DID YOU READ

Peter Weir Takes the Long “Way Back”

Peter Weir Takes the Long “Way Back” (photo)

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From “Picnic at Hanging Rock” to “The Truman Show” and “Master and Commander: The Far Side of the World,” Peter Weir’s filmography is rife with tales of men engaging with imposing environments, a fixation that continues with his newest film “The Way Back,” the real-life saga of three men who, in 1940, escaped a Russian gulag and traveled by foot to India – a trek spanning thousands of miles across five countries. Weir’s latest may feature big-name stars Colin Farrell and Ed Harris in an epic adventure, but in style, tone and content, it’s an anti-blockbuster of the first order. Shot by longtime Weir collaborator Russell Boyd with a combination of landscape majesty and close-up intimacy, it’s a narratively straightforward portrait of determination, survival and absolution that the writer/director layers with subtle thematic and emotional depth. On the eve of last week’s 11-film Lincoln Center career retrospective, Weir spoke about the veracity of “The Way Back”‘s source material, the “gamble” of making films for adults, and how being a director is sometimes like being a school headmaster.

Why was there a seven-year gap between “Master & Commander” and “The Way Back”? Was it difficult finding a new project, or putting this particular one together?

No, it was really just a series of projects – three in total – that, frustratingly, just didn’t come together for different reasons. I think they were films that I wasn’t meant to make. That’s my rationalization on it. But I did have to draw on deep reserves of patience, because I thought “God, there can’t be another one that goes south.” I think it was 2007 that I was sent the book [Slavomir Rawicz’s “The Long Walk: The True Story of a Trek to Freedom”] that became the inspiration for this film, and that was the one to make.

01172011_WayBack2.jpgWhat was it about the book that first sparked your interest?

Generally speaking, I think it’s profoundly an emotional experience. It’s more than intellectual and, therefore, not necessarily immediate. Over the days that I’d read it, it would come back to me and, in some ways, I would find it quite touching. I would think, “What is it about human nature, about the human spirit, that can endure so much, and yet keep going? What is it to survive?” I’d been touched by the book and thought that if I can bottle that lightning and pass it on to the audience, then they’ll feel what I felt.

I’ve read reports that Rawicz may not have actually been on the walk, but instead may have heard the story and claimed it as his own.

Yes, it’s that maybe he wasn’t on the walk. It’s documented that he was in a gulag, [as] a Polish officer who had – along with the majority of the Polish military in the Soviet zone in Poland – been sent in 1939 to the prisons. We know that they murdered a lot of them. But was he on the walk? I said to the producers that I couldn’t do the film unless I knew the walk occurred [and] that we can work around [Rawicz] and fictionalize it, but I’ve got to know there was a walk – that was what moved me. I didn’t particularly want to make the life story of the author. And that’s what we found. We got the evidence and I was happy, and so I could retitle it, and even reintroduce some other characters, and redraw those characters, all based on either interviews with survivors or from true accounts. I set myself that standard, so I would have a reality that I was dealing with.

You have a reputation for being very interested in historical details. Where did you start, in terms of research, after reading the book?

In this case, I think there were three key steps. One was to go and meet Cyril Delafosse-Guiramand, a young French guy in his late 30s, [who] walked this walk inspired by the book some time after 2000. He started off in Siberia and he walked all the way to India. So I had to meet Cyril. He was up in Laos, and I flew to meet him, and had him tell me what it was like — in the Gobi, in the forests north of Siberia. So he became vital. A lot of what he said I put in the script, then he became a member of the crew, and he helped the actors.

Secondly, I went to the locations – particularly to Mongolia, China and Siberia. And thirdly, I met survivors in Moscow (Russians obviously), and then in London, I met with Polish gentlemen who had survived and, in one case, one who had escaped. So those where the three key areas. And then, lots of reading. I’ve got quite a library.

01172011_WayBack11.jpgWas there ever a thought about not shooting on location?

Generally, I believe in faking as much as you can, so that your actors are as comfortable as possible to do what they’re trained to do. In other words, it doesn’t make the performance better just because you go and climb a mountain. You can put up a fake mountain in the studio and make them work more on their performance. In this case, I did think it was important to go to the real places, or facsimiles of them — four thousand miles, and through all the seasons, from blizzards in Siberia to the scorching desert to the Tibetan plateaus on to India. So I firstly cast those parts, if I can call the landscapes actors. I couldn’t shoot in Siberia, so we shot in the forests of Bulgaria. I couldn’t shoot in the Gobi desert for various reasons, so we used the Sahara. We shot in India, at Darjeeling.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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