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“The Bachelor” is the Worst and Best Show On Television

“The Bachelor” is the Worst and Best Show On Television (photo)

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Love is about sacrifice. Marriage teaches me that every Monday night, when I have to sacrifice my desire to watch football so that my wife can indulge her love of crap television to watch “The Bachelor.” As a result, I’ve seen a lot of “The Bachelor” myself over the last couple of years. God help me, I’ve even come to enjoy it.

That’s because “The Bachelor” is more than just a television show. It is the television show, the show that exemplifies all that is terrible and wonderful about our celebrity-obsessed culture. It purports to be a reality show twist on the old “Dating Game,” but it has absolutely no connection to reality whatsoever. It’s really a “fantasy show,” a television drama starring people loosely playing themselves in romantic fantasy about long walks in the mountains and candlelit dinners on the beach and one dude trying to sleep with ten women all at once.

That this story of socially acceptable polygamy is sold to viewers as a long-form story of fairy tale love is just one of the many of contradictions at “The Bachelor”‘s core. Really, the show is all contradictions, the best and worst show on television all at once, and all the things that make it a crime against humanity are the same things that make it essential viewing. Here are just a few of those things:

It Is Basically Impossible to Fall in Love on “The Bachelor”

Fourteen previous seasons of “The Bachelor” have produced the same amount of “winning” married couples as “Rock of Love.”

In other words, none.

True, Bachelor Jason Mesnick married one of the rejects from his season, but only after dumping the woman he had actually proposed to on national television during the most hilariously uncomfortable reunion show in reality history. So that’s one successful relationship in nine years. If any dating service produced results that bad, they would be out of business.

That makes “The Bachelor” terrible because the entire show is predicated upon the notion that two people who meet on a TV show can fall madly in love, but the show itself has proven time and time again that that is almost impossible. “The Bachelor”‘s marriage batting average makes Mario Mendoza look like Ted Williams. At this point, anyone who becomes a contestant on “The Bachelor” is either a)doing it to become famous or b)absolutely crazy.

But that also makes it amazing because these crazy women seem so genuinely smitten with this guy. They go on one date with him — at the same time as ten other women, mind you — and are lucky to kiss him once. But when he sends them packing, they walk away sobbing, their emotions shattered into a million pieces. Nobody likes to get dumped, especially not on camera, but they’ve talked to this dude for maybe a sum total of three and a half hours! General rule of thumb: if I’ve had bus trips longer than your relationship, you can’t be that upset when it ends.

The Bachelor Himself Is A Dud

This season’s “elligible’ bachelor is Brad Womack. He is the first two-time bachelor in series history. Back on season 11, Womack decided not to propose to either of the finalists because he wasn’t in love with either of them. Seems sensible to me, but on “The Bachelor,” not picking one of the finalists is the worst thing you can ever do. On “The Bachelor,” you’re better off murdering a dolphin with your bare hands than dumping both of the finalists.

Don’t believe me? In this season’s premiere Womack claims he’s villified wherever he goes for leaving his first go-around single. If you ask me, Womack’s the most sensible bachelor “The Bachelor”‘s ever had. He didn’t fall in love so he didn’t cheapen the already debased concept of marriage by going through with a sham proposal he would have bailed on six weeks after the season finale. But according to “Bachelor” viewers, Womack’s refusal to participate in this charade made him one of the worst men who ever lived. Hitler. Stalin. Womack.

But just because I think Womack was smart doesn’t mean he’s a great catch. Here’s what we know about his private life based on this season’s premiere: he was abandoned by his father, has trust issues, suffers from panic attacks. He spends his free time watching himself on television, eating cereal alone, jogging alone, and staring out his window thoughtfully alone. He doesn’t appear to have any friends, and he doesn’t have much of a personality. He doesn’t appear to have a job, either. He’s a former bartender whose listed profession on “The Bachelor”‘s Wikipedia page is “Returning Bachelor.” All this guy has going for him is a good body and an extremely comfortable looking couch. Would you go on a dating show, risk humiliation and heartbreak, leave your family and friends, potentially lose your job, all for a shot at that package? It doesn’t matter, because the show found thirty women who would.

