DID YOU READ

Funny Ladies

Funny Ladies (photo)

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Christopher Hitchens once courted controversy by penning an article entitled “Why Women Aren’t Funny” in Vanity Fair, to which this year’s Spirit Awards almost seem intended as a pointed rebuke. The funny business was good for both sexes in 2010, but extraordinary for those without the Y chromosome, resulting a group of pictures that heralds what’s new and next for comedy.

Of course, one of the most nominated films of the evening is “The Kids Are All Right,” Lisa Cholodenko’s comedy about the children of lesbian parents (Annette Bening and Julianne Moore) who seek out their biological father (Mark Ruffalo). Cholodenko, who had been best known for drama, took a turn towards comedy with her latest, with the help of longtime comedy screenwriter Stuart Blumberg (“The Girl Next Door,” “Keeping the Faith”), and as it turns out, the sun-dappled San Fernando Valley that seemed so foreboding in her music biz family drama “Laurel Canyon” was ripe for something a little more lighthearted. It’s a sly maneuver on the writer/director’s part since she gets at something deeper under the guise of getting laughs, but that’s true in the case of nearly every one of this year’s nominated funnywomen.

In the case of Lena Dunham’s triple-nominated “Tiny Furniture,” the film’s writer/director/star takes the well-worn story of a college grad overcome by ambivalence about where her life will take her and transforms it into an often hilarious and introspective unromantic comedy built around her unique comic persona after she breaks up with one boyfriend and gauges the interest of potentially another while struggling to discover who she is. Though Dunham is nominated in the Best First Feature and Best First Screenplay categories, it is arguable it’s her second time around doing both, having honed a dry wit and a proclivity to wring humor from soul-baring on the hour-long feature “Creative Nonfiction” a year earlier. Then again, perhaps it’s why “Tiny Furniture” is accomplished as it is, paving the way for Dunham’s upcoming Judd Apatow-produced series on HBO and serving as just the first of what one can expect to be many signature films from the multihyphenate.

Equally fearless if only in an acting capacity — at least on “Greenberg,” since she’s been a credited writer elsewhere — Greta Gerwig’s Best Female Lead-nominated performance in Noah Baumbach’s dramedy about a misanthropic New Yorker (Ben Stiller) trying to regain control of his life while housesitting for his brother in Los Angeles gave the film a light as bright as Gerwig’s ear-to-ear grin, even if she was playing a more self-destructive character than the one in the film’s title. There’s a reason Gerwig has been the actress seemingly anointed by Hollywood to crossover from the low-budget mumblecore movement since her easygoing charms in films like Joe Swanberg’s “Hannah Takes the Stairs” and the Duplass brothers’ “Baghead” are infectious. Yet it’s Gerwig’s vulnerability – a reason she especially adept at both drama and comedy – that has already landed her roles in this year’s “No Strings Attached,” “Arthur” and the eagerly anticipated return of Whit Stillman, “Damsels in Distress” because her humor comes from such a warm, relatable and human place.

Those very same qualities could describe the films of Nicole Holofcener, who could be considered the dean of this year’s class of Spirit Award-nominated comediennes. Appropriately enough, she isn’t only nominated for her screenplay for “Please Give,” the sharply drawn dramedy about a New York family (Catherine Keener, Oliver Platt and Sarah Steele) waiting on their elderly neighbor (Ann Guilbert) to pass on so they can expand their apartment, but that the film will be honored with the Robert Altman Award, which one of the Spirit Awards’ most distinguished prizes to celebrate the year’s finest ensemble cast. There are no small parts in Holofcener’s work, a belief that all these women share in common – that, and a funny bone.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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