A Spirited Q & A With “Tiny Furniture” Actress/Writer/Director Lena Dunham

A Spirited Q & A With “Tiny Furniture” Actress/Writer/Director Lena Dunham (photo)

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As a way of celebrating this year’s nominees for the Spirit Awards in the weeks leading up to the ceremony, we reached out to as many as we could in an effort to better understand what went into their films, what they’ve gotten out of the experience, and where they’ve found their inspiration, both in regards to their work and other works of art that might’ve inspired them from the past year. Their answers will be published on a daily basis throughout February.

Of all the things written about Lena Dunham in the past year, a span of 12 months that has included a New York Times piece on her ultra-low budget feature “Tiny Furniture”‘s successful debut at SXSW in March and culminated with a lengthy profile in The New Yorker upon its release in November, the irony, which has surely not been lost on the actress/writer/director, has been the best teller of Dunham’s story is herself. Words have come tumbling out, just as they cascaded from the tongue of Dunham’s onscreen alter ego Aura, because it’s rare to witness a genuine phenomenon, a singular voice that captures the ambivalence of a particular time and age while wringing it for laughs with an honesty that is both courageous — which as Alison Willmore noted in her review, was due in no small part to “Dunham’s nigh-majestic lack of vanity” – and cringe-inducingly familiar.

02142011_LenaDunhamTinyFurniture.jpgThis isn’t to confuse what Dunham has done with “Tiny Furniture” as autobiography, despite the casting of her mother and sister in their natural roles onscreen in the suspiciously similar story of a young woman who moves back in with her family in New York to deal with post-college malaise. Although the parallels to her real life are well-documented, Dunham is hardly lacking ambition. At just 24, Dunham honed her observational style on Web series (“Delusional Downtown Divas”) and her first feature “Creative Nonfiction,” if not necessarily sharpening it — the charm of her style is in its disarming looseness, as if there’s no filter between her mind and her mouth. Yet “Tiny Furniture” is precise in the feelings it elicits, no doubt a product of Dunham’s script, nominated for Best First Screenplay, and the keen-eyed cinematography of Jody Lee Lipes, also nominated for a Spirit Award.

These days, if Dunham doesn’t know where life will take her next, it’s because of all the many choices in front of her — she’s already at work on her first TV series, the Judd Apatow-produced HBO series “Girls,” an adaptation of David Levithan and Rachel Cohn’s “Dash and Lily’s Book of Dares” for “The Social Network” producer Scott Rudin, and also co-wrote “You Wont Miss Me” director Ry Russo Young’s next film “Nobody Walks.” Whatever direction she decides to take, Dunham is clearly going somewhere no one else has, and quite possibly taking what we hold as the standard for great comedy with her.

Why did you want to make this film?

“Tiny Furniture” was doing laps in my head for almost a year before I wrote it. I waited until my desire to tell the story was almost unbearable before I started to write. The time between graduation and landing in the adult world is painful, frustrating, funny, oddly universal — many of the qualities I search for in a favorite film. I needed to give it a shot.

What was the best piece of advice you received that applied to the making of this film?

The film’s editor, Lance Edmands, encouraged me to show more private moments with my character. The DP, Jody Lee Lipes, gave me permission to take my time with scenes, breathe, even though they’re dialogue heavy. These bits of wisdom really aided the neither-here-nor-there dramedic tone I was hoping for.

What was the toughest thing to overcome, whether it applies to a particular scene or the film as a whole?

There were benefits and challenges to the incredibly low budget. The benefits: creative freedom, forced resourcefulness, people doing it for the love of the game. Challenges: never enough time, manpower or snack foods.

What’s been the most memorable moment while you’ve traveled with the film, either at a festival or otherwise?

Seeing the film play for the first time in front of an international audience in Israel. No one laughed and I was terrified, but afterwards people seemed to have liked it. (They just thought it was a drama.)

Also, the time I heard three octogenarian women discussing how much they hated it in a bathroom in Sarasota, Florida.

What’s your favorite thing about your film that’s been largely uncommented upon?

I love when people notice the costumes. Every actor dressed themselves, and it feels like a testament to how well they knew and loved their own characters.

What’s been the most gratifying thing to come out of this film for you personally?

The chance to work more, and with additional resources, and most of all with people I admire.

What’s been your favorite film, book or album from the past year?

“Fish Tank”

“Tiny Furniture” remains available on demand continues to play around the country — a full list of screenings is here — and will return to Los Angeles at the New Beverly on February 16th and 17th. The Spirit Awards will air on IFC on February 26th.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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Draught Pick

Sam Adams “Keeps It Brockmire”

All New Brockmire airs Wednesdays at 10P on IFC.

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From baseball to beer, Jim Brockmire calls ’em like he sees ’em.


It’s no wonder at all, then, that Sam Adams would reach out to Brockmire to be their shockingly-honest (and inevitably short-term) new spokesperson. Unscripted and unrestrained, he’ll talk straight about Sam—and we’ll take his word. Check out this new testimonial for proof:

See more Brockmire Wednesdays at 10P on IFC, presented by Samuel Adams. Good f***** beer.

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