DID YOU READ

“Tyrannosaur,” Reviewed

“Tyrannosaur,” Reviewed (photo)

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Reviewed at the Sundance Film Festival 2011.

There are bleak films and then there’s “Tyrannosaur,” a movie so dark it’s like a cinematic black hole, a film from which no light escapes. Just how dark is it? The most cheerful scene in this movie is a funeral.

By the end, “Tyrannosaur” arrives at a deeply moving place, but before it arrives at that deeply moving place the viewer must endure one of the tougher sits of any movie in recent memory. Put this one alongside “Requiem For a Dream” and “Funny Games” on the Mount Rushmore of One-Timers, movies you have to see once, but can’t imagine seeing twice. It’s a powerful film you can’t shake and won’t want to revisit anytime soon.

It tells the story of two desperately sad people in Leeds in the UK, a man and a woman, united by their shared sense of helplessness. Joseph (Peter Mullan) is an unemployed widower with an anger management problem exacerbated by a drinking problem. As the movie begins, he’s already in the middle of a profane tirade for the ages. Out of his mind with rage, he unthinkingly kicks his own dog to death. Then he brings the dog’s body him and sits quietly, stroking its paw. There is more to this man than meets the eye.

Still, whatever hurt is driving him, he’s still a fairly repulsive person. Joseph’s mere presence onscreen makes the hairs on your arm stand on end; he’s unpredictably violent and incredibly scary. You never know what will set him off next. Watching him prowl through the streets of Leeds is like watching someone stick a bullet in a revolver, spin the chamber and start pulling the trigger as fast as he can. The movie keeps pushing Joseph, waiting for the explosion.

One day, Joseph winds up hiding in a thrift store run by Hannah (Olivia Colman). She’s a religious woman and she takes pity on him. Her shop is filled with perfectly functional items society’s deemed worthless and discarded; perhaps Hannah sees a similar quality in Joseph as he cowers in a coat rack and spews bile at her. Despite his complete refusal to believe in God, or to even tolerate the views of someone else who does — “God ain’t my fucking Daddy,” he sneers at one point — Joseph continues to return to Hannah’s shop. But of course he does: he has nowhere else to go. And for reasons that only later become clear, she continues to welcome him back. They have something to do with the fact that she’s married to a man named James (played in a terrifyingly cold performance by Eddie Marsan) who is outwardly lovely and charming but so cruel to Hannah in private that he makes Joseph look like Mother Teresa.

The darkness of the subject matter, which involves violence against women, children, and animals — yes animals, plural, Joseph’s dead dog is just the beginning — would make this film almost unwatchable if not for the absolutely mesmerizing performances of the lead actors. As the film reveals more and more of Joseph and Hananh’s secrets, Mullan and Colman continue to show us new sides of their characters. With his deeply grizzled face and a voice that’s just a shade higher than a tracheotomy patient, Mullan oozes menace and sadness in equal measure. And Colman takes a really difficult role — full of pain and victimization — and turns it into something really powerful. She finds the humanity in this inhumane world.

“Tyrannosaur” is the first film directed by British actor Paddy Considine, who’s probably best known in the United States for his supporting roles in films like “Hot Fuzz” and “The Bourne Ultimatum” (he was the journalist Bourne was trying to protect). “Tyrannosaur” is primarily a film about performance and character so there’s not a lot of room for visual pyrotechnics. But Considine has a knack for knowing where to put his camera. Consider the scene where Hannah’s husband has come to her, pleading forgiveness after he’s treated her badly. She sits in the bed, he lays with his head buried in her lap. The camera sits level with Hannah; we can see her face but James can’t, so that when Hannah sounds utterly sincere saying that she forgives him, we can read the truth in her blank, unmoved expression.

Considine has a way with simply effective imagery, too. He lets the visuals speak for characters who have a hard time opening up to one another. Nothing the reticent Joseph could say about his dead wife would explain their relationship more effectively than the picture on his mantle — ripped in half, then reassembled and lovingly framed. Joseph is a man lost to his own personal darkness. In one particularly striking moment, the security gate of Hannah’s store closes in the foreground, as Joseph stands waiting behind it. As the gate lowers he’s literally engulfed by blackness.

I would have a hard time arguing with someone who said “Tyrannosaur” is similarly overwhelmed by its unquenchable bleakness. Portions are so oppressively harsh they almost verge on parody. But Considine and his great cast never let things go over the top. And I have to tell you, when Joseph and Hannah come to a place of understanding late in the film — not quite happiness, but as close as these two people can probably ever get — and she tells him that she feels safe with him, I was incredibly moved. It’s not an easy film to sit through, but it’s worth it for moments like that.

“Tyrannosaur” does not yet have U.S. distribution.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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