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DID YOU READ

A (Fairly) Complete Sundance 2011 Acquisitions List

A (Fairly) Complete Sundance 2011 Acquisitions List (photo)

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If you’re a film lover who can’t make it to Park City, Sundance is like the world’s biggest tease: a beautiful woman who kisses your neck and whispers in your ear and then vows not to sleep with you for twelve months. There’s nothing more frustrating than articles about incredible movies you won’t be able to see anytime soon, if at all. The only good news stories out of Sundance are the acquisitions, since they provide hope that, yes, someday we will see these films opening in a theater near us.

With that in mind, I’ve compiled all the Sundance acquisitions I could find into a single list. I decided to organize them by release date, though most still being determined. As more sales leak out, I’ll try to update this as best I can (you can suggest additions to me on Twitter as well). And if you’re sick of being teased, it may not be a bad time to note (rather shamelessly, I know) that IFC Films has five Sundance movies available on VOD right now: “Mad Bastards,” “Septien,” “These Amazing Shadows,” “Uncle Kent,” and Gregg Araki’s awesome new film “Kaboom.” Oh, and don’t forget that Fox Searchlight had two films at Sundance with firm release dates as well, Miguel Arteta’s “Cedar Rapids,” opening February 11, and Tom McCarthy’s “Win Win,” opening March 18.

Here’s how the acquisitions list works: the links in the film titles take you that movie’s page on Sundance’s website, where you can find plot synopses, pictures, and trailers. And the link in the distributor’s name sends you to the news story about the acquisition. Enjoy — or, I guess, prepare to enjoy eventually. Best I can do for now.

APRIL
“The Greatest Movie Ever Sold,” directed by Morgan Spurlock (Sony Pictures Classics)

LATE SPRING:
“The Ledge,” directed by Matthew Chapman (IFC FIlms)

JUNE
Jun. 3: “The Last Mountain,” directed by Bill Haney (Dada Films)

OCTOBER
Oct. 19: “Red State,” directed by Kevin Smith (SModcast Pictures)

SOME UNDEFINED TIME IN 2011
“The Details,” directed by Jacob Aaron Estes (The Weinstein Company)
“Homework,” directed by Gavin Wiesen (Fox Searchlight)
“Life in a Day,” directed by Kevin Macdonald (National Geographic)
“Margin Call,” directed by J.C. Chandor (Lionsgate and Roadside Attractions)
“Martha Marcy May Marlene,” directed by Sean Durkin (Fox Searchlight)
“Page One: A Year in the Life of The New York Times,” directed by Andrew Rossi (Magnolia and Participant)

RELEASE DATE COMPLETELY TBD
“Another Earth,” directed by Mike Cahill (Fox Searchlight)
“Buck,” directed by Cindy Meehl (Sundance Selects)
“Circumstance,” directed by Maryam Keshavarz (Participant Media)
“The Guard,” directed by John Michael McDonagh (Sony Pictures Classics)
“I Melt With You,” directed by Mark Pellington (Magnolia)
“Like Crazy,” directed by Drake Doremus (Paramount)
“My Idiot Brother,” directed by Jesse Peretz (The Weinstein Company)
“Pariah,” directed by Dee Rees (Focus Features)
“Perfect Sense,” directed by David Mackenzie (IFC Films)
“Project NIM,” directed by James Marsh (Roadside Attractions)
“Salvation Boulevard,” directed by George Ratliff (IFC and Sony)
“Silent House,” directed by Chris Kentis and Laura Lau (Liddell Entertainment)

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.