“Bridesmaids,” Reviewed

“Bridesmaids,” Reviewed (photo)

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Comedy usually involves someone having to looking left while everyone else looks right, which may be the only real way to describe what Kristen Wiig has done with “Bridesmaids,” a film that superficially might appear as if it falls in line of what’s come to be expected at comedies aimed at women these days, but starts its subtle subversion from the moment Jon Hamm asks Wiig’s Annie to cup his balls during the film’s opening frames.

For anyone who’s followed the “Saturday Night Live” star, the sex scene that opens “Bridesmaids” might come as a bit startling since Wiig’s never been one to play up her sexuality as part of her schtick, instead losing herself in awkward characters that make others feel uncomfortable if she’s behind some makeup and a funny voice or the one feeling uncomfortable in her own skin as the world around her struggles to make sense of her. On the surface of “Bridesmaids,” it’s the latter that’s on display as Annie would seem like your typical post-twenties romantic comedy heroine, unsure of herself since her one true love – baking – was a casualty of the recession and she hasn’t been able to find it anywhere else as she approaches her forties, instead occasionally jumping in the sack with Hamm, who tells her in no uncertain terms that he wants her to leave in the morning.

One might think Annie might find a sense of purpose after becoming the maid of honor for her longtime best friend Lillian’s (Maya Rudolph) upcoming nuptials, but her new role only thrusts her into even more into crisis mode, where she feels she needs to compete with Lillian’s new well-to-do friend Helen (a scene-stealing Rose Byrne) and consider a new phase of her life that scarily could involve a bachelorette party of her own. But to move the story along, Annie doesn’t play into the Oprah-defined prescription for self-improvement nor is she the victim of the usually misogynistic screenplays that dictate at which point the pretty but self-destructive main character is going to wise up and realize the flaws that have made her unattractive to the male species as a whole until now and do a course correction, probably in large part because Wiig wrote the script herself with Annie Mumolo. Instead, “Bridesmaids” is a film that suggests that the only real change that occurs to Annie is that she’s in a happier place than where she started and indicative of the film itself, she’s one to move at her own pace. (Despite being billed as a “work-in-progress” screening at SXSW, the audience was told it was basically the final cut minus some sound mixing, and it could actually benefit from some tightening, though part of it’s charm is the rangy way many of the scenes play out.)

For this reason alone, they probably couldn’t have found a better director than Paul Feig, the creator of “Freaks and Geeks” whose investment in creating strong characters matches Wiig’s and doesn’t mind being all over the place tonally to accommodate everything his lead is able to do. There are gross-out scenes – a poop joke involving Rudolph crossing the street in a wedding dress is simultaneously original and cringe-inducing – bizarro dialogue-heavy scenes related to Annie’s job at a jewelry store and her eccentric roommates (Rebel Wilson and Matt Lucas), and still a rather endearing, fumbling courtship between Annie and a local traffic cop (“The IT Crowd'”s Chris O’Dowd). The film is generous to all its performers, which is to both say Jon Hamm’s agreeably loathsome cad shows up for more than five minutes (in case you were wondering) and the laughs generated by every character are enhanced ever so slightly by what seem to be real human quirks as opposed to caricature.

Yet “Bridesmaids” is first and foremost a showcase for Wiig, who surely doesn’t play it safe here but still comes off as an affable everywoman with a twinkle of danger in her eye. One imagines the hardest thing for her as a performer wasn’t the lewd humor or selling the wackier elements of the script, but playing a character who wears her emotions on her sleeve. That she lets everyone else drop all pretense and do the same for two hours is sweet relief for all.

“Bridesmaids” opens on May 13th.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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