DID YOU READ

The Top Ten Films of 2011 (Or, At Least, Those We Think Will Be Really Really Great)

The Top Ten Films of 2011 (Or, At Least, Those We Think Will Be Really Really Great) (photo)

Posted by on

Okay, so it may be a little early to talk about the best films of next year. But based on the number of high-profile auteurs with new works on the horizon, 2011 looks like it will be a banner annum for art cinema. While Terrence Malick’s “Tree of Life” is already trailering around the world and Sundance will parade a number of hot new projects from American indie stalwarts (Miguel Arteta, Tom McCarthy) and doc-makers (Eugene Jarecki, Steve James), look abroad to the next Berlin or Cannes and you’re likely to see the most thrilling examples of contemporary cinema. Here are ten films we believe could top the best-of lists 12 months from now (in no particular order):

“This Must Be the Place”
Directed by Paolo Sorrentino

Though not yet known much outside of his home country or the festival circuit, Italian auteur Sorrentino received considerable acclaim — including a Cannes Jury Prize and even an Oscar nomination for best makeup — for “Il Divo,” his 2008 tale of political corruption. In his follow-up English-language debut, Sean Penn stars as a retired rock star on the search for his father’s torturer, an ex-Nazi war criminal who is hiding in the U.S. Frances McDormand also co-stars. What might be the result is anybody’s guess, but the pairing of Sorrentino and Penn is reason alone for great anticipation.

“The Dangerous Method”
Directed by David Cronenberg

The last time Cronenberg tackled the medical profession, we got the eerily creepy “Dead Ringers.” The idea that the Canadian maestro is now taking on the birth of psychoanalysis should send shivers down your cerebellum. Based on a play by Christopher Hampton called “The Talking Cure,” the film stars Viggo Mortensen as Sigmund Freud (he never looked that good), Michael Fassbender as Carl Jung and Keira Knightley as Sabina Spielrein, a patient of Jung’s who was also a huge influence on both their theories. A sort of ménage-a-trois of the mind, the “Method” has all the components of a wonderfully disturbing psychological thriller.

12182010_TheGrandMasters.jpg“The Grandmasters”
Directed by Wong Kar-wai

Hong Kong master Wong Kar-wai’s latest follows the life of Ip Man, the legendary martial artist who taught Bruce Lee in his younger years. Like all of Wong’s projects, there is little else known about the plot, but Tony Leung (“In the Mood for Love”) stars as the kung fu expert, alongside Zhang Ziyi (“Crouching Tiger, Hidden Dragon”), South Korean starlet Song Hye-kyo, and Chang Chen (“Red Cliff”). At a news conference for the film, Leung called the project “a genuine kung fu movie.” And with veteran action choreography Yuen Woo Ping (“Kung Fu Hustle,” “The Matrix”) on board, there’s no reason not to believe him. Sales company Wild Bunch has little other info about the film, except a tagline: “In martial arts, there is no right or wrong, only the last man standing” — which I’m sure has as much to do with the actual film as “Melancholia” has a happy ending; see below.

“Melancholia”
Directed by Lars von Trier

Described as a “psychological disaster movie,” the Danish provocateur’s new film stars Kirsten Dunst, the latest ingénue to subject herself to the filmmakers’ whims. At a press conference for the film in July, Dunst praised von Trier’s sadistic tendencies, reportedly saying there’s “poetry in the way he tortures women.” While the actual plot is under wraps, Dunst’s character gets married within the film (with Udo Kier as “the wedding planner”), as impending disaster comes in the shape of a planet hurdling towards Earth. Charlotte Gainsbourg plays her sister. The film also stars Kiefer Sutherland, John Hurt, Stellan Skarsgård and Alexander Skarsgård, as Dunst’s betrothed. For the new film, von Trier has promised, “No more happy endings.” As if you were worried.

“On the Road”
Directed by Walter Salles

The Jack Kerouac Beat classic finally gets a modern screen redo from the makers of the “Motorcycle Diaries,” Brazilian director Walter Salles and Puerto Rican writer Jose Rivera. Starring Sam Riley (“Control”) as Sal Paradise and Garrett Hedlund (“Tron: Legacy”) as Dean Moriarty, the film follows the two young men journeying across North America in search of themselves. The film features an impressive cast of supporting players, including Kristen Stewart, Kirsten Dunst, Amy Adams and Viggo Mortensen as Old Bull Lee, considered to be a stand-in for William Burroughs. “There is a strange modernity to the theme,” Salles told CNN. “And maybe ‘On the Road’ is more contemporary today than it ever was.”

