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Harvey Weinstein Considers PG-13 Cut of “The King’s Speech”

Harvey Weinstein Considers PG-13 Cut of “The King’s Speech” (photo)

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As King George VI might say in one of his profanity-laden stuttering rants, his movie’s about to get buggered. The Los Angeles Times reports that Harvey Weinstein is considering recutting “The King’s Speech”after the Academy Awards in order to get it a PG-13 rating:

“[He wants to re-edit] the movie to excise coarse language and secure a lower rating that will open “The King’s Speech” to a broader audience. Weinstein, whose New York-based studio The Weinstein Co. released the film, said he is talking with director Tom Hooper about trimming the profanity that earned the film an R rating in order to attain a PG-13 or even PG. He is eyeing the success of the movie in Great Britain, where a 12-and-over rating has helped it to top the box office chart for the last three weekends, beating such bigger-budget pictures as “Gulliver’s Travels” and “The Green Hornet.”

“The British numbers are huge because the rating lets families see the movie together,” said Weinstein. “Tom and I are trying to find a unique way to do this that keeps his vision of the movie.”

Hooper could not be reached for comment.”

Let’s get this out of the way first: “The King’s Speech”‘s R rating for, as the MPAA puts it, “some language” was ludicrous to begin with. A couple of jags of naughty words aimed at no one in particular with zero sexual implication or malice don’t constitute, in my mind, grounds to preclude younger viewers. They can hear any of these words on the Internet in the amount of time it takes them to type them into Google. If you ask me, “The King’s Speech” should have been rated PG-13 all along.

A lot of movies trim their content for lower ratings and wider audiences. But most of them do it before they’ve been released. They submit a cut to the MPAA, they receive a conditional rating and then they either accept it, cut their movie, or appeal. The only recent example I can recall of a movie being recut after it’s already been released is Mel Gibson’s “The Passion of the Christ,” which made $370 million in the U.S. with an R rating but just $500,000 one year later as “The Passion Recut.” Part of the problem? Gibson’s softer “Passion,” which removed about five minutes of violence, was still too tough for a PG-13 rating, so he released it unrated, a decision that comes with its own set of financial problems.

I’ve got no beef with The Weinsteins cutting their own movie (Tom Hooper might, but I don’t). It’s their movie, they can do what they want with it. But it is funny to note that just one month ago, the Weinsteins were waging a fierce battle with the MPAA over another film in an attempt not to cut something. They successfully appealed “Blue Valentine”‘s NC-17 rating down to an R without having to make any changes to the film’s sexual content. If they’re not pleased with “The King’s Speech”‘s $60 million, they must be really pissed about “Blue Valentine”‘s $4.5 million. Can a oral sex free “Blue Valentine” be far behind?

There’s one big hole in TWC’s logic, too. Weinstein says the British grosses for the movie are so high because the film has a lower rating that “lets families see the movie together.” And I’m sure that England’s 12 rating has helped in that regard. But “The King’s Speech”‘s R-rating doesn’t prevent parents from taking their kids to see it; it certainly didn’t prevent parents from taking their kids to see “The Passion of the Christ.” He’s not considering another alternative: that British audiences are more interested in “The King’s Speech” because it’s about their king and their own history. In the same way that British audiences are probably less inclined to care about a film about a specifically American subject — a great politician, baseball, Snooki — American audiences are probably less inclined to care about a specifically British subject, namely a stuttering king.

I say this as a fan of “The King’s Speech.” I enjoyed the movie. But the biggest difference between an R and a PG-13 is that kids can go see it on their own. And I have a hard time imagining any kid that isn’t a mega-nerdlinger wanting to see “The King’s Speech.” “Dude, forget ‘The Mechanic’ this weekend! The guy from ‘Bridget Jones’ drops the F-bomb! We’ll tell my mom we’re going to see ‘The Green Hornet’ and sneak in!”

Crazy, right? That idea’s completely buggered.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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