DID YOU READ

“Loveless,” Reviewed

“Loveless,” Reviewed (photo)

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Whereas most men would refrain from approaching a woman he just saw pulling the hair of another in a bar, Andrew (Andrew von Urtz) walks towards her. It isn’t the first clue in Ramin Serry’s comedy “Loveless” that something is amiss about Andrew, though it is the clearest indication of what’s kept him without obligations of any kind other than a desk job he hates as he nears middle age. He’s also an aspiring filmmaker who uses the promise of his script to bait women into putting up with his advances and projects a certain urbaneness even if he’s utterly unhip.

Like the two women who do find themselves attracted to Andrew during the course of “Loveless,” one’s appreciation of the film may hinge on your tolerance of its central character’s dry wit and lack of ambition, not only since you’re spending 96 minutes in his company, but from storytelling perspective, form and function are largely the same thing. Which isn’t to say “Loveless” isn’t ambitious – just the opposite, in fact, since it is hardly as easy as it looks to make a film as comfortable in its own skin as Serry’s is.

The plot points, such as they are, revolve around Andrew’s handling of Ava (Genevieve Hudson-Price), the irrational younger woman he meets mid-fight at the bar, and Joanna (Cindy Chastain), an ex-girlfriend his own age who rekindles their relationship while trying to find financing for his film. There is some dramatic tension to be mined from questions of whether the love triangle will be resolved or whether Andrew will ever get to make his film, yet the film is largely driven by what Serry is able to find in the nooks and crannies of Andrew’s personality, which is oddly confident despite any signs of success.

Somehow, it wasn’t surprising to learn later that the film’s production style – including a cast made up of mostly nonprofessional actors (save for a brilliantly loony Scott Cohen as Ava’s obsessive big brother) and a setting mostly in the filmmaker’s own apartment – was largely inspired by “Beeswax” writer/director Andrew Bujalski, whose gift has been to put authenticity first while always finding the humor and narrative along the way. “Loveless” is actually a little more strident in those latter two categories, but rarely feels forced, even when it involves Ava’s family’s funny (and creepy) tendency to talk aloud to their dead patriarch before making major decisions. That Serry occasionally shows up on screen as a friend of Andrew’s usually pushing a stroller or holding a baby is a fair analogy for the film itself, given the amount of care that’s put into it. Unlike Andrew, “Loveless” is able to have it all.

“Loveless” is now open in New York.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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