A Spirited Q & A With “Blue Valentine” Actress Michelle Williams

A Spirited Q & A With “Blue Valentine” Actress Michelle Williams (photo)

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As a way of celebrating this year’s nominees for the Spirit Awards in the weeks leading up to the ceremony, we reached out to as many as we could in an effort to better understand what went into their films, what they’ve gotten out of the experience, and where they’ve found their inspiration, both in regards to their work and other works of art that might’ve inspired them from the past year. Their answers will be published on a daily basis throughout February.

“I don’t know what’s in my life that’s current,” Michelle Williams says when asked if she had a favorite piece of art from the past year. She was referring to music mixes that she’s “kind of been living hand to mouth on” of late, and yet it felt all too appropriate a response when it feels like her own gifts as an artist are timeless. There’s no wonder that her triumphant return to the screen began in 2010 as the elusive wife to Leonardo DiCaprio’s bedraggled U.S. marshal in the 1950s-set “Shutter Island” and culminated in a turn as a 1840s frontier woman in the soon-to-be-released and Spirit Award-nominated western “Meek’s Cutoff.” While each of those roles tested her ability to pull any role into the here and now, they drew upon the same vulnerability and emotional precision that makes her performance in the Derek Cianfrance’s contemporary romantic drama “Blue Valentine” such an awesome achievement to behold.

If there was any joy to be taken away from the heartbreak of “Blue Valentine,” it came out of a deep appreciation for the depths Williams and Ryan Gosling were willing to plumb for the sake of an audience. As married couple Cindy and Dean, the two convey the ecstatic highs and crushing lows of a pair that is slowly unraveling after having adulthood, complete with a child and the responsibilities that entails, thrust upon them. Following the film’s premiere at Sundance, Williams admitted to IFC.com’s Alison Willmore that it was a character that “scared the shit out of me and Derek [Cianfrance, the director] talked me down off the cliff more than once.” That Williams is always willing to walk up to that edge time and again makes her the very definition of what the Spirit Awards is intended to honor and why it is only fitting our month-long fete of this year’s nominees begins with her.

Why did you want to make this film?

Where do I start? I’ve wanted to make this film since I was 22 years old and I’m 30 now, so I’ve found now in those eight years reasons – new reasons, different reasons – to want to make this movie. It changed as I did.

What was the best piece of advice you received that applied to the making of this film?

I’m trying to think because it’s been so long now. The thing that comes to mind is what I was thinking about during the last film I was making, so I’m going to steal it. It’s Nijinsky’s reply to the question, how did he jump so high? He said, “Well, I go up and I stay a bit.” Something about the simplicity and that effortlessness doesn’t have to be ephemeral, that it can be as concrete of an idea as anything else. That’s moved me.

What was the toughest thing to overcome, whether it was a particular scene or the film as a whole?

Toughest thing to overcome – I hadn’t worked for a year, so I felt rusty and I had to overcome that and quick.

What’s been the most memorable moment while you’ve traveled with the film, either at a festival or otherwise?

Every time I see Ryan and Derek, I just…I miss them and I get happy to see their faces.

What’s your favorite thing about the film that’s been largely uncommented upon?

I think one of my favorite moments in the movie is when Ryan’s interviewing at the moving company and the boss says, “Can you get here early?” He’s like, “Yeah, I can get here early. What time?” And the boss says, “Seven a.m.” – the look on Ryan’s face. Nobody’s mentioned it and I would watch the movie again, and I’ve seen it six times, just so I can have the pleasure of that moment.

What’s been the most gratifying thing for you to come out of this movie personally?

Like I said before, I was hesitant to go back to work. It had been a long time and I didn’t know if there was going to be anything in me and this movie brought me back to life creatively. It made me excited to go to work and it continues to make me excited to go to work because I discovered a new approach.

Have you had a favorite film, book or album from the past year?

A few things come to mind. I’m reading the Patti Smith book “Just Kids” right now. I’m way into that. Also, I read this book called “Poets on Poetry” that I found very moving and very relatable to acting.

“Blue Valentine” is currently open in theaters across the country. The Spirit Awards will air on IFC on February 26th.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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