12182010_SkinThatIInhabit.jpg“The Skin That I Inhabit”
Directed by Pedro Almodóvar

Loosely based on a French novel called “Tarantula,” Almodóvar’s latest tells the story of a plastic surgeon (Antonio Banderas) who seeks revenge for his daughter’s rape. In the novel, the character performs a sex change operation on the perpetrator. No word on whether this twist manifests itself in the film version, but it would certainly seem up Almodóvar’s alley, if you remember the gender-bending characters that populate his cinema. In an interview with a Spanish newspaper, the director likened the film to the horror genre – but “without screams or scares,” he said. “It’s the harshest film I’ve ever written and Banderas’ character is brutal.” Sony Pictures Classics has picked the film up for U.S. distribution.

“Tinker, Tailor, Soldier, Spy”
Directed by Tomas Alfredson

From the makers of “Let the Right One In,” the Swedish cult vampire film, comes a tantalizing new project, an adaptation of John le Carré’s famous bestseller. Director Alfredson has brought aboard many of his Swedish creative collaborators –including ace cinematographer Hoyte van Hoytema — for this decidedly English drama about George Smiley, a retired MI6 agent trying to adjust to a life outside the secret service, who is then, of course, pulled back into the world of espionage. It’s got a great cast, with Gary Oldman as Smiley, as well as Colin Firth, Tom Hardy and Ciarán Hinds. Prestige producers Working Title and Studio Canal are backing the project, which recently completed shooting in London.

“Untitled Dardenne Brothers Film”
Directed by the Luc and Jean-Pierre Dardenne

Originally known as “Délivrez moi” (or “Set Me Free”), the latest film from proficient Belgian siblings Luc and Jean-Pierre Dardenne features fellow Belge starlet Cécile de France (recently seen in Clint Eastwood’s “Hereafter”) and reportedly centers on a 11-year-old boy who escapes from the orphanage where his father left him, and then, pursued by orphanage staffers, eventually finds refuge with a young female stranger. Known for their bracing, heartrending class-conscious dramas (“Rosetta,”
“The Child,” and most recently “Lorna’s Silence”), there’s no reason to doubt the Dardennes’ new film will traffic in the same delicate balance of pain and pathos.

“We Need to Talk About Kevin”
Directed by Lynne Ramsay

Following her auspicious debut “Ratcatcher” and the astonishing follow-up “Morvern Callar,” the Scottish-born Ramsay has quickly established herself as one of the world’s foremost burgeoning auteurs. While her version of “The Lovely Bones” sadly never came to fruition, fans of the filmmakers’ work are salivating over her replacement adaptation, “Kevin,” based on Lionel Shriver’s prize-winning book. Told from the perspective of a conflicted mother (played by Tilda Swinton), the film tells the story of the events leading up to and following her son Kevin’s killing spree just days before his 16th birthday. With young “Afterschool” star Ezra Miller as Kevin and John C. Reilly as his father, the film promises to be, what Swinton has called in interviews, “a doozy.”

“Wuthering Heights”
Directed by Andrea Arnold

Rising Brit auteur Arnold (“Fish Tank,” “Red Road”) takes her beautifully gritty aesthetic to the classics, with this reportedly “rawer” take on Emily Brontë’s 1847 tale of doomed teenage lovers. The faithful adaptation recently made headlines in the U.K. when it was announced that James Howson, a young black actor with no prior film credits, was cast as Heathcliff. Eighteen-year-old actress Kaya Scodelario (known from Brit TV series “Skins”) stars as the ill-fated Catherine Earnshaw. According to The Guardian, key scenes were filmed at Moor Close, “a desolate farmhouse without electricity or running water in the North Yorkshire moors.” Sounds glorious!

[Additional photos: “The Grandmasters,” Jet Tone Productions, 2011; “The Skin That I Inhabit,” El Deseo/Sony Pictures Classics, 2011]

Watch More
JaniceAndJeffrey_102_MPX-1920×1080

Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

Posted by on

She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

JaniceAndJeffrey_106_MPX-1920x1080

IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

Watch More
IFC-Die-Hard-Dads

Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

Posted by on
Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

Watch More
IFC-revenge-of-the-nerds-group

Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

Posted by on
Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

geowash_flat

Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

Watch More
Powered by ZergNet