This browser is supported only in Windows 10 and above.

DID YOU READ

The IFC News Podcast Archive

The IFC News Podcast Archive (photo)

Posted by on

By far, the question we get most to our IFC News Podcast e-mail account and to our Twitter accounts is “How can I listen to older episodes of the podcasts?” Well good news podcasts fans; Christmas came a couple days late this year. While we’re still working to make all our podcasts available on iTunes, we’re pleased to present this complete archive page containing links to every single IFC News Podcast. That’s right: every single one. Even the early ones that are embarrassingly terrible that you should never listen to. (Seriously. Don’t do it.)

Still, if you’ve got 200+ hours at your disposal and you want to listen to the evolution of our podcast, now you can. And it has evolved. On our very first episode (a review of “Borat” from October 2006), we were barely capable of introducing ourselves (we also were pretty blatantly ripping off Filmspotting‘s review format). By episode #25 we started to get the hang of things, and even added rudimentary editing and sound clips. Right around episode #120 you’ll start to hear things begin to congeal into their current form, with our misdirecting introductions, feedback, and, shortly after that, The Keyword Game.

Clicking any link below will take you directly to the mp3 of that podcast. If you want to download a file to transfer it to an iPod, you can right-click and choose “Save File” on PC (or hold “Option” and click on Mac).

We’ll try to keep this page updated from now on. Enjoy all the podcasts (maybe not all of them) and thanks for listening.

The Complete IFC News Podcast Archive
(Last Updated: 02/01/2011)

#215: Our Desert Island Movies
#214: From the 2011 Sundance Film Festival
#213: Michel Gondry’s Film Party
#212: The State of Superhero Movies
#211: The Coen Brothers’ Gritty Cinema
#210: Celebrating the Movies of 2010, Part 2
#209: Celebrating the Movies of 2010, Part 1
#208: Rating the MPAA Ratings System
#207: Boxing Movies
#206: “Black Swan” and the Life of Ballet Dancers on Film
#205: Movies About Royalty
#204: The Ingredients of Good Food Movies
#203: Movies About Veterans
#202: Bringing a Podcast to a (Danny) Boyle
#201: Performing an Autopsy on the Corpus of Torture Porn
#200: Revisiting Our Cinematic Blindspots
#199: Remembering Arthur Penn
#198: Highlights from Fantastic Fest 2010 and the 2010 New York Film Festival
#197: Directors as Swoopers and Bashers
#196: Our Faithful Look at Infidelity Movies
#195: Movies About The Price of Stardom
#194: Catching Up on the Best of 2010 on DVD
#193: Dinner Party Movies
#192: Fall 2010 Trailers
#191: Video Game Logic in Movies
#190: Speaking Out About Voice-over Narration
#189: Movie Dads, Good and Bed
#188: Following the Prestigious Mementos of Christopher Nolan’s Career
#187: The Dog-Eat-Dog World of Office Movies
#186: Airbrushing, Special Effects, and Beauty Onscreen
#185: Dysfunctional Family Movies
#184: Our Pixar Podcast
#183: All About Antiheroes
#182: Against Conventional Wisdom
#181: Urban Legends In (And Of) the Movies
#180: Great Physical Comedians
#179: Ranking the “Saturday Night Live” Movies
#178: Movies’ Representation of Fans
#177: Midlife Crisis Movies
#176: The Value of Shock Cinema
#175: How the West Was Revised
#174: Banksy and Directorial Agendas In Documentary Filmmaking
#173: Our Favorite Up and Coming Actors
#172: Kevin Smith’s Critical Dogma
#171: The Rules of Movie Time Travel
#170: From South by Southwest 2010
#169: Movie Mommies
#168: The Great 2010 Oscar Queso Challenge
#167: The Perils of Personal Filmmaking
#166: “Notstalgia”
#165: Ensemble Films
#164: John Travolta, Ham Sandwich
#163: From the 2010 Sundance Film Festival
#162: How Sundance Works
#161: Siege Films
#160: Evil Twins, Doubles, and Doppelgangers
#159: Celebrating the Movies of 2009, Part 2
#158: Celebrating the Movies of 2009, Part 1
#157: Stars’ Fading Power
#156: Our Guilty Pleasures of the Naughts
#155: Asian and Asian-American Actors in Hollywood
#154: The John Wooniverse
#153: The Pleasures of Stop Motion Animation
#152: Submitted For Your Approval, A “Twilight Zone” Podcast
#151: Supporting Characters Worthy of Spinoffs
#150: Biopics And “Improving” On Real Life
#149: “Melancholgia”
#148: May/November Romances and Movie Cougars
#147: Girl Movies For Guys, Guy Movies For Girls
#146: Clive Owen
#145: Whistleblower Movies
#144: Our Favorite Inhospitable Settings For Movies
#143: Do Spoilers Spoil Movie Discussions?
#142: Actual College, Meet College Movies
#141: Overused Soundtrack Choices
#140: Movie Aliens As Metaphors
#139: “Docsploitation”
#138: Yes, Comic-Con HAS Nuked the Fridge
#137: Psychiatrists and Therapists In Movies
#136: Scrambled Timelines
#135: Six Summer Movie Alternatives
#134: Action Movie Auteurs
#133: The Life of a “Female Filmmaker”
#132: Trying to High Concept the “High Concept”
#131: Great Modern Uses Of Black and White Photography
#130: Memory Loss In the Movies
#129: Sam Raimi Drags Us to Hell
#128: Cannes 2009: “Antichrist” and “Up”
#127: Theme Park Rides Based on Movies
#126: Screen Siblings
#125: Modern Day Retellings of Classic Literature
#124: Mental Disability On Screen
#123: Questionable Life Lessons From Formula Films
#122: Spring 2009 Trailers
#121: Cinematic Representations of The Devil
#120: Wrestlers Enter the Acting Ring
#119: From South by Southwest 2009
#118: The Bromantic Comedy
#117: The Importance of Accuracy in Adaptations
#116: Hyperlink Cinema
#115: Are Recessions Good For Movies?
#114: “Rapping” Up Joaquin Phoenix’s Career
#113: Traumatic Children’s Movies
#112: Analyzing the 2009 Oscar Nominations
#111: From the 2009 Sundance Film Festival
#110: Mall Movies (And Vikings?)
#109: The Sundance 2009 Preview
#108: Celebrating the Movies of 2008
#107: Our Favorite Performances of 2008
#106: Are Movies Getting Longer?
#105: Journalists On Screen
#104: Giving Thanks For the World of Indie Film
#103: Alison at the Wedding / Matt Getting Married
#102: James Bond
#101: Actors Playing Themselves, Sort Of

