DID YOU READ

First-Time Nominees, Longtime Excellence

First-Time Nominees, Longtime Excellence (photo)

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It’s hard to imagine such veterans of the stage and screen as Natalie Portman, Nicole Kidman, and Annette Bening being called newcomers in any situation nowadays, but would you believe this is the first time they’ve been nominated for Spirit Awards? They will be joining bona fide newcomers like Jennifer Lawrence (“Winter’s Bone”) Lena Dunham (“Tiny Furniture”), Ronald Bronstein (“Daddy Longlegs”) and Ashley Bell (“The Last Exorcism”) on the beach for this year’s ceremony, with all reaching a pinnacle in their careers with the work in their latest film. In many cases, these are not discoveries, so much as rediscoveries – an acknowledgement of all the fine work they’ve been doing for so long as well as a signifier what’s new and next in their careers.

In the case of Bening and Kidman, there’s not much left to prove as two of the most dynamic actresses of the era, so it’s telling that their first Spirit Award nominations arrive with some of the most ordinary roles of their careers, both as mothers just trying to deal with domestic stress. For Bening, “The Kids Are All Right,” in which she plays a mother just trying to keep her family together, was only the second half of a one-two punch year which also saw the actress turn in a devastating performance in Rodrigo Garcia’s “Mother and Child,” where she played a woman who gave up her daughter for adoption after an unwanted pregnancy years earlier, demonstrating a range between the two that has unfortunately become a luxury almost exclusive to independent film these days. No wonder then that Kidman had to go outside the system to produce just her second film “Rabbit Hole” to star in herself as the grieving mother of a child that died in a car accident. One would argue both actresses, having had considerable success in Hollywood, are simply creating their own opportunities nowadays and are paving the way for others to follow.

Incidentally, one of those actresses could easily be Portman, whose character in “Black Swan” undergoes a radical transformation, but as an actress has long embraced independent film from one of her early breakthrough performances in 1996’s “Beautiful Girls” to turns in Amos Gitai’s “Free Zone” and Wong Kar-wai’s “My Blueberry Nights.” While she has transformed from a young girl to a woman in front of our eyes on the big screen, what is lesser known is how she’s set up her own production company Handsome Charlie Films, which could position Portman for a Spirit Award next year not only as an actress, but as a producer of the drama “Hesher” and that she’s been nominated now for her thrilling performance in “Black Swan” is just a glimpse of things to come.

Another actor surprisingly making his Spirit Awards debut as a nominee is Ben Stiller, who helped bring down the house last year as last year’s honorary chair who presented the evening’s final award for best feature and at the time wondered why he was asked since as he recalled he hadn’t made an indie since the 1990s. Well, his first crack at it in quite some time was his deeply felt performance as the easily irritable Roger Greenberg in Noah Baumbach’s sad and funny character study “Greenberg.” Stiller actually took over the role from Mark Ruffalo, who of course would go on to make “The Kids Are All Right,” and it gave the actor an opportunity to explore some of his darker impulses as he did in his early career with “Permanent Midnight” and Neil LaBute’s “Your Friends and Neighbors.” While the role won’t likely change the direction of Stiller’s career – as you might’ve noticed, he’s enjoying quite the streak of wide-reaching crowdpleasers – it did have implications for the film’s writer/director Baumbach, who has since been brought on to write or rewrite Stiller’s bigger budget films in the year that’s followed, suggesting that a fruitful new director/actor collaboration was born.

In fact, a usual common denominator amongst all of this year’s first-time nominated actors is how their directors tapped into something that had always existed yet was rarely exploited, something that was particularly true with the Spirit Award-nominated “Jack Goes Boating” and “Winter’s Bone,” which both boasted their share of longtime character actors who are long overdue for recognition. Philip Seymour Hoffman knew what he had with John Ortiz and Daphne Rubin-Vega on “Jack Goes Boating” since they had originated their roles on stage in 2007 before Hoffman decided to adapt the play for the screen, but gave both actors a chance to show off a different side than what they’ve often been pegged for before – Ortiz has been a villain of choice in Hollywood blockbusters of late such as “American Gangster” and “Fast & Furious,” while Rubin-Vega may best be known for her fierce Tony Award-nominated turn as part of the original cast of “Rent” – and in each case, they handle their parts beautifully as a married couple who try to set up friends, resulting in supporting Spirit Award nods for them both.

As for “Winter’s Bone”‘s John Hawkes and Dale Dickey, who also scored Spirit Award nominations for Best Supporting Male and Female, respectively, the nods mark a turning point of two of the great faces of TV and film in recent years. Given the room to really inhabit the roles of the fearsome denizens of the Ozarks in Debra Granik’s harrowing drama, Hawkes and Dickey pounced on the opportunity to chew on a meaty role on the big screen after being best known for creating indelible characters on the small screen in “Deadwood” and “My Name is Earl.” Like the rest of this year’s acting nominees, Hawkes and Dickey presented a different vision of the world, and by extension could be seen in a whole new light themselves, representing what’s next for audiences as they and many more from the 2010 Spirit Award class will be reinventing themselves and gracing screens for years to come.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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