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“The Bachelor” is the Worst and Best Show On Television

“The Bachelor” is the Worst and Best Show On Television (photo)

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Love is about sacrifice. Marriage teaches me that every Monday night, when I have to sacrifice my desire to watch football so that my wife can indulge her love of crap television to watch “The Bachelor.” As a result, I’ve seen a lot of “The Bachelor” myself over the last couple of years. God help me, I’ve even come to enjoy it.

That’s because “The Bachelor” is more than just a television show. It is the television show, the show that exemplifies all that is terrible and wonderful about our celebrity-obsessed culture. It purports to be a reality show twist on the old “Dating Game,” but it has absolutely no connection to reality whatsoever. It’s really a “fantasy show,” a television drama starring people loosely playing themselves in romantic fantasy about long walks in the mountains and candlelit dinners on the beach and one dude trying to sleep with ten women all at once.

That this story of socially acceptable polygamy is sold to viewers as a long-form story of fairy tale love is just one of the many of contradictions at “The Bachelor”‘s core. Really, the show is all contradictions, the best and worst show on television all at once, and all the things that make it a crime against humanity are the same things that make it essential viewing. Here are just a few of those things:

It Is Basically Impossible to Fall in Love on “The Bachelor”

Fourteen previous seasons of “The Bachelor” have produced the same amount of “winning” married couples as “Rock of Love.”

In other words, none.

True, Bachelor Jason Mesnick married one of the rejects from his season, but only after dumping the woman he had actually proposed to on national television during the most hilariously uncomfortable reunion show in reality history. So that’s one successful relationship in nine years. If any dating service produced results that bad, they would be out of business.

That makes “The Bachelor” terrible because the entire show is predicated upon the notion that two people who meet on a TV show can fall madly in love, but the show itself has proven time and time again that that is almost impossible. “The Bachelor”‘s marriage batting average makes Mario Mendoza look like Ted Williams. At this point, anyone who becomes a contestant on “The Bachelor” is either a)doing it to become famous or b)absolutely crazy.

But that also makes it amazing because these crazy women seem so genuinely smitten with this guy. They go on one date with him — at the same time as ten other women, mind you — and are lucky to kiss him once. But when he sends them packing, they walk away sobbing, their emotions shattered into a million pieces. Nobody likes to get dumped, especially not on camera, but they’ve talked to this dude for maybe a sum total of three and a half hours! General rule of thumb: if I’ve had bus trips longer than your relationship, you can’t be that upset when it ends.

The Bachelor Himself Is A Dud

This season’s “elligible’ bachelor is Brad Womack. He is the first two-time bachelor in series history. Back on season 11, Womack decided not to propose to either of the finalists because he wasn’t in love with either of them. Seems sensible to me, but on “The Bachelor,” not picking one of the finalists is the worst thing you can ever do. On “The Bachelor,” you’re better off murdering a dolphin with your bare hands than dumping both of the finalists.

Don’t believe me? In this season’s premiere Womack claims he’s villified wherever he goes for leaving his first go-around single. If you ask me, Womack’s the most sensible bachelor “The Bachelor”‘s ever had. He didn’t fall in love so he didn’t cheapen the already debased concept of marriage by going through with a sham proposal he would have bailed on six weeks after the season finale. But according to “Bachelor” viewers, Womack’s refusal to participate in this charade made him one of the worst men who ever lived. Hitler. Stalin. Womack.

But just because I think Womack was smart doesn’t mean he’s a great catch. Here’s what we know about his private life based on this season’s premiere: he was abandoned by his father, has trust issues, suffers from panic attacks. He spends his free time watching himself on television, eating cereal alone, jogging alone, and staring out his window thoughtfully alone. He doesn’t appear to have any friends, and he doesn’t have much of a personality. He doesn’t appear to have a job, either. He’s a former bartender whose listed profession on “The Bachelor”‘s Wikipedia page is “Returning Bachelor.” All this guy has going for him is a good body and an extremely comfortable looking couch. Would you go on a dating show, risk humiliation and heartbreak, leave your family and friends, potentially lose your job, all for a shot at that package? It doesn’t matter, because the show found thirty women who would.

That makes “The Bachelor” terrible because you stare at the television in disbelief and wonder what these women see in this guy. I mean if “The Bachelor” was set in some post-apocalyptic wasteland, and Brad Womack was the last fertile man alive in the Forbidden Zone, I could understand the attraction. But right now, this looks like an awful lot of fuss over a six pack and a leather sectional.



