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“Let” Them Entertain You and More New DVDs

“Let” Them Entertain You and More New DVDs (photo)

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A look at what’s new on DVD today:

“Let Me In” (2010)
Directed by Matt Reeves
Released by Anchor Bay Entertainment

“Never Let Me Go” (2010)
Directed by Mark Romanek
Released by Fox Home Entertainment

Two of 2010’s most underrated films that approach their respective genres from radically different perspectives than most, “Cloverfield” director Matt Reeves’ “Let Me In” and Mark Romanek’s “Never Let Me Go” will finally have the opportunity to stand out on home video. In “Let Me In,” Reeves applies some of his own biographical touchstones for this remake of Tomas Alfredson’s horror film about the unlikely friendship between a vampire (Chloe Moretz) and a lonely young boy (Kodi Smit-McPhee). Romanek’s adaptation of Kazuo Ishiguro’s much-beloved sci-fi novel about a group of children raised apart from the rest of society for purposes that are unknown to them. (Alison Willmore’s reviews for “Let Me In” and “Never Let Me Go” and her interview with Romanek and Matt Singer’s interview with “Let Me In” composer Michael Giacchino can be found here.)

“Beverly Hills Chihuahua 2” (2011)
Directed by Alex Zamm
Released by Disney Home Entertainment

Yes, there’s a direct-to-video sequel featuring the George Lopez-voiced tough-talking pooch who must save his owner’s home from foreclosure by entering into a dog show.

“Chain Letter” (2010)
Directed by Deon Taylor
Released by Image Entertainment

“Thirteen” star Nikki Reed and the gruff-voiced Keith David and Brad Dourif star in this horror flick about a high school circle of friends who are killed off one-by-one if they decide against passing along a threatening letter to each other.

“Conviction” (2010)
Directed by Tony Goldwyn
Released by Fox Home Entertainment

Hilary Swank stars as Betty Anne Waters, the real-life attorney who went to law school solely to free her brother (a scene-stealing Sam Rockwell) who she believes has been wrongly accused in this drama directed by Tony Goldwyn. (Matt Singer’s interview with Rockwell and my interview with Goldwyn can be found here.)

“Death Tube 2” (2010)
Directed by Yohei Fukuda
Released by Cinema Epoch

Yohei Fukuda directed this second installment in the J-horror series about a group of killers who prey on each other online.

01282011_ElenaUndone.jpg“Elena Undone” (2010)
Directed by Nicole Conn
Released by Wolfe Video

Already noted for breaking the record for the longest onscreen kiss, Nicole Conn’s romantic drama concerns a lesbian author who finds love with the wife of a pastor.

“11 Harrowhouse” (1974)
Directed by Aram Avakian
Released by Shout! Factory

Charles Grodin and Candice Bergen star in this comedy where Grodin plays a diamond cutter whose job divided a top-grade rock turns into his inadvertent involvement in a jewelry heist.

“Farm Girl in New York” (2010)
Directed by J. Robert Spencer
Released by Maverick Entertainment Group

Not surprisingly a favorite of the upstate New York festival circuit in 2008, J. Robert Spencer’s romantic comedy centers on two smalltown guys who take off for the big city and soon find themselves writing a play about their experience as a way to meet women who audition for it.

“Forgotten Pills” (2009)
Directed by David Hefner
Released by Synkronized USA

A winner at last year’s Dances With Films festival, “Hell Ride”‘s Larry Bishop stars in David Hefner’s thriller about a group of friends who decide to raise hell when they have a vial of pills that erases their memory from the night before, though unfortunately it won’t erase the memories of who they harm in the process.

“Giulia Doesn’t Date at Night” (2009)
Directed by Giuseppe Piccioni
Released by Entertainment One

This Valeria Golino romantic drama from Italy about a man whose interest is piqued by his daughter’s mysterious swim teacher (Golino) was originally intended to get a U.S. theatrical release that never came, so this will be the first opportunity for Americans to see the multiple David Di Donatello nominee.

01282011_Hatchet2.jpg“Hatchet II” (2010)
Directed by Adam Green
Released by Dark Sky Films

Since Adam Green’s unrated slasher thriller controversially played less than a week in theaters, it’s fair to say this will also be the first chance for horror fans to see Danielle Harris’ Marybeth take revenge on the swampbound serial killer Victor Crowley (Kane Hodder), with additional creepiness thrown in by Tony Todd’s Reverend Zombie.

“Lucky Lady” (1975)
Directed by Stanley Donen
Released by Shout! Factory

Shout! Factory unearths this 1975 prohibition-set comedy that pits moonshine-runners Burt Reynolds and Gene Hackman against each other for the love of Liza Minnelli. Stanley Donen directs from a script by George Lucas collaborators William Huyck and Gloria Katz.