That makes “The Bachelor” terrible because you stare at the television in disbelief and wonder what these women see in this guy. I mean if “The Bachelor” was set in some post-apocalyptic wasteland, and Brad Womack was the last fertile man alive in the Forbidden Zone, I could understand the attraction. But right now, this looks like an awful lot of fuss over a six pack and a leather sectional.



But that also makes it amazing because you get to watch these women lose their minds over Brad Womack. Seriously, the show’s only been on for four weeks, and these women are getting so competitive for this schmendrick’s attention that one girl, Michelle, has already expressed her desire to kidnap her fellow contestants. We’re getting dangerously — and excitingly — close to a prison-style shanking at the weekly rose ceremony. Which brings us to my next complaint/highlight…

All the Women On This Show Are Absolutely Crazy

I love women. I think they are special and beautiful creatures. There are times watching “The Bachelor” when I wonder if the creators of this show disagree. They seem to have designed this program to showcase women at the very worst: at their most jealous, their cruelest, their most competitive, their most needy. It’s not really their fault. The Bachelor” puts them into the world’s most glamorous jail. There’s no television or phones or Internet. All they have is their desire for Brad Womack and their desire to keep him from everyone else. When Brad’s not around, when he’s out on a date with someone or he’s eating cereal alone with his shirt off, they have nothing to do but sit around that “Bachelor” mansion and talk about him and each other.

Even worse, an astounding number seem to be carrying huge emotional scars from their past relationships with men. They’ve all been either abused or left or divorced or widowed. And now they’re trying to heal their wounds on “The Bachelor.” So you know that’s not going to end well.

That makes “The Bachelor” terrible because these women deserve better than to have their pain exploited for crass television and laughed at by assholes like me.



But that also makes it amazing because, on a socialogical level, it is absolutely fascinating to see just how quickly the rules of polite society vanish when you put 20 women in a house, take away all forms of entertainment and communication, and tell them to all fall in love with the same man at once. Also, it’s really funny.

It Absolutely Tortures The Contestants

The structure of any given episode of “The Bachelor” is as follows: the remaining female contestants sit around a large and extraordinarily well-lit mansion waiting for a communiqué from Brad Womack. He goes on a one-on-one date and decides whether he’d like to keep that woman around, then a group date with most of the rest of the girls and decides which of that group he’d like to keep around, then a second one-on-one date with another bachelorette he has to decide to keep or dump. At the end of the episode he has to hand out roses to the rest of the women he wants to stay. Anyone who doesn’t have a rose at that point has to hit the bricks.

The show doesn’t ever explain how Womack picks the women for the one-on-one dates. But I’m beginning to suspect that Womack has nothing to do with it all all, and that it’s actually the producers who pick which companion he takes where. Because without fail, every date the Bachelor has is the worst possible date he could have imagined for that woman. So either Womack is the most insensitive and unluckiest man on the planet or the producers are intentionally picking the contestants most likely to hate each date they’ve planned.

For example, last week on the show Womack went walking on the ocean floor with Chantal (who hates deep water) then later went rappelling down the side of a skyscraper with Michelle (who hates heights). You might have heard about next week’s notorious group date where Womack takes a NASCAR driver’s widow named Emily to a NASCAR track. Sounds bad, but it couldn’t be any worse than date Brad and Emily’s first date, when Womack flew Emily in a private plane not unlike the one that her husband died in so he could wisk her away to a “romantic” picnic at a winery.

That makes “The Bachelor” terrible because in any other situation, in any other context, that would be Brad and Emily’s first and last date. But “The Bachelor” loves to portray these nightmare rendezvous as important personal milestones. They’re conquering their fears as they’re falling in love!

But that also makes it amazing because you get to watch these poor women freak out and sweat, and cry, and shatter that veneer of fake charm that they wear at all times on the show because they know they’re on camera and don’t want to look bad in front of a couple million people. And even though I know I shouldn’t, I really enjoy that. And if you’re watching “The Bachelor” and you’re being honest, you do too.


