Xavier Dolan Feels the Pulse of “Heartbeats”

Xavier Dolan Feels the Pulse of “Heartbeats” (photo)

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Xavier Dolan is having a tough time getting into America. The night before we were scheduled to speak, his flight was stuck in Montreal as a result of the snow that’s blanketed New York in recent months and as a result, he missed out on wining and dining the likes of John Cameron Mitchell, amongst others, at the film’s U.S. premiere, though in his apology, he noted not only the circumstances that prevented him from attending the gala, but also the ones that have kept his first film “I Killed My Mother” from reaching the States after causing a sensation at Cannes, where it picked up an unheard of three prizes for the story of a gay teen who routinely clashes with his ma.

Thanks to a “distributor of questionable professionalism,” the French-Canadian director’s neighbors down south have had to wait another two years for Dolanmania to commence, but that will be rectified this week with the release of “Heartbeats,” a coolly seductive love triangle drama between two men (Dolan and Niels Schneider) and a woman (Monia Chokri) that caused a similar frenzy around the filmmaker when it premiered on the Croisette last year and understandably so. At the age of just 21, Dolan has drawn comparisons to Francoises ranging from Truffaut to Ozon, though as he insists below his influences don’t hail from celluloid. That might be considered surprising given Dolan’s ease with cinematic language, but then again, he’s been acting since the age of five and in recent years, writing plum roles for himself in his own films while occasionally doing a voice dub for the likes of Rupert Grint’s Ron Weasley in “Harry Potter,” Taylor Lautner’s Jacob Black in “Twilight” or the titular hero of “Kick-Ass” in their French incarnations, a gig Dolan says “[is] actually very stimulating and interesting as you have to give as much as the actor himself is giving onscreen.”

There’s no question that Dolan is a guy who likes to give his all, particularly to his own films, and he’s already at work on a third, “Laurence Anyways” about a man whose desire to have a sex change operate complicates his relationship with his girlfriend. In the mean time, I recently spoke to the multi-hyphenate about “Heartbeats,” why he turned to directing and not overthinking what he does.

As someone that grew up around the business, has it shaped what you wanted to do with your own films?

Not really, honestly. When I was a kid, I really didn’t think I would become a director and that may seem kind of weird, but I became one to act in “I Killed My Mother” and was afraid that if someone else directed it, they would actually choose a prettier or taller or more famous actor. I thought this is ridiculous because this is my life.

How did this film come together?

[Monia Chokri and Niels Schneider and I] actually did a roadtrip and drove from Montreal to Los Angeles back and forth and we bonded on this trip and thought that we were close enough to now collaborate professionally in the film. And when I got back to Montreal, I actually realized the summer we were supposed to shoot “Laurence Anyways” was postponed for money and time restrictions, so I wrote the script for “Heartbeats” and asked Monia and Niels to join me in the process of doing it.

02222011_Heartbeats2.jpgWas it your intention to do something a little lighter and looser in terms of the rhythm from your first film, “I Killed My Mother”?

It was not intentional, but we shot on film and it’s a different story, it’s a different tone and it’s different characters, so it’s unavoidably different than the first one and that was actually the idea – not doing the same thing over and over again or some kind of sequel. I wanted to surprise people with something lighter and different.

At the same time, one of the really interesting things about it is how fearless it is – capturing these emotions at such a young age, do you worry at all about how is might look from the future?

[laughs] I don’t. I don’t. I do it in the present tense and at this moment in which we’re speaking, it’s already far behind me. It belongs to the past. I’m not thinking about the future at all. And I’m not thinking at all, I think. I do it in a very sincere and free way and then if it pleases people and makes them laugh or makes them cry or interests them or entertain them than so be it, but I don’t really think of anything precise when I direct. I’m young and it may sound naïve to say that, but people come up with analysis and questions and I listen to them and think wow, that’s pretty intelligent, but I did not think of this when I did the film. I wish I had.

I’ve heard you say you’re only influenced by your mistakes as a filmmaker.

All the mistakes in “I Killed My Mother” were pretty influential in the ways I would not repeat them in “Heartbeats.” I’m very critical of my work and I don’t especially love “I Killed My Mother.” It’s a very flawed and pretentious and irritating film in moments. There are good things in it, but I’m not the greatest fan of the film. And what I mean is people think I’ve seen so many films and that I had so many influences, but it’s not the case. Most of my influences are in literature or in painting or visual arts, poems, writers. Not films. I still have a lot of films to see. I’m not the most cultured person.

Are you actually happier that “Heartbeats” appears to be getting a wider release than “I Killed My Mother,” at least in the U.S.?

Well, I’m not happier. They’re quite different films. For me, they are parallel things, but they’re different. So yeah, I’m happy it’s my introduction to the American market, if that’s what you mean, but yeah, I think “Heartbeats” is a more solid film, but at the same time, it’s less intense. “I Killed My Mother” is more raw and more intense.

02222011_Heartbeats3.jpgOne of the things I found most fascinating about “Heartbeats” is how in the film’s introduction, one of the characters is discussing e-mail, which clearly marks it as a contemporary film, but you have many other touches like the music choices that suggest you wanted to make something timeless. How did you reconcile those two things?

You’re absolutely right. It was important to me there was some kind of diversity in the film with the music, the costumes and everything so that we could understand the problem that we’re talking about, which is unrequited love, is timeless and temporal.

I thought having music artists from different periods from Dalida to the Nice, the Swedish band from this century, to France Gall to House of Pain – I had in mind to offer a form of variety in matters of time period and stuff like this and I thought that would portray real well the fact that unrequited love is not something new or exclusive to these years. It’s always been there. I’m not inventing anything.

“Heartbeats” is now available on VOD and opens in New York and Los Angeles on February 25th.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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