DID YOU READ

“Let” Them Entertain You and More New DVDs

“Let” Them Entertain You and More New DVDs (photo)

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A look at what’s new on DVD today:

“Let Me In” (2010)
Directed by Matt Reeves
Released by Anchor Bay Entertainment

“Never Let Me Go” (2010)
Directed by Mark Romanek
Released by Fox Home Entertainment

Two of 2010’s most underrated films that approach their respective genres from radically different perspectives than most, “Cloverfield” director Matt Reeves’ “Let Me In” and Mark Romanek’s “Never Let Me Go” will finally have the opportunity to stand out on home video. In “Let Me In,” Reeves applies some of his own biographical touchstones for this remake of Tomas Alfredson’s horror film about the unlikely friendship between a vampire (Chloe Moretz) and a lonely young boy (Kodi Smit-McPhee). Romanek’s adaptation of Kazuo Ishiguro’s much-beloved sci-fi novel about a group of children raised apart from the rest of society for purposes that are unknown to them. (Alison Willmore’s reviews for “Let Me In” and “Never Let Me Go” and her interview with Romanek and Matt Singer’s interview with “Let Me In” composer Michael Giacchino can be found here.)

“Beverly Hills Chihuahua 2” (2011)
Directed by Alex Zamm
Released by Disney Home Entertainment

Yes, there’s a direct-to-video sequel featuring the George Lopez-voiced tough-talking pooch who must save his owner’s home from foreclosure by entering into a dog show.

“Chain Letter” (2010)
Directed by Deon Taylor
Released by Image Entertainment

“Thirteen” star Nikki Reed and the gruff-voiced Keith David and Brad Dourif star in this horror flick about a high school circle of friends who are killed off one-by-one if they decide against passing along a threatening letter to each other.

“Conviction” (2010)
Directed by Tony Goldwyn
Released by Fox Home Entertainment

Hilary Swank stars as Betty Anne Waters, the real-life attorney who went to law school solely to free her brother (a scene-stealing Sam Rockwell) who she believes has been wrongly accused in this drama directed by Tony Goldwyn. (Matt Singer’s interview with Rockwell and my interview with Goldwyn can be found here.)

“Death Tube 2” (2010)
Directed by Yohei Fukuda
Released by Cinema Epoch

Yohei Fukuda directed this second installment in the J-horror series about a group of killers who prey on each other online.

01282011_ElenaUndone.jpg“Elena Undone” (2010)
Directed by Nicole Conn
Released by Wolfe Video

Already noted for breaking the record for the longest onscreen kiss, Nicole Conn’s romantic drama concerns a lesbian author who finds love with the wife of a pastor.

“11 Harrowhouse” (1974)
Directed by Aram Avakian
Released by Shout! Factory

Charles Grodin and Candice Bergen star in this comedy where Grodin plays a diamond cutter whose job divided a top-grade rock turns into his inadvertent involvement in a jewelry heist.

“Farm Girl in New York” (2010)
Directed by J. Robert Spencer
Released by Maverick Entertainment Group

Not surprisingly a favorite of the upstate New York festival circuit in 2008, J. Robert Spencer’s romantic comedy centers on two smalltown guys who take off for the big city and soon find themselves writing a play about their experience as a way to meet women who audition for it.

“Forgotten Pills” (2009)
Directed by David Hefner
Released by Synkronized USA

A winner at last year’s Dances With Films festival, “Hell Ride”‘s Larry Bishop stars in David Hefner’s thriller about a group of friends who decide to raise hell when they have a vial of pills that erases their memory from the night before, though unfortunately it won’t erase the memories of who they harm in the process.

“Giulia Doesn’t Date at Night” (2009)
Directed by Giuseppe Piccioni
Released by Entertainment One

This Valeria Golino romantic drama from Italy about a man whose interest is piqued by his daughter’s mysterious swim teacher (Golino) was originally intended to get a U.S. theatrical release that never came, so this will be the first opportunity for Americans to see the multiple David Di Donatello nominee.

01282011_Hatchet2.jpg“Hatchet II” (2010)
Directed by Adam Green
Released by Dark Sky Films

Since Adam Green’s unrated slasher thriller controversially played less than a week in theaters, it’s fair to say this will also be the first chance for horror fans to see Danielle Harris’ Marybeth take revenge on the swampbound serial killer Victor Crowley (Kane Hodder), with additional creepiness thrown in by Tony Todd’s Reverend Zombie.

“Lucky Lady” (1975)
Directed by Stanley Donen
Released by Shout! Factory

Shout! Factory unearths this 1975 prohibition-set comedy that pits moonshine-runners Burt Reynolds and Gene Hackman against each other for the love of Liza Minnelli. Stanley Donen directs from a script by George Lucas collaborators William Huyck and Gloria Katz.