You can watch every episode of this season of “The Bachelor” on Hulu.

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Swimming To Cambodia Spalding Gray

Gray's Anatomy

Everything You Need to Know About the Movie That Inspired “Parker Gail’s Location is Everything”

Brand new Documentary Now! airs Wednesday at 10P on IFC.

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Photo Credit: Cinecom Pictures

This week Documentary Now! spotlights a master monologist with “Parker Gail’s Location is Everything.” Before you tune in at 10P this Wednesday on IFC, check out our guide to Swimming to Cambodia, the 1987 film that captured writer/performer Spalding Gray’s acclaimed one-person show.

Spalding Gray 101

Swimming to Cambodia
Cinecom Pictures

Actor and renowned monologist Spalding Gray spent two years on stage perfecting his Obie Award-winning “Swimming to Cambodia” monologue. In it, Gray tells the story of his eight weeks in Southeast Asia while shooting the 1984 Academy Award-winning movie The Killing Fields. He had a small role, but the experience gave him several anecdotes about hanging out with the film crew and experiencing the local culture, all while searching for “the perfect moment.”

Directed by the Silence of the Lambs Guy

Hannibal Lecter
Orion Pictures/Everett Collection

Acclaimed filmmaker Jonathan Demme took Gray’s two-night, four hour performance and crafted it down to 85 minutes. His use of dramatic lighting, stylish camerawork and a score by performance artist Laurie Anderson was praised by critics and earned the film a cult following. No stranger to groundbreaking docs, Demme also directed the 1984 Talking Heads concert film Stop Making Sense, which Documentary Now! pays tribute to in this season’s episode “Final Transmission.”

All about the Voices

While it may have been a one-man show, Gray created a repertoire of characters all with distinctive accents. (He portrayed conversations between himself and others just by turning his head.) Our favorite impressions are of his demanding girlfriend Renee and Ivan Strasberg, the South African director of photography on The Killing Fields who, as depicted by Gray, sounds a bit like a Jamaican surfer.

The Original Cranky New Yorker

In one memorable scene, Gray rants about how his noisy upstairs artist neighbors are driving him and Renee crazy. Even in the mid-’80s, there were New Yorkers complaining that the city wasn’t what it used to be.

Show and Tell

Swimming to Cambodia
Cinecom Pictures/YouTube

A big fan of visual aids, Gray used pull-down maps to illustrate his travels. This helped to bring Swimming to Cambodia to life, since he’s basically sitting at a desk the entire time.

Inspired One-Person Shows

Gray’s groundbreaking performances in Swimming and other documentaries like Monster in a Box and the Steven Soderbergh-directed Gray’s Anatomy (about Gray’s struggle with a rare eye condition) paved the way for future one-person shows. (We wouldn’t have everything from Carrie Fisher’s “Wishful Drinking” to Mike Birbiglia’s “Sleepwalk With Me” without him.) Even Doc Now! star Fred Armisen got into the one-person show act for his recent SNL monologue.

Catch Documentary Now!’s tribute to Spalding Gray when “Parker Gail: Location Is Everything” premieres Wednesday, September 28th at 10P on IFC. 

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Rocky IV Stallone Lundgren

Burning Heart

10 Reasons Why Rocky IV Is the Ultimate Rocky Movie

Catch an all-day Rocky movie marathon this Friday, September 30th on IFC.

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Photo Credit: United Artists/Everett Collection

Sure, most people love the first Rocky for its heart, gripping boxing scenes and the classic training montage. Or, you might love Creed for being both a return-to-form and a new exploration of the Rocky mythology. Maybe the thrill of seeing Mr. T and Hulk Hogan in the same movie makes Rocky III your top pick. Well, sorry, you’re wrong: Rocky IV is the greatest of all the “Italian Stallion”‘s movies.

Before you watch the all-day Rocky movie marathon this Friday, September 30th on IFC (with Rocky IV airing at 8P as part of Rotten Fridays), check out a few reasons to appreciate the fourth installment as the king of the series.

