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Three Peter Yates Films Every Movie Fan Should See

Three Peter Yates Films Every Movie Fan Should See (photo)

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The Associated Press reported Monday that British director Peter Yates died over the weekend of an illness at the age of 81. As The AP reports, Yates had a unique career path:

“Born in Aldershot, southern England in 1929, Yates trained as an actor, performed in repertory theater and did a stint as a race-car driver before moving into film, first as an editor and then as an assistant director on films including Tony Richardson’s ‘A Taste of Honey’ and J. Lee Thompson’s ‘The Guns of Navarone.'”

Yates had a long and, at times, not-quite-illustrious career: his filmography includes the fantasy cheesefest “Krull” and the underwater cheesecakefest “The Deep”, a “Jaws” knockoff that became a hit mostly because Jacqueline Bisset spent a good portion of the movie in a wet t-shirt. But a couple of duds don’t tarnish an impressive legacy, including at least three films that, in my opinion, every movie fan should see. They are:

“Bullitt” (1968)

01122011_bullitt1.jpgThe Library of Congress selects movies for its National Film Registry based on their “cultural, historical, or aesthetic significance.” No wonder that “Bullitt” was chosen in 2007: it has all three. Steve McQueen’s iconic look as San Francisco police lieutenant Frank Bullitt — sportcoat over turtleneck with that elaborate shoulder holster — still remains one of the signature looks for cops in films. And of course the film’s rightfully famous car chase, which lasts more then ten minutes, remains one of the greatest in movie history.

One of the best things about all of Yates’ films are their real sense of place. “Bullitt” is set in San Francisco: not Toronto playing San Francisco, not a Hollywood backlot doubling for San Francisco, but San Francisco, the real city. That’s never clearer than during that incredible car chase, when the camera assumes the perspective of Bullitt behind the wheel of his 1968 Ford Mustang GT, as he flies down the hilly streets of The City By the Bay.

“Bullitt” is a police procedural free polish and gloss. McQueen is cool, of course, but his job doesn’t look glamorous; it looks exhausting. Bullitt works as hard as he can but he still can’t save everyone; despite his best efforts, people still die, brutally and horribly. With its anti-authoriarian hero and blunt depictions of violence, “Bullitt” made cop movies relevant for 1960s audiences. And it still holds up today.

“The Hot Rock” (1972)

01122011_hotrock1.jpgSteven Soderbergh watched two movies as research for directing “Ocean’s Eleven:” “Ghostbusters” and Yates’ “The Hot Rock.” The influence is obvious from the very first scene: both movies begin with their heroes getting released from prison and immediately diving right back into the con game. In the case of “The Hot Rock,” that hero is John Dortmunder, ably played by Robert Redford with just the right mix of laconic cool and world-weariness. Plus, his sideburns are amazing.

Redford and his brother-in-law Kelp (George Segal) are hired by an African diplomat (Moses Gunn) to steal a rare jewel from the Brooklyn Museum. They pull the heist off but one of their partners gets nabbed by the cops, and he’s the guy who was carrying the stone. That’s Greenberg (Paul Sand). So now they’ve got to break Greenberg out of jail to get at the gem. Only to keep it from the cops, Greenberg had to swallow the rock, and when he, ahem, passed it, he had to stash it in his holding cell in another jail. So now they’ve got to break into that jail, which is on the top floor of a police station. “Couldn’t you just keep swallowing it?” the exasperated diplomat asks. Greenberg thinks about it, as he clearly thought about it in the jail, debating whether or not he could swallow a priceless poop. Finally, he responds. “No!”

I guess you could argue that “The Hot Rock” doesn’t have much going for it in the stakes department, and that Dortmunder’s buddies are so laid-back about robbery and so unfazed by failure that their repeated attempts to nab The Hot Rock don’t amount to much. But “The Hot Rock” is, like Soderbergh’s “Ocean’s Eleven,” as much fun to watch for the lovable characters as it is for the heists. Their repeated failures are bad news for them and great news for us because every time they lose the rock it means we get to spend a little longer with these hilarious screw-ups.

“The Friends of Eddie Coyle” (1973)

01122011_coyle1.jpgJust one year after “The Hot Rock,” Yates directed a film that plays like its twisted doppelganger. “The Friends of Eddie Coyle” is as gritty and bleak a heist film as “The Hot Rock” is a bubbly and comic one. Both movies are about the same ideas — loyalty, friendship, and family — but where “The Hot Rock” tells a crime story that celebrates and upholds those values, “The Friends of Eddie Coyle” shows how all of those ideals mean nothing when tested against the strongest human impulse: self-preservation.

In one of his best performances, Robert Mitchum plays Eddie “Fingers” Coyle, a career criminal awaiting sentencing for a botched truck robbery. His only hope of avoiding jail time is by ratting out the guys he works with, including his gun supplier, who delivers the film’s best line: “This life’s hard, man. But it’s harder if you’re stupid.” From Mitchum on down the line, the cast is fantastic: Peter Boyle, Richard Jordan, and Alex Rocco as a bankrobber Coyle sells Brown’s guns to.

The movie includes several terrifying heist sequences featuring Rocco’s gang, clad in eerie, dehumanizing masks, as they pick apart Boston-area banks. But really this is a movie about mortality, about an old guy coming to grips with the fact that he’s all played out and, as such, it’s probably the most fitting movie to watch this week to celebrate Yates. This is a sad movie. The title is so cruel too. A real thief doesn’t have friends: just potential betrayers.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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