“Mean Girls 2” (2011)
Directed by Melanie Mayron
Released by Paramount Home Video

Although Lindsay Lohan might’ve been up for reprising her role as Cady Heron, only Tim Meadows will be returning for this DTV sequel to the 2004 comedy, which presumably will keep the meanness of high school cliques without neccessarily the wit of Tina Fey. (trailer)

“Monsters” (2010)
Directed by Gareth Edwards
Released by Magnolia Home Entertainment

Now that he’s been tapped to direct a new version of “Godzilla,” it’s high time audiences get familiar with this low-budget sci-fi wonder about a journalist (Scoot McNairy) and his boss’ daughter (Whitney Able) as they travel across Mexico after an alien invasion to a supposedly safe zone just across the U.S. border. (My interview with Edwards and Matt Singer’s consideration of the film is here.)

“Night Catches Us” (2010)
Directed by Tanya Hamilton
Released by Magnolia Home Entertainment

Tanya Hamilton’s labor of love about stars Anthony Mackie and Kerry Washington as Marcus and Pat, two ex-Black Panthers whose romantic reunion in Philadelphia after being apart for the better part of a decade is short-lived, thanks to a current Panther (“The Wire”‘s Jamie Hector) who wants Marcus’ head, a detective (Wendell Pierce) who wants to blackmail him and an unpredictable client (Amari Cheatom) of Pat’s pro bono law practice.

Pre-Code: “Hell Harbor”/”Jungle Bride” (1930/1933)
Directed by Henry King/Harry O. Hoyt
Released by VCI Entertainment

A double bill of uncensored tales of murder and mayhem with a foreign flavor, this set includes “Hell Harbor,” the story of a woman who flees an arranged marriage with an eye toward Havana with an American she falls for, though he’s targeted for murder. “Jungle Bride” also takes place in a tropical locale as a woman convinced of her imprisoned brother’s innocence in a murder takes her fiancé on a hunt to find the real killer and winds up deserted on an island off of South America.

“The Prowler” (1951)
Directed by Joseph Losey
Released by VCI Entertainment

Then-blacklisted Dalton Trumbo helped write the script without credit for this favorite noir of Manny Farber and James Ellroy about a policeman called to the residence of a deejay and his wife and becomes infatuated with the missus while plotting to murder the husband. Matt Zoller Seitz’s video essay gives a taste.

“Quantum Apocalypse” (2010)
Directed by Justin Jones
Released by First Look Pictures

A comet is on a collision course towards Earth and it’s up to four scientists to stop it in this low-budget sci-fi flick.

“Red River” (2010)
Directed by Jacob Ennis
Released by Bloody Earth Films

Not to be confused with the John Wayne classic, Jacob Ennis’ horror film tells the story of Roland Thatcher, a private man in Kentucky who really doesn’t like it when a group of kids begin to encroach on his property.

“Rhineland” (2007)
Directed by Chris Grega
Released by VCI Entertainment

Chris Grega’s 2007 World War II drama focuses on a soldier who is thrust into the heat of conflict and comes to rely on a lieutenant and sergeant who have long since lost the desire to be on the battlefield.

01282011_Skin.jpg“Skin” (2008)
Directed by Anthony Fabian
Released by Entertainment One

A festival favorite, “Hotel Rwanda”‘s Sophie Okonedo stars as Sandra Laing, a black South African born to white parents (Alice Krige and Sam Neill), causing upheaval in her community and her family during apartheid in this true-life drama.

“The Tillman Story” (2010)
Directed by Amir Bar-Lev
Released by Sony Pictures Home Entertainment

“My Kid Could Paint That” documentarian Bar-Lev demystifies the 2004 death of the NFL star-turned-soldier in Afghanistan. Through interviews with Pat Tillman’s mother Dannie and his widow Marie, as well as friends and fellow soldiers, the film goes into the U.S. military’s cover-up of his death caused by friendly fire and the true heroism of the former Arizona Cardinal that far exceeded the image cultivated by the government in his wake. (Aaron Hillis’ interview with Bar-Lev and my review are here.)

“Welcome to the Rileys” (2010)
Directed by Jake Scott
Released by Samuel Goldwyn Films

This drama stars James Gandolfini and Melissa Leo as Doug and Lois Riley, an Indiana married couple that’s still struggling with the death of their daughter eight years earlier when Doug is shaken out of his stupor by his nonsexual encounter with Kristen Stewart’s lady of the night during a business trip to New Orleans. (Coverage of the film’s premiere at the Los Angeles Film Festival.)

“A Woman, a Gun and a Noodle Shop” (2010)
Directed by Zhang Yimou
Released by Sony Pictures Home Entertainment

“Hero” director Yimou helmed this rare Chinese remake of an American film with his own spin on the Coen brothers’ “Blood Simple” where the humble owner of a the titular noodle shop in Imperial China plots to murder his unfaithful (and neglected) wife and her lover.

New to Blu-ray: Blake Edwards’ “10”, “An Affair to Remember”, Disney’s 1960 animated classic “Alice in Wonderland”, “All About Eve”, Sean Penn’s “Bad Boys”, “Boys Don’t Cry”, “The Double Life of Veronique” (Criterion), the Forest Whitaker basketball drama “Hurricane Season”, “Pleasantville”, “Ray”, Paul W.S. Anderson’s “Shopping”, “You’ve Got Mail”

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

JaniceAndJeffrey_106_MPX-1920x1080

IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

geowash_flat

Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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