1. The Greatest Opening Ever

How many openings are able to sum up the entire conflict of the film in less than a minute and without a single line of dialogue? And how many of those movies have exploding boxing gloves? Just try to watch the opening sequence above and not be completely psyched for the pumped-up flick to come.


2. Montages!

We all know that the best part of any sports movie is the montage, and Rocky IV doesn’t give you one measly montage. There’s a recap of the previous films montage, a getting to Russia Montage, two training montages and an ending fight montage. That’s five montages! There’s probably a montage of montages snuck in there, too.


3. There’s a Full James Brown Musical Number

This movie is so packed with memorable moments, it’s easy to forget one of the first things that happens in the film: Apollo comes out to fight Drago dressed as a shirtless Uncle Sam, while James Brown and a full band play “Living in America.” To drive home the number’s patriotism, there are dancers in tuxedos and top hats, weird unitards and bowler caps, and bedazzled showgirls with headpieces for miles. Oh, and don’t forget the giant tentacled dragon statue on the stage. This is how every boxing match should start. Heck, this is how we always want to enter a room.


4. The Soundtrack

The Rocky IV soundtrack doesn’t just feature James Brown — it has rock anthems galore, all of which make you immediately want to hit the gym. From “Heart’s on Fire” by John Cafferty and the Beaver Brown Band to “Sweetest Victory” by Touch to multiple Survivor jams, you’ll get pumped and stay pumped. Even the instrumental score rocks! Sure, sometimes it sounds like it was made on a kids Casio, but this soundtrack never quits and — to quote Robert Tepper — never takes the easy way out.


5. Abs!

Rocky IV weights

Every Rocky movie shows off Stallone’s incredible physique, but Rocky IV really ups the game. Not only do we get Dolph Lundgren mostly shirtless looking like a man machine, but we get a wide variety of scenes of Stallone doing impossible tasks. Stallone’s crazy dragon fly crunches, aka a thing no human should be able to do, automatically take this movie to the top.


6. Two words: Ivan Drago

Ivan Drago
United Artists

Not only does Rocky IV explore the global conflict between the US and the Soviet Union, but it encapsulates all of our fears of the Cold War in one perfect villain. Ivan Drago only trains with machines and science and looks like he stepped out of an Aryan Nations recruitment poster. He also only responds in short, cold phrases like “If he dies, he dies,” or “I must break you.” There’s never been a villain who we so clearly want to get the crap beat out of than Ivan Drago.


7. Rocky Makes Chores Look Badass

Rocky saw
United Artists

Rocky doesn’t need to be hooked up to machines to become the perfect fighter. All he needs are huge tires and some outdoor chores to do. No one’s ever looked cooler chopping wood and using tractor parts. Half of his training is lifting an old wagon, probably to fix a broken axle. If anything, this film inspires us to take care of that gardening work we’ve been neglecting.


8. Rocky’s Beard

Rocky IV Beard

Stallone’s beard game is truly on point in Rocky IV. And this isn’t some “I forgot to shave, here’s a little stubble” look. No, we get full out, lumberjack-style beard action. Does any other Rocky movie have our hero looking like an old Russian aristocrat? Another point for Rocky IV.


9. There’s a robot!

Again, there’s so much to Rocky IV, you probably forgot about the robot. Well, Rocky has some money now and he’s not going to spend it on frivolous things for himself. He’s going to buy Paulie a robot! The best part of this scene is how truly disturbed Paulie is by this new technology until he gives it a sexy lady voice.


10. Rocky Ends the Cold War

If you’re still not convinced that Rocky IV is the greatest, answer this question: Does any other Rocky movie bring peace between the US and Russia?

By the end of the film, Rocky rises up to beat the seemingly undefeatable Drago. He fights so well, that even the Russians begin to appreciate his skills. Then, instead of using his victory to prove America’s superiority, he gives a rousing speech of “If I can change and you can change, everybody can change!” The whole crowd goes wild, including all of the Russian government, who we assume give up Communism immediately based solely on Rocky’s words. Stallone’s call for international reconciliation through brutal fighting and a variety of montages makes this if not one of the greatest films of all time, certainly the greatest Rocky of them all.

