Outrage in the Age of Superhero Outsourcing

Outrage in the Age of Superhero Outsourcing (photo)

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He’s called the Man of Steel, not the Man of American-Made Steel. But apparently it’s a huge scandal that British actor Henry Cavill has been cast in the role of Superman in Zack Snyder’s upcoming reboot. It’s prompted the requisite fanboy outrage — let’s face it, fanboys have only one expressible emotion, and that’s outrage — and now the story’s spreading to legitimate outlets as well. The Hollywood Reporter‘s Heat Vision Blog published a story this morning called “Why Americans Don’t Play Superheroes.” It features angry fan reaction (“It’s disgusting casting to the highest degree, and I will never ever see a movie with a Brit as Superman.”) and a rundown of recent other “disgusting” castings like Christian Bale (British) as Batman, Andrew Garfield (British) as the new Spider-Man, and Chris Hemsworth (Australian) as Thor.

This whole thing is so stupid from so many angles I don’t even know where to begin. As a comic book reader myself, I understand Superman’s unique and important place in American popular culture. But is he any more American than Batman just because he supposedly fights for “truth, justice, and the American way?” I don’t recall a lot of hand-wringing over Bale’s initial casting; I remember a lot more over American George Clooney’s casting for “Batman and Robin.” And Bale’s Batman seemed to work out okay; unless I saw “The Dark Knight” 44 million times and gave it a domestic gross of $530 million all by myself.

I don’t see much difference between Batman and Superman; I do see a difference between Batman and Superman and Thor, since the comics’ Thor is an ancient Norse god who speaks in a faux Shakespearian dialect (i.e. “Thou shalt taste the might of Mjolnir!”). Why is an American actor any more qualified to play that sort of character than a British actor or an Australian actor? He’s a Scandinavian God; according to this sort of logic, shouldn’t a Scandinavian actor play the part? It’s American apples and Norse oranges.

On some level, yes, it is interesting that a British actor was hired to play Superman since that hasn’t happened before. And, yes, there are quite a few foreign born stars playing superheroes lately. But that Heat Vision article makes it seem like there are no Americans left in the superhero game, and that’s completely untrue. The biggest superhero franchise right now is “Iron Man,” headed by American actor Robert Downey Jr. He’ll next appear as that character in “The Avengers,” alongside fellow Americans Samuel L. Jackson (Nick Fury), Jeremy Renner (Hawkeye), Scarlett Johansson (Black Widow), Chris Evans (Captain America, who’s got his own movie as well), and Mark Ruffalo (The Hulk, the second American actor to replace Aussie Eric Bana in that role).

The Heat Vision article expands this discussion of foreign actors playing so-called “American” parts to include Sam Worthington, who succeeded the great American actor Arnold Schwarzenegger in the “Terminator” franchise, and Daniel Day-Lewis who’s set to play Abraham Lincoln in Steven Spielberg’s upcoming biopic about the Great Emancipator. Day-Lewis is maybe the best actor in the world. He creates fascinating characters with flawless accents. In “There Will Be Blood,” he brought to life one of the most fascinating portraits of American greed in movie history. So why can’t he play Lincoln? Is it because he’s a President? I don’t remember people pulling out their hair when Anthony Hopkins played Nixon.

Let’s not forget either that Robert Downey’s other big franchise right now is “Sherlock Holmes.” Has anyone argued he can’t play Holmes because he’s American and that as a result he’s incapable of understanding such a quintessentially British character? No, because he’s an actor. This is what actors do. True, Henry Cavill doesn’t know what it’s like to grow up on a Midwestern farm. I’m pretty sure Henry Cavill doesn’t know what it’s like to be rocketed from his parents’ dying planet in a prenatal birthing matrix either. Somehow, he’ll muddle through.

I guess you could make an argument that these casting choices are objectionable for the same reasons that it’s objectionable when an American company closes their factory in Detroit to move it to a third world country. I have no doubt that Marvel and Sony felt Andrew Garfield was the most qualified individual to play Spider-Man. But I also have no doubt his selection was based on the fact that he was a lot cheaper to hire than the man he replaced, Tobey Maguire. Garfield is reportedly making half a million dollars in the role, a massive savings when compared to the $15 million plus that Maguire made for each of his two Spider-Man sequels. Basically we live in a new age of superhero outsourcing. You spend the money on the property, not the person.

Here’s the thing about getting upset about anyone getting cast in any role for any reason: unless you wrote the screenplay or created the character, you’re overreacting. I understand people care deeply about “Superman.” I understand Cavill — or anyone in that part — has big shoes to fill. Christopher Reeve was a great Superman. But he was a great Superman in a movie produced by Alexander and Ilya Salkind, a Frenchman and his Mexican-born son. And he was a great Superman in a movie based on a comic book that was co-created by Joe Shuster, a Canadian. Superman himself is something of an immigrant too, since he came to the United States from the planet Krypton. When Superman fights for the “American way,” that’s what he’s fighting for: the immigrant’s way.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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