DID YOU READ

“True Grit,” Reviewed

“True Grit,” Reviewed (photo)

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It’s remarkable how different Joel and Ethan Coen’s “True Grit” is from the 1969 version starring John Wayne even though the two have all the same characters, nearly identical narratives, a lot of the same dialogue from Charles Portis’ original novel. The biggest difference is the Coens themselves and the attitude they bring to the material. The original “True Grit” is a sentimental story about the Old West and a girl who has lost her father and who, in her quest to avenge his death, finds a new one. It has dark moments and themes, but overall it’s a light-hearted film; at times it plays more like boozy frontier comedy than a Western revenge thriller. In contrast, the 2010 “True Grit” is a far bleaker and more severe portrait of life in the West, a place the Coens portray as sad and scary even as it is exciting and beautiful. Their version has comedy as well, but it’s much a much darker kind. To call it gallows humor would be entirely accurate, particularly since in an early scene the Coens turn a public hanging into a enormous punchline.

Though the commercials make it appear like Jeff Bridges is the film’s hero, that title actually belongs to a 14-year-old girl named Mattie Ross (Hailee Steinfeld), who hires Bridges’ cantankerous U.S. Marshal, Rooster Cogburn, to help her find her father’s killer. Later they’re joined by a egotistical Texas Ranger named La Boeuf, who is hunting the same man on a different charge. Cogburn and La Boeuf are reluctant to deal with the headstrong Mattie, and then even more reluctant to take her along into “dangerous Indian territory” when she demands to accompany them. But the charmingly bull-headed Mattie will not be swayed. By focusing on this unstoppable, empowered young woman and showing her to be the equal of her more seasoned gunfighter partners rather than a damsel in distress, “True Grit” plays sort of as a chick flick/Western hybrid, and a highly satisfying one at that.

One key element of that satisfaction — and another key difference between the “Grit”s — is casting. Kim Darby played Mattie in Henry Hathaway’s 1969 production, and though she had a charmingly warm relationship with Wayne, she was 22 when she played the part and looked it. Steinfeld, on the other hand, was 13 when she shot “True Grit,” and the tininess of her pre-teen frame enhances every scene; accentuating the humor when she bullies around businessmen who underestimate her intelligence and the danger when she’s held at gunpoint by outlaws. Damon, hilariously impressed with his own abilities as a Texas Ranger, is also a major upgrade over the original cast (sorry, Glen Campbell).

The highest compliment you can pay Bridges is that he draws no comparisons to Wayne’s Rooster Cogburn, a performance that earned the actor his only Academy Award. Bridges’ Cogburn is a totally different guy, more ornery, more surly, more in touch with his film’s dryer sense of humor. It’s also interesting to note how different Cogburn is from The Dude from “The Big Lebowski,” the last character Bridges created with the Coens. Other than the fact that both men are introduced on or around the toilet, they have almost nothing in common. The fact that one man could so convincingly play two disparate men is yet another impressive feat by Bridges, one of our best actors.

The Coen Brothers’ “True Grit” may not be a better movie than the original but it’s certainly a better production. The cinematography by Roger Deakins, who shot the Coens’ “No Country For Old Men,” stunningly recreates the sepia-toned texture of old photographs and the production design by Jess Gonchor immerses us in one of the most believable Western settings I’ve ever seen onscreen. I liked the John Wayne “True Grit,” and I liked the Coens’ “True Grit” too. They’re similar in some ways, different in others, but both work on their own terms.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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