Catch the “Too Rotten to Miss” movie Rocky IV this Friday at 8P on IFC. 

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Optimus Prime in TRANSFORMERS: AGE OF EXTINCTION, from Paramount Pictures.

Rotten Apples

10 Rotten Movie Franchises That Need to Stop

Catch the "Too Rotten to Miss" movie Scary Movie 2 tonight at 8P on IFC.

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Photo Credit: Paramount/courtesy Everett Collection

We live in the age of the blockbuster movie franchise. If you want a green-light, you better have tights, a light saber and decades worth of backstory and fan love to build on. And while we love some of these franchises, some just keep getting new entries despite horrible reviews, audience indifference and an utter lack of care from even the people making them.

With IFC and Rotten Tomatoes celebrating “too rotten to miss” movies like Scary Movie 2 this month, we thought it high time to point out just a few franchises than should be retired to the bottom of your Netflix queue. Here are 10 “rotten” movies franchise that need to just go away, please.

10. Transformers

Transformers
Dreamworks Pictures

Hollywood execs, we get it. You grew up in the ’80s, and now you want to produce everything you loved as a child, only make it a lot worse. Here’s the thing: while a show like Stranger Things took all the tropes and style of ’80s movies, and created something new, lingerie commercial director Michael Bay went the opposite way, taking a title and basic concept, and creating a pile of garbage made out of robot parts.

If poop jokes mixed with racism, misogyny and incoherent fight scenes are your thing, this is the franchise for you. If you have even the slightest respect for character or basic story logic, you have to admit this franchise has been awful from frame one. Yes, we were alive in the ’80s, but some things are best left in the past. Unfortunately, with a sixth movie, a Bumblebee spin-off and a proposed G.I. Joe/Transformers crossover movie in the works, this franchise will probably outlive us all.


9. Scary Movie

Scary Movie
Dimension Films

True, its been a couple of years since we’ve been subjected to one of these, but you know that Jamie Kennedy or the Epic Movie guys are sitting in a writers room somewhere, pitching jokes on how to merge The Purge with a fart joke. This franchise started out in a mediocre place, a Wayans family knockoff of better movies like Airplane, and things went downhill from there. You shouldn’t be able to spin five movies out of a few Scream jokes and a Carmen Electra cameo.


8. Alvin and the Chipmunks

Alvin and the Chipmunks
20th Century Fox

Designed to appeal to kids who love ’50s novelty albums and pun-y titles, the Chipmunk franchise feels like it was made by a prop comic from the Uncanny Valley. Full of rapping CGI rodents, and a paycheck cashing Jason Lee, 20th Century Fox has somehow made over a billion dollars off a series of diminishing “Squeakquels.” We do secretly sort of hope these movies keep getting made, just so David Cross keeps getting forced to star in them.


7. X-Men

X-Men Oscar Isaac
20th Century Fox

If we can all be honest with ourselves, these movies have been a mixed bag for the past decade. (Even the foul-mouthed spin-off Deadpool made fun of how self-serious the franchise has become.) In an ever expanding quest to turn the series into a dumbed-down version of the moody mutants’ ’90s cartoon, the stories have gotten paper-thin, the performances phoned in and the monster makeup just this side of Grimace cosplay. (We’re looking at you, X-Men: Apocalypse.)

Do we really need to see Hugh Jackman’s take on Wolverine for the ninth time? There is only so much steamed chicken and protein powder this man can eat before this franchise legitimately becomes a form of torture. Fox Studios, there are enough superheroes on the big screen right now. Maybe let this one go, and a decade from now Marvel can reclaim it and make some good movies again.


6. Tarzan

Tarzan
Warner Bros.

