DID YOU READ

Stellan Skarsgård’s Promise to Be “Gentle”

Stellan Skarsgård’s Promise to Be “Gentle” (photo)

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There are few actors as in demand these days as Stellan Skarsgård, who will be appearing in no less than three of the year’s most anticipated films — and strangely all with Scandinavian ties — in “Thor,” Lars von Trier’s “Melancholia” and David Fincher’s adaptation of the “The Girl With the Dragon Tattoo.” Yet the film industry’s desire to cast him is no comparison to the odd pull he has on middle-aged women in “A Somewhat Gentle Man,” an idiosyncratic and distinctly Norwegian comedy about a recently paroled criminal who attempts to rebuild his life as a mechanic while reaching out to the family that he deserted and trying to ignore the entreaties of the gang he once served. Although he’s only moderately successful at both, Skarsgård’s Ulrik is unique amongst former thugs onscreen since he emerges from prison as a people pleaser, whether it’s looking out for the pregnant secretary at his garage or dutifully schtupping his landlady who never fails to heat him up a plate for dinner.

Incidentally, one shouldn’t underestimate the importance of a warm meal to Skarsgård, since as he’ll explain later he nearly gave up filming in his native Scandinavia because of the rigid lunch habits. For everyone’s sake, it’s good he didn’t since “A Somewhat Gentle Man” is the kind of low-key charmer he might not get offered anywhere else, given his reputation as a heavy, but one that seems true to who he is when he’s not on camera. A consummate gentleman when he called from his home overseas, the actor’s actor talked about his third collaboration with Norwegian director Hans Petter Moland, why he might make a solid obstetrician, working with David Fincher and how he became the unwitting patriarch of an acting dynasty.

You’ve done a couple of lighter films in recent years, but it’s not necessarily what you’re known for, so is it a nice thing for you to use different kinds of muscles?

No, it’s…I don’t know. I never get cast as it. Everybody thinks I’m so serious and the dark side is very accessible to me, so of course it’s a challenge to do something funny. Hans Petter Moland and I have done two films before that have been really realistic and dark, so nobody thought we could do a comedy, so we had to try. And of course, it’s a different kind of comedy. It’s more personal in that sense, but it has a lightness. It’s about humans, even if they’re caricatures in some ways.

01092011_StellanSkarsgard2.jpgI’ve read it took a little bit of time to develop the script and for you and the director to settle on this in particular. Was it a matter of striking the right tone?

Yes, that was the big problem. We’re always looking for things that we can do together because we work so well together and we have so much fun when we do it. So he sent me this script before Christmas two years ago and asked me if I was interested and I thought it was very, very funny. The people that had read it before saw it as a tragedy. [laughs] So I said, yeah, if we can do it within two months because I’m having a baby. So he raised the money in six weeks and then we shot it for six weeks.

The baby came a little early and fucked up our schedule, but in principle, it worked. But when we started working, we had rehearsals. I always rehearse with this director, which is very nice, not to decide everything, but to figure out the tone of the scenes and of course, all the actors started playing in their own films, very different films. So we had to find the tone for all the actors — they’re very good actors. It was easy to rein them in and get them to be in the same movie I was.

That’s interesting you were expecting a child when one of the story threads is about a father reconnecting with his son. Was there any special resonance for you?

No, not really. [laughs] The baby came during the shoot, so we closed down for three days. You can do that on small independent films. You can never do it on a big film. And it was very civilized. The only way our personal lives interfered with the film was that when the girl delivers her baby in my car. When we shot that scene, I was there and Hans Petter Moland, the director, he had six kids and I also had at the time also six kids, so we were trying to teach this girl everything about what it looks like and feels like to give birth. And that was a hilarious situation – two middle-aged men teaching a woman about how to give birth!

What was it like reuniting with Hans on this film? It’s been more than a decade since you last worked with him.

I didn’t know it was so long because it doesn’t feel like it and we talk frequently, so it feels like it was just a couple of years ago. But it feels fantastic because we know each other so well. We pull each other further than we usually go, both of us. We become a little braver together. That’s probably because we’re not alone. [slight laugh]

01092011_StellanSkarsgard5.jpgIs it true that you have a contract stipulation on your Scandinavian films to require a hot lunch?

Yeah. When you work in Norway, you actually have to have a contract about lunches because Norwegians don’t eat lunch normally, so they just throw out a loaf of bread and some coldcuts. And when I did “Insomnia,” I lost eight kilos, which is like 20 pounds during the shoot and that was not being method. That was just starving. And then I promised the Norwegian crews that I’ll never work in this country again unless we get good catering of the highest European standards. So I always have that in the contract that everybody should have good food and I reduce my salary to make it possible. But they don’t have it. It’s not in the tradition, not even the schoolkids have hot lunches in Norway. They bring a couple of sandwiches from home. But I can tell you the crews like it.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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