But that also makes it amazing because you get to watch these women lose their minds over Brad Womack. Seriously, the show’s only been on for four weeks, and these women are getting so competitive for this schmendrick’s attention that one girl, Michelle, has already expressed her desire to kidnap her fellow contestants. We’re getting dangerously — and excitingly — close to a prison-style shanking at the weekly rose ceremony. Which brings us to my next complaint/highlight…

All the Women On This Show Are Absolutely Crazy

I love women. I think they are special and beautiful creatures. There are times watching “The Bachelor” when I wonder if the creators of this show disagree. They seem to have designed this program to showcase women at the very worst: at their most jealous, their cruelest, their most competitive, their most needy. It’s not really their fault. The Bachelor” puts them into the world’s most glamorous jail. There’s no television or phones or Internet. All they have is their desire for Brad Womack and their desire to keep him from everyone else. When Brad’s not around, when he’s out on a date with someone or he’s eating cereal alone with his shirt off, they have nothing to do but sit around that “Bachelor” mansion and talk about him and each other.

Even worse, an astounding number seem to be carrying huge emotional scars from their past relationships with men. They’ve all been either abused or left or divorced or widowed. And now they’re trying to heal their wounds on “The Bachelor.” So you know that’s not going to end well.

That makes “The Bachelor” terrible because these women deserve better than to have their pain exploited for crass television and laughed at by assholes like me.



But that also makes it amazing because, on a socialogical level, it is absolutely fascinating to see just how quickly the rules of polite society vanish when you put 20 women in a house, take away all forms of entertainment and communication, and tell them to all fall in love with the same man at once. Also, it’s really funny.

It Absolutely Tortures The Contestants

The structure of any given episode of “The Bachelor” is as follows: the remaining female contestants sit around a large and extraordinarily well-lit mansion waiting for a communiqué from Brad Womack. He goes on a one-on-one date and decides whether he’d like to keep that woman around, then a group date with most of the rest of the girls and decides which of that group he’d like to keep around, then a second one-on-one date with another bachelorette he has to decide to keep or dump. At the end of the episode he has to hand out roses to the rest of the women he wants to stay. Anyone who doesn’t have a rose at that point has to hit the bricks.

The show doesn’t ever explain how Womack picks the women for the one-on-one dates. But I’m beginning to suspect that Womack has nothing to do with it all all, and that it’s actually the producers who pick which companion he takes where. Because without fail, every date the Bachelor has is the worst possible date he could have imagined for that woman. So either Womack is the most insensitive and unluckiest man on the planet or the producers are intentionally picking the contestants most likely to hate each date they’ve planned.

For example, last week on the show Womack went walking on the ocean floor with Chantal (who hates deep water) then later went rappelling down the side of a skyscraper with Michelle (who hates heights). You might have heard about next week’s notorious group date where Womack takes a NASCAR driver’s widow named Emily to a NASCAR track. Sounds bad, but it couldn’t be any worse than date Brad and Emily’s first date, when Womack flew Emily in a private plane not unlike the one that her husband died in so he could wisk her away to a “romantic” picnic at a winery.

That makes “The Bachelor” terrible because in any other situation, in any other context, that would be Brad and Emily’s first and last date. But “The Bachelor” loves to portray these nightmare rendezvous as important personal milestones. They’re conquering their fears as they’re falling in love!

But that also makes it amazing because you get to watch these poor women freak out and sweat, and cry, and shatter that veneer of fake charm that they wear at all times on the show because they know they’re on camera and don’t want to look bad in front of a couple million people. And even though I know I shouldn’t, I really enjoy that. And if you’re watching “The Bachelor” and you’re being honest, you do too.


You can watch every episode of this season of “The Bachelor” on Hulu.

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Scarface Movie Al Pacino

Wanna Play?

Say Hello to Our Scarface Quiz

Play along with movie trivia during "Scarface" tonight at 8P on IFC.

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Photo Credit: Everett Collection

Tony Montana is all about money, power and respect. And while we can’t promise you’ll get money or power by taking our Scarface quiz below, you will get respect if you get a perfect score. One out of three ain’t bad. Click below to take the quiz, and catch Scarface this month on IFC.

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Best Speech Ever

Hank Azaria’s Simpsons Advice For Grads, Questionable Shark Facts and More of This Week’s Funniest Videos

This week we're laughing at Hank's Tufts commencement speech, Jason Alexander's shark facts and more.

