A Spirited Q & A With “Tiny Furniture” Actress/Writer/Director Lena Dunham

A Spirited Q & A With “Tiny Furniture” Actress/Writer/Director Lena Dunham (photo)

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As a way of celebrating this year’s nominees for the Spirit Awards in the weeks leading up to the ceremony, we reached out to as many as we could in an effort to better understand what went into their films, what they’ve gotten out of the experience, and where they’ve found their inspiration, both in regards to their work and other works of art that might’ve inspired them from the past year. Their answers will be published on a daily basis throughout February.

Of all the things written about Lena Dunham in the past year, a span of 12 months that has included a New York Times piece on her ultra-low budget feature “Tiny Furniture”‘s successful debut at SXSW in March and culminated with a lengthy profile in The New Yorker upon its release in November, the irony, which has surely not been lost on the actress/writer/director, has been the best teller of Dunham’s story is herself. Words have come tumbling out, just as they cascaded from the tongue of Dunham’s onscreen alter ego Aura, because it’s rare to witness a genuine phenomenon, a singular voice that captures the ambivalence of a particular time and age while wringing it for laughs with an honesty that is both courageous — which as Alison Willmore noted in her review, was due in no small part to “Dunham’s nigh-majestic lack of vanity” – and cringe-inducingly familiar.

02142011_LenaDunhamTinyFurniture.jpgThis isn’t to confuse what Dunham has done with “Tiny Furniture” as autobiography, despite the casting of her mother and sister in their natural roles onscreen in the suspiciously similar story of a young woman who moves back in with her family in New York to deal with post-college malaise. Although the parallels to her real life are well-documented, Dunham is hardly lacking ambition. At just 24, Dunham honed her observational style on Web series (“Delusional Downtown Divas”) and her first feature “Creative Nonfiction,” if not necessarily sharpening it — the charm of her style is in its disarming looseness, as if there’s no filter between her mind and her mouth. Yet “Tiny Furniture” is precise in the feelings it elicits, no doubt a product of Dunham’s script, nominated for Best First Screenplay, and the keen-eyed cinematography of Jody Lee Lipes, also nominated for a Spirit Award.

These days, if Dunham doesn’t know where life will take her next, it’s because of all the many choices in front of her — she’s already at work on her first TV series, the Judd Apatow-produced HBO series “Girls,” an adaptation of David Levithan and Rachel Cohn’s “Dash and Lily’s Book of Dares” for “The Social Network” producer Scott Rudin, and also co-wrote “You Wont Miss Me” director Ry Russo Young’s next film “Nobody Walks.” Whatever direction she decides to take, Dunham is clearly going somewhere no one else has, and quite possibly taking what we hold as the standard for great comedy with her.

Why did you want to make this film?

“Tiny Furniture” was doing laps in my head for almost a year before I wrote it. I waited until my desire to tell the story was almost unbearable before I started to write. The time between graduation and landing in the adult world is painful, frustrating, funny, oddly universal — many of the qualities I search for in a favorite film. I needed to give it a shot.

What was the best piece of advice you received that applied to the making of this film?

The film’s editor, Lance Edmands, encouraged me to show more private moments with my character. The DP, Jody Lee Lipes, gave me permission to take my time with scenes, breathe, even though they’re dialogue heavy. These bits of wisdom really aided the neither-here-nor-there dramedic tone I was hoping for.

What was the toughest thing to overcome, whether it applies to a particular scene or the film as a whole?

There were benefits and challenges to the incredibly low budget. The benefits: creative freedom, forced resourcefulness, people doing it for the love of the game. Challenges: never enough time, manpower or snack foods.

What’s been the most memorable moment while you’ve traveled with the film, either at a festival or otherwise?

Seeing the film play for the first time in front of an international audience in Israel. No one laughed and I was terrified, but afterwards people seemed to have liked it. (They just thought it was a drama.)

Also, the time I heard three octogenarian women discussing how much they hated it in a bathroom in Sarasota, Florida.

What’s your favorite thing about your film that’s been largely uncommented upon?

I love when people notice the costumes. Every actor dressed themselves, and it feels like a testament to how well they knew and loved their own characters.

What’s been the most gratifying thing to come out of this film for you personally?

The chance to work more, and with additional resources, and most of all with people I admire.

What’s been your favorite film, book or album from the past year?

“Fish Tank”

“Tiny Furniture” remains available on demand continues to play around the country — a full list of screenings is here — and will return to Los Angeles at the New Beverly on February 16th and 17th. The Spirit Awards will air on IFC on February 26th.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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