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For Their Consideration: Greta Gerwig in “Greenberg”

For Their Consideration: Greta Gerwig in “Greenberg” (photo)

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Throughout awards season, IFC.com will highlight Oscar dark horses that aren’t getting the recognition they deserve for their work. For the full “For Their Consideration” archive go here.

Before we meet “Greenberg”‘s title character, we meet Florence. A young woman in mismatched dress and cardigan sweater, we watch her walk a dog through the Hollywood Hills. Then she’s driving as her car stereo plays Steve Miller’s “Jet Airliner.” She wants to change lanes; the car behind her won’t budge. To no one in particular, Florence speaks the first lines of the movie. “Are you gonna let me in?”

Hard to hear Florence say those words and not think about the woman playing her, twenty-seven-year old actress Greta Gerwig. As one of the key members of the so-called mumblecore movement in indie film, Gerwig has garnered small-scale attention and acclaim in films like “Hannah Takes the Stairs,” Baghead,” and “Nights and Weekends.” But attention and acclaim don’t necessarily translate to a career in the broader world of film, especially since mumblecore detractors tend to believe there’s no acting (or writing, or directing, or art) involved in those movies at all. As a fan of her work, particularly her raw performance in “Nights and Weekends,” I always thought she deserved a chance to showcase her skills on a bigger stage. But the question remained: was someone going to let her in?

Writer/director Noah Baumbach did, and Gerwig responded with one hell of a performance, one worthy of awards that she will almost certainly not receive (Oscar prognostication website InContention currently lists 43 women as contenders in the Academy Awards’ Best Supporting Actress category — including Ellen Page for “Inception” — but not Gerwig). This doesn’t surprise me. Awards tend to go to people who ACT! in capital letters and exclamation points, with fake noses and thirty extra pounds of ice cream chub. Gerwig belongs to the school of lowercase acting, the kind that is so complete and truthful that it can sometimes be hard to spot.

Florence meets Roger Greenberg, played by Ben Stiller, through his brother. She works for him as a personal assistant. The brother and his family go on a vacation; Roger, fresh from a stint in a mental hospital, flies out from New York to dog and housesit. Their proximity sparks a very unorthodox romance, unorthodox even by the standards of quirky indie romantic comedies. Gerwig’s task is not an easy one: she has to convince us that Florence would be legitimately and persistently interested in an older man with no prospects and no manners, who needs constant emotional maintenance and frequently badgers her. Making her job even more difficult, once Greenberg appears eight minutes into the film he totally dominates it, leaving very little room for Florence or screentime for Gerwig.

That imbalance, though, suits the relationship. Florence is such a pushover she’d rather beg a friend for $40 than pester her boss for the money he owes her. The bullying, overbearing Roger, in contrast, refuses to let any injustice stand, no matter how small or insignificant it may be. The ever-crusading Roger writes letters to companies whose policies upset him; he sends one to American Airlines about the quality of the buttons on the armrests. You get the feeling watching Florence she wouldn’t even complain if someone sat on her seat on an airplane while she was still in it.

Somehow Gerwig makes Florence seem vulnerable without feeling like a victim. Baumbach and Jennifer Jason Leigh’s screenplay staunchly refuses to make sense of this screwy relationship or to spell out the source of the attraction, so it’s up to Gerwig’s performance to make it work. We wonder what she sees in this asshole until we watch the way she lights up when she hugs Greenberg or he agrees to spend the night at her house and we realize: these two are kindred spirits. One lost soul has found another.

Florence doesn’t share a lot of personal characteristics with Gerwig’s mumblecore characters, but Gerwig’s performance does bear the same hallmarks that made her earlier work memorable: her total lack of vanity and her uncannily naturalism. In mumblecore, those qualities were her greatest onscreen strengths and her biggest offscreen weaknesses with critics: it never looked like Gerwig was acting, therefore, she must not be. And Gerwig is completely at ease in front of the camera, whether she’s enduring an cringe-inducingly uncomfortable sex scene with Ben Stiller or drinking away her pain while singing along to Paul McCartney’s “”Uncle Albert/Admiral Halsey.” She doesn’t have onscreen tics or crutches and she doesn’t need big speeches or breakdowns to convey big emotions. It’s all right there on her face. But just because it looks easy doesn’t mean it is.

“Greenberg” is ultimately about Stiller’s character, but every time I watch it, I’m drawn to Gerwig’s, the girl carrying all these emotions that she can’t find the words to express and barely has the strength to hold back. The whole movie really is summed up in Florence’s first line. It’s about pleasure we get from watching Roger and Florence learn to let each other in.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
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Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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