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Photo Credit: YouTube/Tufts University

We’ve made it! Memorial Day weekend! But before we can complain that it’s over too quickly, take a moment to bask in the pre-break lack of productivity and enjoy some lighthearted videos.

From Hank Azaria channeling Chief Wiggum and other Simpsons characters while talking to college grads to “Shark-spert” Jason Alexander sharing questionable shark facts, here are five funny things from this week you need to watch.

1. Kermit Informs Fozzie Bear That They’ve Been Canceled

It’s never easy to see someone receive bad news, much less a Muppet. But if anything, Kermit’s poise and acceptance during a time of crisis is impressive, admirable even. Fozzie Bear, on the other hand, reacts with greater similarity to how we would: with baseless anger and utter despair.


2. Jason Alexander Offers Shark “Fin Facts”

Memorial Day weekend means the start of beach season, aka Shark Feeding Season. As part of IFC’s Shark Half-A-Day Memorial Day marathon, “sharks-pert” Jason Alexander offers up some interesting “fin facts” about our sharp-toothed friends from the deep. You can also check out Jason’s beach tips, and catch the Jaws movies with more “fin facts” from Jason this Memorial Day on IFC.


3. Game of Thrones’ Emilia Clarke Confirms Dothraki Is a Real Language

With eyes still dewy from the climax of this past Sunday’s Game of Thrones (Hold the door!), the Mother of Dragons herself Emilia Clarke dropped by Late Night with Seth Meyers to throw the diehard fans a reason to smile: Yes, Dothraki is a real language. Watch Clarke discuss the phonetics and grammar involved with vying for Westeros rule.


4. Hank Azaria Gives Advice Through Simpsons Characters

Hank Azaria — star of The Simpsons, The Birdcage, and Brockmire, premiering in 2017 on IFC — gave the commencement speech at his alma mater Tufts University. In the hilarious speech, Azaria discusses how he got through college, recounts his early career struggles, and offers up life advice via fan favorite Simpsons characters like Chief Wiggum and Comic Book Guy.


5. X-Men: The Animated Series Gets Honest

Screen Junkies are back this week with another round of Honest Trailers. This entry focuses on the cartoon mutants that comprise X-Men: The Animated Series — an ultra-’90s Marvel property that predates the comic book adaptation boom of the 21st Century. But looking back at the decade of Rob Liefeld and Todd McFarlane, this video finds much to mock.

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Weird Al Comedy Bang Bang Season 5

Call Him Al

“Weird Al” Talks Comedy Bang! Bang!, His Upcoming Tour, Favorite Videos and More

Weird Al comes to Comedy Bang! Bang! starting June 3rd at 11P on IFC.

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With a career spanning five decades, “Weird Al” Yankovic has defined the song parody genre and become a beloved pop culture icon. Starting June 3rd, you’ll be able to catch him as the brand new Comedy Bang! Bang! bandleader Fridays at 11P on IFC.

We recently chatted with Al about joining Scott Aukerman on the new season, his upcoming tour, favorite CB!B! characters and his future dream projects. (Hint: it might involve actors spontaneously breaking into song.)

The Comedy Bang! Bang! bandleader gig seems like a natural fit for you. Did it take any time to get acclimated?

Weird Al: Yeah. It’s a slightly different skill set. The accordion is my main act, but I don’t use it on the show at all. It’s a keyboard setup. The actual setup is a little bit of a combination of what Reggie [Watts] had and [Kid] Cudi had. And a few extra things thrown in. So I’m trying to do my own version of what they brought to the show.

You’ve been on the Comedy Bang! Bang! podcast and the show many times. Do you have a favorite CB!B! character?

Weird Al: I’d probably have to say Doctor Time. Every time Scott wants me to do an evil character, he’s always got a bad English accent. [Laughs] Any time my character goes evil, he becomes sort of British.

Any favorite guests you’ve worked with?

Weird Al: Gosh, I love them all. Paul F. Tompkins is always fun. His Andrew Lloyd Webber character, Cake Boss, everything he does. And Andy Daly as well. They’re so versatile and so amazing at improv. That’s the one thing I was a little nervous about because I’ve never been super confident with my improv skills. But Comedy Bang! Bang!, particularly the TV version, is good for that because it’s all heavily edited. So it kind of gives me permission to try out whatever comes to my mind, so if it really sucks, they’re not gonna use it. [Laughs]

Scott Aukerman Weird Al

Your upcoming tour is a continuation of your Mandatory Fun tour from last year. Any new elements to the show?