#100: “The Killer ______ Movie”
#99: Requiem For a Video Store
#98: Comebacks We’d Like to See
#97: Notable Big Screen Comebacks
#96: Soundtracks That Overshadow Their Movies
#95: Fantastic Fest 2008
#94: Non-Kids Movies Perfect For Kids
#93: Debating Two 2008 Toronto Film Festival Films: “Miracle at St. Anna” and “Happy-Go-Lucky”
#92: The Rules of Sad Assassins
#91: A Salute to Manny Farber and “Termite Actors”
#90: The 2008 (Indie) Fall Movie Preview
#89: Famously Disastrous Film Productions
#88: The Passion of the Passion Project
#87: Has Comic-Con Nuked the Fridge?
#86: Squandered Comedic Talent
#85: From Screen to Stage to Screen Again
#84: Is This the End of Indie Film?
#83: The Wide World of Drug Movies
#82: Taking On AFI’s Ten Top Tens
#81: On Child Actors
#80: Physical Disability on Film
#79: The Art of Online Video
#78: Cannes 2008 Endpoint
#77: Cannes 2008 Midpoint
#76: Raging (Uwe) Boll
#75: Not Another Teen Movie Podcast
#74: The 2008 (Indie) Summer Movie Preview
#73: Real Time Movies
#72: Senior Citizens on the Silver Screen
#71: Gambling in the Movies
#70: Remembering Anthony Minghella
#69: The Brothers Wilson
#68: South by Southwest 2008
#67: “The ’50s” in Recent Cinema
#66: New York City’s Outer Boroughs On Screen
#65: ’80s Nostalgia
#64: The Science of Chemistry
#63: The World of Super Bowl Advertising
#62: Oscar 2008 Snubs and Surprises
#61: The Movies of Sundance 2008
#60: “The Sundance Film”
#59: On Selling Out
#58: Looking Ahead to 2008
#57: Looking Back at 2007
#56: Daddy’s Little Directors
#55: Concerning Costume Dramas
#54: Confessing Some Cinematic Blindspots
#53: Screenwriters on Screen
#52: Motion-Capture and the Changing Face of Animation
#51: Television, the Emerging Medium
#50: Ridley Scott, King of the Director’s Cut
#49: Cinematic Sophomore Slumps
#48: Vampires Through the Ages
#47: An Appreciation of Mark Wahlberg
#46: “Before the Devil Knows You’re Dead” and Phillip Seymour Hoffman
#45: Video Game Adaptations
#44: “Eastern Promises”
#43: The Indie Musical
#42: The 2007 Fall Movie Preview
#41: The Actor-Director
#40: Vacation Movies
#39: The Most Disturbing Sex Scenes of All Time
#38: When Singers Play Singers
#37: Movies Based on TV Shows
#36: Cerebral Science Fiction
#35: Trailer Daze 2007
#34: The Crimes of Robin Williams
#33: Bruce WIllis, Movie Star
#32: Looking Back at the First Half of 2007
#31: If We Ran Movie Studios
#30: The Cure For the Summertime Movie Blues
#29: Reevaluating William Friedkin
#28: At the 2007 Cannes Film Festival
#27: Movies That Have Sat On the Shelf
#26: Foreign Directors Making Their English Language Debut
#25: Strange Spectator Sport Movies
#24: The 2007 Summer Movie Preview
#23: A Cop Movie Cliche Lineup
#22: An Interview With Henry Rollins
#21: “Grindhouse” and Grind Houses
#20: 3D and The Return of The Gimmick
#19: Do Critics Matter?
#18: Indulgent Reflections on Movie Theaters
#17: Horror Movie Tropes
#16: Award Season Wrap-Up
#15: Predicting the 2007 Oscar Winners
#14: The Life and Times of Nicolas Cage
#13: Looking Forward To Spring
#12: Our Sundance 2007 Wrap-Up
#11: Predicting the 2007 Oscar Nominees
#10: The Worst Films of 2006
#9: Awesomely Inappropriate Holiday Fare
#8: The Best Movies of 2006
#7: Movies of 2006 Too Good To Be Forgotten
#6: Deep Into “Inland Empire”
#5: “The Nativity Story”
#4: The Year of Kamikaze Auteurism
#3: The New Didactic Film
#2: Where Have All the Biopics Gone?
#1: On “Borat”

IFC_FOD_TV_long_haired_businessmen_table

Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

Posted by on

via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

SAE_102_tout_2

Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

Posted by on
GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

via GIPHY

The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

via GIPHY

They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

via GIPHY

Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

via GIPHY

Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.