“Mean Girls 2” (2011)
Directed by Melanie Mayron
Released by Paramount Home Video

Although Lindsay Lohan might’ve been up for reprising her role as Cady Heron, only Tim Meadows will be returning for this DTV sequel to the 2004 comedy, which presumably will keep the meanness of high school cliques without neccessarily the wit of Tina Fey. (trailer)

“Monsters” (2010)
Directed by Gareth Edwards
Released by Magnolia Home Entertainment

Now that he’s been tapped to direct a new version of “Godzilla,” it’s high time audiences get familiar with this low-budget sci-fi wonder about a journalist (Scoot McNairy) and his boss’ daughter (Whitney Able) as they travel across Mexico after an alien invasion to a supposedly safe zone just across the U.S. border. (My interview with Edwards and Matt Singer’s consideration of the film is here.)

“Night Catches Us” (2010)
Directed by Tanya Hamilton
Released by Magnolia Home Entertainment

Tanya Hamilton’s labor of love about stars Anthony Mackie and Kerry Washington as Marcus and Pat, two ex-Black Panthers whose romantic reunion in Philadelphia after being apart for the better part of a decade is short-lived, thanks to a current Panther (“The Wire”‘s Jamie Hector) who wants Marcus’ head, a detective (Wendell Pierce) who wants to blackmail him and an unpredictable client (Amari Cheatom) of Pat’s pro bono law practice.

Pre-Code: “Hell Harbor”/”Jungle Bride” (1930/1933)
Directed by Henry King/Harry O. Hoyt
Released by VCI Entertainment

A double bill of uncensored tales of murder and mayhem with a foreign flavor, this set includes “Hell Harbor,” the story of a woman who flees an arranged marriage with an eye toward Havana with an American she falls for, though he’s targeted for murder. “Jungle Bride” also takes place in a tropical locale as a woman convinced of her imprisoned brother’s innocence in a murder takes her fiancé on a hunt to find the real killer and winds up deserted on an island off of South America.

“The Prowler” (1951)
Directed by Joseph Losey
Released by VCI Entertainment

Then-blacklisted Dalton Trumbo helped write the script without credit for this favorite noir of Manny Farber and James Ellroy about a policeman called to the residence of a deejay and his wife and becomes infatuated with the missus while plotting to murder the husband. Matt Zoller Seitz’s video essay gives a taste.

“Quantum Apocalypse” (2010)
Directed by Justin Jones
Released by First Look Pictures

A comet is on a collision course towards Earth and it’s up to four scientists to stop it in this low-budget sci-fi flick.

“Red River” (2010)
Directed by Jacob Ennis
Released by Bloody Earth Films

Not to be confused with the John Wayne classic, Jacob Ennis’ horror film tells the story of Roland Thatcher, a private man in Kentucky who really doesn’t like it when a group of kids begin to encroach on his property.

“Rhineland” (2007)
Directed by Chris Grega
Released by VCI Entertainment

Chris Grega’s 2007 World War II drama focuses on a soldier who is thrust into the heat of conflict and comes to rely on a lieutenant and sergeant who have long since lost the desire to be on the battlefield.

01282011_Skin.jpg“Skin” (2008)
Directed by Anthony Fabian
Released by Entertainment One

A festival favorite, “Hotel Rwanda”‘s Sophie Okonedo stars as Sandra Laing, a black South African born to white parents (Alice Krige and Sam Neill), causing upheaval in her community and her family during apartheid in this true-life drama.

“The Tillman Story” (2010)
Directed by Amir Bar-Lev
Released by Sony Pictures Home Entertainment

“My Kid Could Paint That” documentarian Bar-Lev demystifies the 2004 death of the NFL star-turned-soldier in Afghanistan. Through interviews with Pat Tillman’s mother Dannie and his widow Marie, as well as friends and fellow soldiers, the film goes into the U.S. military’s cover-up of his death caused by friendly fire and the true heroism of the former Arizona Cardinal that far exceeded the image cultivated by the government in his wake. (Aaron Hillis’ interview with Bar-Lev and my review are here.)

“Welcome to the Rileys” (2010)
Directed by Jake Scott
Released by Samuel Goldwyn Films

This drama stars James Gandolfini and Melissa Leo as Doug and Lois Riley, an Indiana married couple that’s still struggling with the death of their daughter eight years earlier when Doug is shaken out of his stupor by his nonsexual encounter with Kristen Stewart’s lady of the night during a business trip to New Orleans. (Coverage of the film’s premiere at the Los Angeles Film Festival.)

“A Woman, a Gun and a Noodle Shop” (2010)
Directed by Zhang Yimou
Released by Sony Pictures Home Entertainment

“Hero” director Yimou helmed this rare Chinese remake of an American film with his own spin on the Coen brothers’ “Blood Simple” where the humble owner of a the titular noodle shop in Imperial China plots to murder his unfaithful (and neglected) wife and her lover.

New to Blu-ray: Blake Edwards’ “10”, “An Affair to Remember”, Disney’s 1960 animated classic “Alice in Wonderland”, “All About Eve”, Sean Penn’s “Bad Boys”, “Boys Don’t Cry”, “The Double Life of Veronique” (Criterion), the Forest Whitaker basketball drama “Hurricane Season”, “Pleasantville”, “Ray”, Paul W.S. Anderson’s “Shopping”, “You’ve Got Mail”

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

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Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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