DID YOU READ

Peter Weir Takes the Long “Way Back”

Peter Weir Takes the Long “Way Back” (photo)

Posted by on

From “Picnic at Hanging Rock” to “The Truman Show” and “Master and Commander: The Far Side of the World,” Peter Weir’s filmography is rife with tales of men engaging with imposing environments, a fixation that continues with his newest film “The Way Back,” the real-life saga of three men who, in 1940, escaped a Russian gulag and traveled by foot to India – a trek spanning thousands of miles across five countries. Weir’s latest may feature big-name stars Colin Farrell and Ed Harris in an epic adventure, but in style, tone and content, it’s an anti-blockbuster of the first order. Shot by longtime Weir collaborator Russell Boyd with a combination of landscape majesty and close-up intimacy, it’s a narratively straightforward portrait of determination, survival and absolution that the writer/director layers with subtle thematic and emotional depth. On the eve of last week’s 11-film Lincoln Center career retrospective, Weir spoke about the veracity of “The Way Back”‘s source material, the “gamble” of making films for adults, and how being a director is sometimes like being a school headmaster.

Why was there a seven-year gap between “Master & Commander” and “The Way Back”? Was it difficult finding a new project, or putting this particular one together?

No, it was really just a series of projects – three in total – that, frustratingly, just didn’t come together for different reasons. I think they were films that I wasn’t meant to make. That’s my rationalization on it. But I did have to draw on deep reserves of patience, because I thought “God, there can’t be another one that goes south.” I think it was 2007 that I was sent the book [Slavomir Rawicz’s “The Long Walk: The True Story of a Trek to Freedom”] that became the inspiration for this film, and that was the one to make.

01172011_WayBack2.jpgWhat was it about the book that first sparked your interest?

Generally speaking, I think it’s profoundly an emotional experience. It’s more than intellectual and, therefore, not necessarily immediate. Over the days that I’d read it, it would come back to me and, in some ways, I would find it quite touching. I would think, “What is it about human nature, about the human spirit, that can endure so much, and yet keep going? What is it to survive?” I’d been touched by the book and thought that if I can bottle that lightning and pass it on to the audience, then they’ll feel what I felt.

I’ve read reports that Rawicz may not have actually been on the walk, but instead may have heard the story and claimed it as his own.

Yes, it’s that maybe he wasn’t on the walk. It’s documented that he was in a gulag, [as] a Polish officer who had – along with the majority of the Polish military in the Soviet zone in Poland – been sent in 1939 to the prisons. We know that they murdered a lot of them. But was he on the walk? I said to the producers that I couldn’t do the film unless I knew the walk occurred [and] that we can work around [Rawicz] and fictionalize it, but I’ve got to know there was a walk – that was what moved me. I didn’t particularly want to make the life story of the author. And that’s what we found. We got the evidence and I was happy, and so I could retitle it, and even reintroduce some other characters, and redraw those characters, all based on either interviews with survivors or from true accounts. I set myself that standard, so I would have a reality that I was dealing with.

You have a reputation for being very interested in historical details. Where did you start, in terms of research, after reading the book?

In this case, I think there were three key steps. One was to go and meet Cyril Delafosse-Guiramand, a young French guy in his late 30s, [who] walked this walk inspired by the book some time after 2000. He started off in Siberia and he walked all the way to India. So I had to meet Cyril. He was up in Laos, and I flew to meet him, and had him tell me what it was like — in the Gobi, in the forests north of Siberia. So he became vital. A lot of what he said I put in the script, then he became a member of the crew, and he helped the actors.

Secondly, I went to the locations – particularly to Mongolia, China and Siberia. And thirdly, I met survivors in Moscow (Russians obviously), and then in London, I met with Polish gentlemen who had survived and, in one case, one who had escaped. So those where the three key areas. And then, lots of reading. I’ve got quite a library.

01172011_WayBack11.jpgWas there ever a thought about not shooting on location?

Generally, I believe in faking as much as you can, so that your actors are as comfortable as possible to do what they’re trained to do. In other words, it doesn’t make the performance better just because you go and climb a mountain. You can put up a fake mountain in the studio and make them work more on their performance. In this case, I did think it was important to go to the real places, or facsimiles of them — four thousand miles, and through all the seasons, from blizzards in Siberia to the scorching desert to the Tibetan plateaus on to India. So I firstly cast those parts, if I can call the landscapes actors. I couldn’t shoot in Siberia, so we shot in the forests of Bulgaria. I couldn’t shoot in the Gobi desert for various reasons, so we used the Sahara. We shot in India, at Darjeeling.

Watch More
JaniceAndJeffrey_102_MPX-1920×1080

Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

Posted by on

She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

JaniceAndJeffrey_106_MPX-1920x1080

IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

Watch More
IFC-Die-Hard-Dads

Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

Posted by on
Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

Watch More
IFC-revenge-of-the-nerds-group

Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

Posted by on
Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

geowash_flat

Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

Watch More
Powered by ZergNet