“Tron: Legacy,” reviewed

“Tron: Legacy,” reviewed (photo)

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In 1982, Tron captivated a small, devoted following of tech nerds, video game players and young viewers with a vision of a day-glo cyberworld. Computer programmer and game designer Kevin Flynn (Jeff Bridges) gets zapped into his own video game where he must fight for his life and then return to reality to claim the rightful credit for his work.

Garret Hedlund’s Sam Flynn stands in for the acolytes who’ve been awaiting their return to “Tron”‘s Game Grid universe. He’s a brash, cocky conscientious objector from the corporate rat race, despite being an heir to the Encom empire that his father built. Kevin Flynn’s been missing for more than two decades and his open-source, change-the-world mentality’s been turned into another profit mill by the company’s taskmasters.

A plot contrivance brings Sam to his dad’s old arcade where he gets zapped into the digital world of the Game Grid. After a high-octane disc deathmatch , he awkwardly reunites with his dad, who’s been trapped in the world of his own creation by evil digital doppelganger Clu. Clu wants to claim the real world as his own and has lured Sam to the Grid to force open the portal that connects the physical and digital worlds.

As has been famously hyped, Jeff Bridges pulls double duty as both Kevin Flynn and his CGI avatar Clu. Digi-Bridges looks impressive throughout the movie, except for the climactic scene where he looks fake and emotionally hollow. It’s the worse place for the technology to break down, even if the movie’s emotional notes are unavoidably broad. But, overall, Bridges plays Flynn as a techno-hippie and the Cyber-Dude abides. It’s really his movie and he steals most of the scenes he’s in. Hedlund, however, just delivers a hunky Australian blandness that you could call Sam Worthington 2.0. Olivia Wilde’s comely wide-eyed AI naïf embodies a weird streak of digital nativism about spontaneously generated, self-aware programs. Sadly, that intriguing idea–complete with a cyber version of the Trail of Tears–withers on the vine.

As a grown-up gamer, that’s where “Legacy” most disappoints me. It gestures at some really interesting ideas, but leaves them all woefully underdeveloped. We first see Flynn as a reclusive demi-god and later learn about the ISOs—those self-aware programs–and how special they were going to be. But we’re never shown that specialness. There’s hints of a tension between human and programs–lines about the “Tyranny of the User” and scenes of seething virtual personas angry at their abandonment–but, again, that stuff is left to the viewer to wonder about.

Where the new “Tron” stumbles most noticeably is ironically in the legacy department. The movie works heavy-handedly as a take absentee parenthood, re-purposed creativity or a postponed coming-of-age. But it doesn’t feel digital. Rather, it feels like a walled-off understanding of what the last 28 years of digital advancements means and how they’ve changed our lives. The movie spends a lot of time telling us how gifted Sam and Flynn are, but offers up nothing more than glimpses of said power. Flynn does the occasional trick of virtual hoodoo in the Grid but it mostly feels like weaksauce since he’s the guy who built the place. There’s no hyper-connectivity, no meta-awareness in either Sam or Flynn yet anyone who’s on Twitter or Foursquare knows what it’s like to get a constant feed of info about the world you’re in. That’s the reality we live in now, and as a gamer and a nerd, I wanted Tron to address that more directly. In fact, I kept comparing t to “Scott Pilgrim Vs. The World” and how Edgar Wright wove in a sort of meme-hungry digital intuition into his adaptation of the video game love story from Bryan Lee O’Malley’s graphic novels. “SPVTW” pulsed and throbbed and morphed with all the ease of a virtual world, even though it was set in Toronto.

Maybe this is all too much to expect from a Disney holiday blockbuster. Indeed, if you leave aside all the metaphorical hopes and long-brewing anticipation, Tron: Legacy’s perfectly enjoyable as a visually stunning spectacle. The effects and aesthetic dazzle, especially when game objects coalesce from the ether for battle or chase sequences. Those sequences make the movie, especially the set pieces that present game competition as a digital bloodsport NASCAR. Yet, even those scenes frustrate because they don’t feel video game enough. “Tron: Legacy” feels obsolete, even as it’s still uploading into theaters.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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