Weird Al: Well, it is the same tour, so it’s not that much different. I might freshen some video a little bit. I’m hoping to use a bit or two from the current season of Comedy Bang! Bang! and slip that into the show somewhere.

The tour starts June 3rd in St. Petersburg, Florida and ends September 24th at Radio City Music Hall. How do you keep up the pace? 

Weird Al: It’s just a mindset. I’m really only working for two hours a day, so I basically just save up my energy for the show. I relax, surf online, watch satellite TV, read a book, rest my voice, and then give it all I got when I’m onstage.

Looking back at your vast song catalog, was there ever a parody that came to you immediately upon hearing the song?

Weird Al: Yeah, that’s happened a few times. More often than not, I have to think about it and analytically work out all the variations on a theme that I can and pick out the one with the most potential. But there’s been a few times where the idea came to me spontaneously. I think the first time I saw Michael Jackson’s “Bad” video, before it was even over, I thought, “Oh! I gotta do ‘Fat’! Super-plus-sized actors trying to get through a turnstile on a subway! I gotta do that!”

Do you have a favorite of your many hilarious videos?

Weird Al: Oh boy, it’s hard to say. “White and Nerdy” has been my biggest hit and that was a really fun video to do. But in terms of making a video, “Tacky” was really fun to do because it was so easy and I got to work with amazing people like Jack Black, Margaret Cho, Kristen Schaal, Eric Stonestreet, and Aisha Tyler. And we knocked it out in a couple of hours. We were having so much fun while making it, I kinda wish we weren’t so efficient and professional. [Laughs] I could’ve done that all night.

Was it filmed all in one take or was it stitched together?

Weird Al: That was all one take. Some people say, “Oh, I see where the edit is,” but it was all one shot. We did a total of six takes, and I think four of those takes were usable, but the last one was the best.

And you were directing while performing?

Weird Al: I directed that one, yeah. We location scouted and found a building in downtown LA that I thought was good for the shoot. I’ve since seen that building in a lot of other movies and TV shows — I think it was used in The Big Lebowski and a few others. It was difficult because I start the video in one set of clothes and I also end the video in a completely different set of clothes. So while the cameras were off me, because there’s only one elevator in the building, I had to run down five flights of stairs, quickly change my clothes, and hit my mark for the end. And after the take, we’d all just watch what we did, and say, “OK, let’s do it again.”

Is there a director you’d love to work with in the future?

Weird Al: Oh gosh, yeah, but I mean, music videos are notoriously low-budget so that’s why I end up directing them myself. [Laughs] But I’d love to be in a movie codirected by Steven Spielberg and Quentin Tarantino.

Do you have a particular genre of music that you love parodying the most? Or is it more of the moment and different for each song?

Weird Al: It doesn’t necessarily revolve around personal taste so much. It really depends more on the song than the genre. But I found rap songs tend to lend themselves to parody, mostly because there’s a lot of words to play with. A lot of pop songs are repetitive, and that’s sometimes been an issue. With rap, there’s no shortage of syllables to mess around with.

Given that you’ve been so prolific and done so much, is there any type of art left that you’d like to dip your toe in? Dramatic acting, perhaps?

Weird Al: Well, if Spielberg and Tarantino want me for their film, I wouldn’t want to turn them down. But there’s no burning desire to do drama. I love doing comedy and feel comfortable doing that. Writing a musical might be something I do down the line. I don’t know when but I might take a shot at something in that area. Other than that, I’ve done pretty much all I wanted to do in my life so far. A lot of it not successfully. [Laughs] But I took a stab at it and feel gratified by that.

You’ve had such a eclectic career in music and comedy. What do you attribute your longevity to?

Weird Al: [Laughs] I don’t know what I’d attribute the longevity to. There’s a modicum of talent, but it’s mostly because I surround myself with very talented people. I’ve got a great support group, I’ve got the same band since the early ’80s, and I’ve worked with the same people for decades. And I got a very loyal fan base and I love what I do. And somehow I’ve been very lucky and it’s worked out so far.

Watch “Weird Al” in an episode from the new season of Comedy Bang! Bang! right now, before the season premiere on Friday June 3rd at 11P.

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