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“Let” Them Entertain You and More New DVDs

“Let” Them Entertain You and More New DVDs (photo)

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A look at what’s new on DVD today:

“Let Me In” (2010)
Directed by Matt Reeves
Released by Anchor Bay Entertainment

“Never Let Me Go” (2010)
Directed by Mark Romanek
Released by Fox Home Entertainment

Two of 2010’s most underrated films that approach their respective genres from radically different perspectives than most, “Cloverfield” director Matt Reeves’ “Let Me In” and Mark Romanek’s “Never Let Me Go” will finally have the opportunity to stand out on home video. In “Let Me In,” Reeves applies some of his own biographical touchstones for this remake of Tomas Alfredson’s horror film about the unlikely friendship between a vampire (Chloe Moretz) and a lonely young boy (Kodi Smit-McPhee). Romanek’s adaptation of Kazuo Ishiguro’s much-beloved sci-fi novel about a group of children raised apart from the rest of society for purposes that are unknown to them. (Alison Willmore’s reviews for “Let Me In” and “Never Let Me Go” and her interview with Romanek and Matt Singer’s interview with “Let Me In” composer Michael Giacchino can be found here.)

“Beverly Hills Chihuahua 2” (2011)
Directed by Alex Zamm
Released by Disney Home Entertainment

Yes, there’s a direct-to-video sequel featuring the George Lopez-voiced tough-talking pooch who must save his owner’s home from foreclosure by entering into a dog show.

“Chain Letter” (2010)
Directed by Deon Taylor
Released by Image Entertainment

“Thirteen” star Nikki Reed and the gruff-voiced Keith David and Brad Dourif star in this horror flick about a high school circle of friends who are killed off one-by-one if they decide against passing along a threatening letter to each other.

“Conviction” (2010)
Directed by Tony Goldwyn
Released by Fox Home Entertainment

Hilary Swank stars as Betty Anne Waters, the real-life attorney who went to law school solely to free her brother (a scene-stealing Sam Rockwell) who she believes has been wrongly accused in this drama directed by Tony Goldwyn. (Matt Singer’s interview with Rockwell and my interview with Goldwyn can be found here.)

“Death Tube 2” (2010)
Directed by Yohei Fukuda
Released by Cinema Epoch

Yohei Fukuda directed this second installment in the J-horror series about a group of killers who prey on each other online.

01282011_ElenaUndone.jpg“Elena Undone” (2010)
Directed by Nicole Conn
Released by Wolfe Video

Already noted for breaking the record for the longest onscreen kiss, Nicole Conn’s romantic drama concerns a lesbian author who finds love with the wife of a pastor.

“11 Harrowhouse” (1974)
Directed by Aram Avakian
Released by Shout! Factory

Charles Grodin and Candice Bergen star in this comedy where Grodin plays a diamond cutter whose job divided a top-grade rock turns into his inadvertent involvement in a jewelry heist.

“Farm Girl in New York” (2010)
Directed by J. Robert Spencer
Released by Maverick Entertainment Group

Not surprisingly a favorite of the upstate New York festival circuit in 2008, J. Robert Spencer’s romantic comedy centers on two smalltown guys who take off for the big city and soon find themselves writing a play about their experience as a way to meet women who audition for it.

“Forgotten Pills” (2009)
Directed by David Hefner
Released by Synkronized USA

A winner at last year’s Dances With Films festival, “Hell Ride”‘s Larry Bishop stars in David Hefner’s thriller about a group of friends who decide to raise hell when they have a vial of pills that erases their memory from the night before, though unfortunately it won’t erase the memories of who they harm in the process.

“Giulia Doesn’t Date at Night” (2009)
Directed by Giuseppe Piccioni
Released by Entertainment One

This Valeria Golino romantic drama from Italy about a man whose interest is piqued by his daughter’s mysterious swim teacher (Golino) was originally intended to get a U.S. theatrical release that never came, so this will be the first opportunity for Americans to see the multiple David Di Donatello nominee.

01282011_Hatchet2.jpg“Hatchet II” (2010)
Directed by Adam Green
Released by Dark Sky Films

Since Adam Green’s unrated slasher thriller controversially played less than a week in theaters, it’s fair to say this will also be the first chance for horror fans to see Danielle Harris’ Marybeth take revenge on the swampbound serial killer Victor Crowley (Kane Hodder), with additional creepiness thrown in by Tony Todd’s Reverend Zombie.

“Lucky Lady” (1975)
Directed by Stanley Donen
Released by Shout! Factory

Shout! Factory unearths this 1975 prohibition-set comedy that pits moonshine-runners Burt Reynolds and Gene Hackman against each other for the love of Liza Minnelli. Stanley Donen directs from a script by George Lucas collaborators William Huyck and Gloria Katz.

