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The Rules of Movie Quoting

The Rules of Movie Quoting (photo)

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If I didn’t quote movies, I might not be married.

I have a weird memory for dialogue. If you asked me what I ate for lunch yesterday, it could take me ten minutes of piecing my week together to figure it out. If you asked me to tell you what George Costanza said to Jerry Seinfeld when Jerry announced he wasn’t going to have a menage a trois with two women, I’d have the answer instantly (“What? Are you crazy?!? This is like discovering plutonium by accident!!!”). It’s just this strange way I’m wired. I’ve gotten a rotten brain. “IT’S ROTTEN, I TELL YA! ROTTEN!”

How’d this antisocial behavior land me such a beautiful wife? Despite my incredible physique and raw animal magnetism, I was a bit of a dork when I was 19 years old. I used to quote a lot of stuff, but my favorite was “Austin Powers” and its sequel. “Austin Powers” was so widely quoted in the late 90s that my lovely wife — who never quotes any movies — often quoted “Austin Powers” at parties. Two mutual friends noticed this and thought our shared love of Fat Bastard was a strong basis for a relationship. Eleven years later, I think it’s safe to say they were right; “love actually is all around.”

So quoting movies can be a force for good in the universe. In 2011 though, movie quoting’s role in a film nerd’s life has changed. In the days before the Internet, there were no message boards or blogs where you could meet people who shared your passion. Comparing movie quotes was how you did that. They were like secret Masonic handshakes; a way for cinephiles to identify and connect with other cinephiles. In the days before YouTube, before DVD chapter stops, before IMDb “Memorable Quotes” pages, movie dialogue was like a geek badge of honor. It required work. It showed you cared. As Lester Bangs says in “Almost Famous,” “the only true currency in this bankrupt world is what we share with someone else when we’re uncool.”

As Patton Oswalt observed in his now-infamous piece for Wired, “Wake Up Geel Culture. Time to Die,” all of those technological advancements brought movie quoting to the masses. They practically made it cool, however briefly, to quote “Austin Powers.” And let’s not forget, before “Austin Powers” went mainstream with its mega-grossing sequel (right around the time file sharing really started to take off), it was basically a cult film. Being able to recite Dr. Evil’s shushing run doesn’t have the cache it used to (if it ever did in the first place) because anyone can find a transcript of it online. Unless you’re one of those people who’s “okay with being unimpressive,” it’s not enough.

Last Friday, a friend forwarded me an article from Splitsider, along with a note, “Thought this would be up your alley.” He was right. The article, by Luke Kelly-Clyne, is called “Please Stop Quoting These Comedies Forever Immediately,” and obviously my alley is a dark and nerdy place where “Monty Python” falsettos endlessly echo off the blacktop. Kelly-Clyne’s concedes to occasionally indulging in the practice of quoting memorable lines for movies, but believes a moratorium is needed on certain titles, including “Anchorman,” “Wedding Crashers,” and “Borat.” Here is his rationale for eliminating “Borat” from the movie quote lexicon:

“It was shocking and wacky, yes. Six years ago. The whole thing is over. If you’re at a party where the host is giving out those memory-eraser pens from “Men In Black,” then you can quote “Borat.” Otherwise, don’t.”

I don’t have a problem with people being sick of “Borat” quotes — I’m sick of them too — but I think there is an arbitrariness to Kelly-Clyne’s piece. He lists ten things you should never quote, and ten things you should quote, and there’s a significant amount of overlap between the two lists. Don’t quote “Chappelle Show” sketches about Rick James, he says, but do quote sketches involving Nick Cannon. Mostly, these lists read like one film lovers’s personal tastes. That’s why we need a standardized set of rules for movie quoting, rules that move beyond simple subjective judgments to acknowledge the pleasure of quoting without denying that pleasures’ limits. Sort of a “The first rule of Fight Club is…” thing.

I feel like I need more time to mull The Rules of Movie Quoting. But this is a solid first draft:

RULE #1: If you don’t know it, don’t quote it.

Like I said, I love a good movie quote. But if you don’t have a quote right, you shouldn’t be reciting it to others. Now that the Internet has made this kind of knowledge so much more accessible, there’s really no excuse not to have a movie quote’s wording and phrasing exactly right. The only thing less cool than quoting a movie is quoting a movie incorrectly. Do it, just do it right. “I’m talking about drawing a line in the sand, Dude. Across this line, you DO NOT… Also, Dude, chinaman is not the preferred nomenclature. Asian-American, please.”

RULE #2: Respect and understand your audience.

There is a time and place for movie quoting. But there are also wrong times and wrong places for movie quoting. For example: if you’re in the theater, waiting for a sequel, don’t sit there and quote the original movie. We all get it, the first movie was great; that’s why we’re here to see the second one. This is the cinematic equivalent of wearing a band’s T-shirt to their concert. “Don’t be that guy.”

RULE #3: Go for the deep cuts.

A repertoire of movie quotes is like a stock portfolio: diversity is key. Back in the Stone Age (pre-2000), movie quotes were about shared experience. Now, they need to become more about connoisseurship. To a lowest common denominator movie quoter, the question “What’s that from?” is a conversational kiss of death. It shouldn’t be. Quoting something obscure can be a pop culture gateway, a chance to share something you love with someone who hasn’t discovered it yet.

“Borat” is a fun movie, but we’ve all done it. Same for “Austin Powers” and “This is Spinal Tap” and “Monty Python and the Holy Grail.” Instead, try something a little more unusual: “Wet Hot American Summer,” or “Quick Change,” or Arnold Schwarzenegger’s commentary track for “Conan the Barbarian.” Be different, but remember: “just because it’s loud doesn’t mean it’s funny.”

I think this is a really good starting point but I welcome your feedback and suggestions in the comments section below and at my Twitter page. If you don’t like it then “up your butt with a coconut.” No refunds if you disagree with me, either. “Consider your refund escaping this death trap with your lives!”

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Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

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Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

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You’ll need them to get through the holidays.

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Comfy Clothes

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Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

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Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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