There have been over 200 projects starring Tarzan since pictures started motioning at the turn of the last century. 200! This vaguely racist story of a white man taming the, ahem, Dark Continent, has been told ad nauseam. We know Hollywood loves to keep beating iconic characters into the ground, and Tarzan probably has near universal name recognition, but that doesn’t mean that anyone wants to, you know, go and watch a movie about the guy, no matter how ripped Alexander Skarsgard’s abs are.


5. Teenage Mutant Ninja Turtles

Tarzan
Paramount Pictures

These “heroes in a half shell” were a stretch for movie stardom back at the peak of their popularity, but thanks to some ingenious work by The Jim Henson Company, and Vanilla Ice’s “Ninja Rap,” they were able to have a moment during the early ’90s.

Now, decades later, Michael Bay’s desperate desire to ruin all of our childhoods has found its way to these pizza loving turtles with ‘tude. The CGI monstrosities that have resulted can barely be called movies. Like the Transformers franchise, but with more creepy scenes of an anthropomorphic turtle hitting on Megan Fox, these movies are a nail in the coffin of ’80s nostalgia, and need to be put to bed before Bay starts sniffing around the Thundercats.


4. Now You See Me

Now You See Me
Summit Entertainment

Magic tricks are impressive when you see them performed live. The fun is in wondering how they could possibly do that. When you watch a bunch of Christopher Nolan castoffs performing CGI tricks created in post production, the only thing you’re left wondering is what the point even was.

This is perhaps the strangest movie franchise to come along in awhile, a collection of genres tropes quilted together by a cavalcade of filmdom’s best supporting actors. Take a bit of Ocean’s Eleven, and a touch of The Prestige. Add a pinch of Morgan Freeman and James Franco’s brother, and cross your fingers that audiences will be dumb enough to line up for a sequel to that movie they didn’t totally hate when they saw it on an airplane that time.


3. God’s Not Dead

Pure Flix Entertainment
Pure Flix Entertainment

The Christian movie genre has blown-up over the last decade. God’s Not Dead, and its sequel, were beneficiaries of this expanding audience, raking in tens of millions of dollars at the box office. But, despite connecting with an audience, all is not well in God’s Not Dead-land.

These insipid movies, that never met a straw man they didn’t hate, tell laughable stories about the evils of college campuses and the ACLU, full of cartoonish villains whose sole purpose in life is to crush good Christian souls. With a “who’s who” of “Remember Them??” in the cast, including TV’s Superman Dean Cain and TV’s Hercules Kevin Sorbo, these movies are as poorly produced as the message they’re espousing. God may not be dead, but the careers of the filmmakers behind these movies should be.


2. Bridget Jones

Universal Pictures
Universal Pictures

It’s been more than a decade since the last Bridget Jones movie was foisted on us, and in that time young Bridget has remained the same self-involved, unrealistically clumsy mess. With pacing that makes each movie feel 10 hours long, sub-par slapstick and an unlikeable lead, the Bridget Jones trilogy too often feels like Sex and the City without the sex or the city.

Just because the book series your franchise is based on churns out another entry doesn’t necessarily mean you need to get the gang back together. Well, some of the gang, considering Hugh Grant wisely let Dr. McDreamy himself Patrick Dempsey fill in for him this go around. Remember when Renee Zellweger was an acclaimed, Oscar-winning actress? Yeah, that was a long time ago…


1. Avatar

20th Century Fox
20th Century Fox

Seriously, is anyone really excited for the four sequels that James Cameron has promised us to this box office breaking blockbuster from 2009? Yes, at the time the 3D wonderland of CGI planets and tail sex was a revelation, making us overlook the fact that we were watching a hokey Dances With Wolves knockoff starring an actor with the approximate charisma of a broken toaster. But over the last few years, Avatar has slipped from the public consciousness. When’s the last time you popped in your Blu-ray of it, or saw someone cosplaying a Na’vi, or even mentioned it in casual conversation? If Cameron were making one sequel, okay, but four? FOUR? Maybe it’s best to just remember Avatar for what it was — a blue-hued fluke, and move on.

Catch the “Too Rotten to Miss” flick Scary Movie 2 this Friday at 8P on IFC.

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