“Mean Girls 2” (2011)
Directed by Melanie Mayron
Released by Paramount Home Video

Although Lindsay Lohan might’ve been up for reprising her role as Cady Heron, only Tim Meadows will be returning for this DTV sequel to the 2004 comedy, which presumably will keep the meanness of high school cliques without neccessarily the wit of Tina Fey. (trailer)

“Monsters” (2010)
Directed by Gareth Edwards
Released by Magnolia Home Entertainment

Now that he’s been tapped to direct a new version of “Godzilla,” it’s high time audiences get familiar with this low-budget sci-fi wonder about a journalist (Scoot McNairy) and his boss’ daughter (Whitney Able) as they travel across Mexico after an alien invasion to a supposedly safe zone just across the U.S. border. (My interview with Edwards and Matt Singer’s consideration of the film is here.)

“Night Catches Us” (2010)
Directed by Tanya Hamilton
Released by Magnolia Home Entertainment

Tanya Hamilton’s labor of love about stars Anthony Mackie and Kerry Washington as Marcus and Pat, two ex-Black Panthers whose romantic reunion in Philadelphia after being apart for the better part of a decade is short-lived, thanks to a current Panther (“The Wire”‘s Jamie Hector) who wants Marcus’ head, a detective (Wendell Pierce) who wants to blackmail him and an unpredictable client (Amari Cheatom) of Pat’s pro bono law practice.

Pre-Code: “Hell Harbor”/”Jungle Bride” (1930/1933)
Directed by Henry King/Harry O. Hoyt
Released by VCI Entertainment

A double bill of uncensored tales of murder and mayhem with a foreign flavor, this set includes “Hell Harbor,” the story of a woman who flees an arranged marriage with an eye toward Havana with an American she falls for, though he’s targeted for murder. “Jungle Bride” also takes place in a tropical locale as a woman convinced of her imprisoned brother’s innocence in a murder takes her fiancé on a hunt to find the real killer and winds up deserted on an island off of South America.

“The Prowler” (1951)
Directed by Joseph Losey
Released by VCI Entertainment

Then-blacklisted Dalton Trumbo helped write the script without credit for this favorite noir of Manny Farber and James Ellroy about a policeman called to the residence of a deejay and his wife and becomes infatuated with the missus while plotting to murder the husband. Matt Zoller Seitz’s video essay gives a taste.

“Quantum Apocalypse” (2010)
Directed by Justin Jones
Released by First Look Pictures

A comet is on a collision course towards Earth and it’s up to four scientists to stop it in this low-budget sci-fi flick.

“Red River” (2010)
Directed by Jacob Ennis
Released by Bloody Earth Films

Not to be confused with the John Wayne classic, Jacob Ennis’ horror film tells the story of Roland Thatcher, a private man in Kentucky who really doesn’t like it when a group of kids begin to encroach on his property.

“Rhineland” (2007)
Directed by Chris Grega
Released by VCI Entertainment

Chris Grega’s 2007 World War II drama focuses on a soldier who is thrust into the heat of conflict and comes to rely on a lieutenant and sergeant who have long since lost the desire to be on the battlefield.

01282011_Skin.jpg“Skin” (2008)
Directed by Anthony Fabian
Released by Entertainment One

A festival favorite, “Hotel Rwanda”‘s Sophie Okonedo stars as Sandra Laing, a black South African born to white parents (Alice Krige and Sam Neill), causing upheaval in her community and her family during apartheid in this true-life drama.

“The Tillman Story” (2010)
Directed by Amir Bar-Lev
Released by Sony Pictures Home Entertainment

“My Kid Could Paint That” documentarian Bar-Lev demystifies the 2004 death of the NFL star-turned-soldier in Afghanistan. Through interviews with Pat Tillman’s mother Dannie and his widow Marie, as well as friends and fellow soldiers, the film goes into the U.S. military’s cover-up of his death caused by friendly fire and the true heroism of the former Arizona Cardinal that far exceeded the image cultivated by the government in his wake. (Aaron Hillis’ interview with Bar-Lev and my review are here.)

“Welcome to the Rileys” (2010)
Directed by Jake Scott
Released by Samuel Goldwyn Films

This drama stars James Gandolfini and Melissa Leo as Doug and Lois Riley, an Indiana married couple that’s still struggling with the death of their daughter eight years earlier when Doug is shaken out of his stupor by his nonsexual encounter with Kristen Stewart’s lady of the night during a business trip to New Orleans. (Coverage of the film’s premiere at the Los Angeles Film Festival.)

“A Woman, a Gun and a Noodle Shop” (2010)
Directed by Zhang Yimou
Released by Sony Pictures Home Entertainment

“Hero” director Yimou helmed this rare Chinese remake of an American film with his own spin on the Coen brothers’ “Blood Simple” where the humble owner of a the titular noodle shop in Imperial China plots to murder his unfaithful (and neglected) wife and her lover.

New to Blu-ray: Blake Edwards’ “10”, “An Affair to Remember”, Disney’s 1960 animated classic “Alice in Wonderland”, “All About Eve”, Sean Penn’s “Bad Boys”, “Boys Don’t Cry”, “The Double Life of Veronique” (Criterion), the Forest Whitaker basketball drama “Hurricane Season”, “Pleasantville”, “Ray”, Paul W.S. Anderson’s “Shopping”, “You’ve Got Mail”

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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