DID YOU READ

Carla Gugino and Sebastian Gutierrez’s Life of “Luxx”-ury

Carla Gugino and Sebastian Gutierrez’s Life of “Luxx”-ury (photo)

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There are many filmmakers who sound nothing like the films they make. Sebastian Gutierrez is not one of them. Within seconds of opening his mouth, a flood of words escape in all directions, all hurdling towards some greater point. This has served the writer/director well on two fronts – the first being his recent run of films, beginning with 2009’s “Women in Trouble” and eventually its sequel “Elektra Luxx,” that sprint on the colorful flourishes of its aesthetic and banter, if not the wild tonal shifts from slapstick comedy to musical numbers to melodrama that make the fact that their main characters are porn stars seem tame by comparison. Gutierrez’s way with words also helped him out of a jam when a projection problem at last year’s SXSW premiere of “Elektra Luxx” resulted in one of the most memorable moments I’ve ever experienced at a film festival after he commandeered the stage and entertained a rapt audience of over a thousand with stories from the set, his newfound facility with digital cameras and advance word of his next film “Girl Walks Into a Bar,” which, to show there are no hard feelings, will premiere at SXSW on Friday simultaneously with its debut on YouTube.

Yet even as Gutierrez is using new technology to bring his work to the masses, he is relying on the oldest of engines to power his films – interesting characters and even more interesting actors to bring them to life. Which is where Carla Gugino, Gutierrez’s leading lady both onscreen and off, comes in. As the titular heroine of “Elektra Luxx,” Gugino is asked to do just about everything one can in her performance as an adult film star who leaves the industry when she becomes pregnant and life becomes even more complex when a flight attendant (Marley Shelton) who finds the lyrics of the baby’s deceased rock star father asks for an unusual favor of Luxx as a finder’s fee. While the criminally underrated actress has demonstrated such versatility over the years, she and a cast that includes Adrianne Palicki, Joseph Gordon Levitt and Marley Shelton, among others, clearly relish the opportunity to show off a different side. With that in mind, I recently spoke to both sides of this creative team separately to talk about “Elektra Luxx,” why patience is not a virtue and breaking other rules.

Since you’ve collaborated with Sebastian so often, have you started getting involved in the creative process earlier?

Carla Gugino: It’s interesting because definitely I think there is a real collaboration. [Sebastian] is the vision behind all of these pieces and that’s something that I actually champion and love. There may be a story someday that I feel like maybe only I can tell, but at this point, I really love being an interpreter. I’m really amazed at people who come up with something out of nothing — writers. I find it to be an incredible talent. But what’s been really nice is because we have worked together so many times and have a real trust in each other, it’s always an exciting moment when hot off the presses, I get the next script of his. And he’s always really receptive.

Generally I’m the first person to read the ones that I’m in and it’s become an interesting process because I might say “Oh, is this clear? Is this not clear? Why don’t you explain this?” And he’ll say, “No, I didn’t do that because of this but that’s a good idea” – so it’s a nice, natural building upon each other. I also think it is wonderful to be a muse of someone who’s very talented and yet because I think we both have been doing this for so long and I love acting so much, it certainly has become a co-created affair.

03102011_ElektraLuxx2.jpgYou and Sebastian have made no secret of casting friends of yours in these films, but instead of being some indulgence, they’ve really shown off things in these actors that you haven’t had a chance to see. Has that been really gratifying?

CG: It’s really wonderful and that’s the thing is I’ve always felt from the start is I would never want a friend to recommend me for a job because I’m a friend, nor would I ever recommend a friend for a job because of that. But because we are surrounded by incredibly talented actors who I appreciate and love both so much as human beings and I love their work, the idea that we get to go and create together is just about as good as it gets.

Also, I think something worth noting is I think Sebastian is a perfectionist, as am I, and I think all the people involved in these movies have a very high standard for themselves. In that way, I think a lot of times when people think low-budget or a short shooting time, it’s this idea that it’s sort of haphazard and improvised and you’re grabbing the camera [when in actuality] these are actually really little condensed versions of a big movie that are shot with care, written with care, acted with care. That’s something that’s very exciting because young filmmakers can know that you can actually make a really good quality movie in a very brief period of time with very limited funds as long as you have the material, the actors and the director.

You can feel that, but at the same time, these films have also retained a kind of “tossed off” energy. Where does that come from?

CG: I think that comes out of a lack of pretense and a lack of preciousness because of the time. This particular kind of way of filming in terms of timeframe and structure really was started as just a fun experiment. And I think that’s the nature we always want to keep them — it’s never worth it if you don’t make a good movie. That’s obviously the reason to do it. But in the midst of it, the nature of it has been this great creative experience and experiment and I feel like if we can maintain that, that’s an important thing and you feel it.

03102011_ElektraLuxx3.jpgIn “Elektra Luxx,” you have a scene with your twin sister where you’re playing both parts, a musical number and plenty of other emotional highs and lows. Is it a challenge to keep the tone when you’re doing so many things?

CG: Yes, it is. It is. I think that’s also why people tend to want to separate things by genre and go, “Well, is this a musical or is this funny or is this serious?” One of the things we wanted to do with this while hearkening back to old screwball elements of 1940s when women were the box office draw and also a bit of a good ol’ fashioned sort of melodrama [was to have] those kinds of elements ultimately keep a heart to the film that’s very unencumbered, but stylistically be able to touch on a lot of different styles.

Everyone compliments Sebastian on how well he’s able to write women, and just like so many of those 1940s films you mentioned, it’s in the service of a character that’s been marginalized by society, updated here as a porn star. Have you found that to be an interesting thing to play?

CG: Yeah, a lot of judgment. It has been. And I was going to say also because I realized I kind of didn’t answer the question in terms of tone from a performance standpoint because yes, it is tricky because you’re dealing with a movie where it’s screwball enough that you’re accepting the fact she’s going to sleep with a guy [Timothy Olyphant] who’s the fiancé of this flight attendant [Marley Shelton] because she owes it to her. So there’s already an element of heightened reality to take into play. And you can justify it because she’s a pornstar, etc. But what was always very key was never did it become a caricature and I think that’s in reference to the pornstar question too, which is the fact that that’s her profession reflects itself in a couple of different ways, but mostly, she’s done everything for herself. She’s been on her own, she’s made a good living at this and she’s never actually been able to see herself through what might be her daughter’s eyes and when she sees that, she realizes she may have to make a change and what comes along with that. To me, that was the compelling notion of the movie.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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