DID YOU READ

The 2011 Golden Globe Winners

The 2011 Golden Globe Winners (photo)

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In a night of very few surprises, “The Social Network” continued its dominance of the 2011 awards season, racking up four Golden Globes for Best Picture (Drama), Best Director (David Fincher), Best Screenplay (Aaron Sorkin), and Best Score (Trent Reznor and Atticus Ross). Along with “Social Network,” Fincher, and Sorkin, most of the Oscar frontrunners showed no signs of slipping from their positions in their respective races. Colin Firth won best dramatic actor for “The King’s Speech,” while Natalie Portman took home best dramatic actress for “Black Swan” and my personal award for the Most Endearingly Awkward Moment of the night when she cracked herself up delivering a joke about her meeting her fiance on the set of the film.

The best supporting performances both came from David O. Russell’s boxing movie, “The Fighter” — Christian Bale won on the male side and Melissa Leo won on the female side, besting her co-star Amy Adams — while Annette Bening won best comedic actress for “The Kids Are All Right.” Really, the only true shocker of the night came in the category of best comedic actor, which went to Paul Giamatti in “Barney’s Version” over two Johnny Depps (“The Tourist” and “Alice in Wonderland”), Jake Gyllenhaal, and Kevin Spacey. Giamatti also netted my personal award for Most Uncomfortably Awkward Moment of the night for the sheepish pass he made at presenter Halle Berry during his acceptance speech followed by the cut to a shot of Berry expressing what I would charitably describe as disinterest.

Here’s the full lineup of film winners at the Globes:

Best Motion Picture – Drama: “The Social Network”
Best Motion Picture – Musical or Comedy: “The Kids Are All Right”
Best Director: David Fincher, “The Social Network”
Best Screenplay: Aaron Sorkin, “The Social Network”
Best Actor – Drama: Colin Firth, “The King’s Speech”
Best Actress – Drama: Natalie Portman, “Black Swan”
Best Actor – Musical or Comedy: Paul Giamatti, “Barney’s Version”
Best Actress – Musical or Comedy: Annette Bening, “The Kids Are All Right”
Best Supporting Actor: Christian Bale, “The Fighter”
Best Supporting Actress: Melissa Leo, “The Fighter”
Best Foreign Language Film: “In a Better World”
Best Animated Film: “Toy Story 3”
Best Original Score:Trent Reznor and Atticus Ross, “The Social Network”
Best Original Song: Diane Warren (“You Haven’t Seen The Last of Me”), “Burlesque”

Since the actual awards yielded so few surprises or memorable speeches, what people will be talking about around the water cooler tomorrow — or Tuesday if they’ve got tomorrow off for Martin Luther King Day — is the hosting job delivered by Ricky Gervais. When he hosted last year, Gervais was so fearless in attacking the stars and the Hollywood Foreign Press Association that I was certain he’d never be invited to host any awards show again, much less the Golden Globes. To my shock, the Globes invited him back and he delivered a monologue for the ages, equally brutal and brutally funny. Here it is:

As the night went on, Gervais’ introductions didn’t grow any warmer (he welcomed Bruce Willis to the stage by rattling off a list of credits of his worst movies including “Hudson Hawk” and “Color of Night” and describing him as “Ashton Kutcher’s dad”). After slaughtering one celebrity after another, Gervais vanished completely from the show’s final hour, prompting quite a few viewers to begin wondering aloud on Twitter and Facebook whether the Hollywood Foreign Press Association had kicked him off the show in mid-broadcast. I’m reading descriptions from journalists in the room that the jokes played poorly in Beverly Hills, and that’s not surprising: Gervais’ targets are so pampered they aren’t used to even hearing the word ‘no,’ much less getting teased for the terrible movies they occasionally (or often) make.

I have no idea whether Gervais will be back for a third tour of duty on the Globes, but I admired his effort. While long bubbling claims of impropriety about the HFPA resurfaced in the days leading up to the awards, all any of the winners had to say was “Thank you to the Hollywood Foreign Press Association for this incredible honor.” Someone had to address the elephant in the room, and it clearly wasn’t going to be Colin Firth.

Awards mean very little; I want to say awards mean nothing but that’s not true. They do mean something, and that something is money. That’s why people bribe lobby so hard for these awards; because they look good on ads that encourage people to go to the theater. And if they get a reluctant viewer to go see “Black Swan,” they’ve served a purpose. But we make too much out of them, and Gervais did a fine job of reminding us of that. I — and I suspect a lot of people — watch the Golden Globes for two reasons: out of obligation and to make fun of them. Gervais is the perfect Globes host because he understands both those impulses.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.