adams. Good f***** beer.

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