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Rosamund Pike Finally Tells Her “Version”

Rosamund Pike Finally Tells Her “Version” (photo)

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There’s a reason why Rosamund Pike plays the woman who makes Paul Giamatti’s twice-married Barney Panofsky realize he will love no other. With the beauty to play a Bond girl in her first film role and the smarts to be one of the few to follow through with a meaningful career, Pike has that bedeviling combination that can seduce an audience of either sex and prove elusive to casting directors unfortunately too used to casting actresses for one quality or the other. However, this has changed in recent years as Pike has found her unique skill set employed to play the daft, but knowing arm candy to Dominic Cooper in “An Education,” the trophy wife who was smarter than her husband in “Made in Dagenham,” and ultimately her natural role as the complete package in “Barney’s Version” as Miriam, the woman who catches Barney’s eye, captures him with her intellect and endlessly frustrates him as only perfection can.

If one were to suggest she’s anything close in person, Pike would quickly disabuse you of the notion, though she’s even quicker to disarm you, pulling out her iPhone at the drop of a hat to show off the green head that sits by her fireplace, a life cast of her face used as a model for the prosthetic work for her character in “Barney’s Version” that she’s since spraypainted over and outfitted in Doc Ock spectacles. She can’t help but look particularly radiant when she does this, showing flashes of the performer her co-star Giamatti has repeatedly said he’d become “obsessed” with before filming and the curious old soul that jetted off to Kerala right after filming wrapped to experience an Ayurvedic detox for the first time. (Not surprisingly, she wrote eloquently about it for the Times of London.) Now that the old-age makeup’s worn off, Pike recently took the time to talk about her other transformations, both in inhabiting the the role of the aging Miriam and for her career, in addition to her recent adventures in the States.

You initially went in to audition for the role of Barney’s free-spirited first wife Clara, but came away with Miriam, which seems like a benchmark for your career. Was it particularly gratifying to get the part?

I don’t read any press actually, but [my agent] sent an e-mail and he just said The Sunday Times just picked “Barney’s Version” as something to watch and it said something [like] “Rosamund Pike has the acting chops to play any role she wants now.” That felt really, really good because that’s what you want is freedom. I went into this business because the first films I saw that got me in the gut and moved me, it was probably “In the Name of the Father” with Daniel Day Lewis. I was glued to the screen. I felt the injustice, I felt I was going through it all with the character and I just bawled my eyes out and it was an incredible experience. I thought I want to do that to people. I want to give people those kind of rides. And until now, I haven’t really gotten the kind of roles that have allowed me to do that. [slight laugh] So in a way, it feels like a point of freedom is coming. And Paul [Giamatti] had my back. Paul really went out on a limb. I auditioned for it and we met and I think Paul said, “cast her.” That’s what you need. You need someone in this business because people are so…I don’t know. They’re risk averse.

01122010_RosamundPikeBarneysVersion2.jpgAfter your audition, I understand you wrote a letter to the filmmakers. Have you done that in the past?

No, but I wrote an e-mail to the producers and the director after the meeting and I knew the novel of “Barney’s Version.” I read the script backwards and forwards. I’d obviously done reading for Miriam on my own and then I met Paul and Paul was Barney. I believed in him so totally as Barney and I believed in myself as Miriam that we’d tell this story with truth. It felt right. We were those people. And you don’t always feel that. Sometimes you go in and of course you want it to work and you do a chemistry read with another actor and you don’t quite believe them or you kind of know you’re faking it a little bit. But with this, it was like looking into someone’s face and there was no acting. There was no artifice. It was daunting in some ways when you actually get the job. You then think God, how am I going to pull this off? But mentally getting inside the older woman I didn’t find so hard actually.

Since you age gradually in the film, does the physical aspect of it change your performance?

This is what’s interesting. You get the part and it’s all about the soul and the feeling inside and then suddenly, the obsession is all on the external, which is usually what throws me. It’s what threw me in the Bond film [“Die Another Day”]. I went and auditioned for the Bond film, got that role — I had just come back from traveling on a gap. I was like a shaggy student, sort of hippie kind of chick and then suddenly I get transformed and all the focus was suddenly on the external. It makes you panic because that’s not how you got the job, right?

And then the same with this. Everybody’s looking at you and you just feel so insecure because you think oh, I’m not right. As soon as the focus goes on the external, one feels that and the first [makeup] tests didn’t really work. I thought oh, no, they’re going to think I can’t age enough visually and they’re going to fire me and cast someone else. Suddenly, we made a breakthrough. We changed the actual substance of the pieces that we were using for prosthetics from silicone to gelatin and suddenly, it started to behave like skin. And we made a decision that [Miriam] wasn’t going to gain weight as she got older, but she definitely was going to have pieces on her eyelids, pieces on her cheeks. These folds here on the side of the mouth. Pieces on the neck. They did an age-sort of makeup on me, putting age spots and little veins in and then over the top of that, I did my makeup as Miriam would, so I put mascara on and eyeliner on and treated the face as if it was mine. Suddenly, then we got something real.

01112011_RosamundPikeBarneysVersion3.jpgWas it a challenge keeping her real in other ways when you’re representing a perfect woman for Barney in this film? I do realize the film is called “Barney’s Version.”

It’s Barney’s version, yeah. Sometimes I was pushing to add some lines that had a bit more edge. Like Paul and I really wanted in the scene where I agree to go for lunch for the first time and he gets drunk. In the film, Miriam says, “Are you okay? Is everything alright?” And I wanted her to say, “Barney, are you drunk?” And the director and the producer didn’t want it. They were so keen that she was never that direct. I think Miriam in the book probably is a bit more direct, but they just wanted her to seem permissive. That’s her quality that they wanted in the film was for her to be all-understanding and they just worried that anything would make her seem too hard, which I think, in some ways, it’s a shame because I think you can have bite. You know that wasn’t her challenge. It’s a humorous recognition, really.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.