“The Fighter,” Reviewed

“The Fighter,” Reviewed (photo)

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You need two things to be a great boxer: technique and heart. Knowing how to throw a punch won’t get you very far if you also don’t know how to take one. Acting is the same way: all the technical proficiency in the world will get you nowhere if you can’t use it to move the audience.

Christian Bale is the rare kind of actor who has that Muhammad Ali-esque blend of technique and heart. His accents are impeccable and his ability to mold his body for a role, whether it’s gaining muscle for Batman or withering away to play a sickly insomniac in “The Machinist,” is remarkable. But all of the physical stuff is just the window dressing that enables him to connect with his characters on a deeper emotional level. To play washed up boxer Dickie Eklund in “The Fighter” Bale perfected a Boston accent, became a convincing physical trainer, and dropped a ton of weight again, but none of that is as impressive as the moment near the end of the film where he simply sits on a couch and fights back tears as he talks about how proud he is of his brother.

His brother — technically his half-brother, since they only share a mother — is “Irish” Micky Ward, played by Mark Wahlberg. Though Micky is a talented fighter in his own right, he’s lived his entire life in his older brother’s shadow and though “The Fighter” is ostensibly a biopic about Micky, Wahlberg spends the entire movie in Bale’s. Though Micky has the comeback, Dickie is the one who gets redemption. He’s the guy who faces his demons (drug addiction, self-pity) and becomes a stronger man. He’s the guy who has the film’s biggest confrontation with Micky’s tempestuous girlfriend Charlene (Amy Adams). There’s a tension in “The Fighter” about who it’s ultimately about, Micky or Dickie, that would make other films feel sloppy or unfocused. But since that same tension defined the relationship between Dickie and Micky in real life, it only makes sense that it would also define the movie about that relationship.

The film is called “The Fighter” but it’s too bad there already was a “Cinderella Man” because that title would have worked better. Not only was Micky Ward’s life a cinderella story, his own family treated him less like a blood relative than a live-in employee. His mother and manager Alice (Melissa Leo) and his seven sisters count on Micky as the breadwinner, and there are times where they seem far more concerned about a fight purse than the health of their son and brother. When one of Micky’s opponents drops out of a match at the last second, the only available replacement is a man twenty pounds heavier than Micky. In boxing terms, that’s basically suicide. Micky doesn’t want to fight, but if he doesn’t, nobody gets paid. So he fights, or more accurately, he accepts a merciless beating.

Until a hokey third act reversal, Alice is portrayed by Leo as bit of a monster: a cold mooch who exploits her son’s talents while doting on his crackhead brother. And Micky’s shrill sisters are her squad of big-mouthed, big-haired yes men. Though “The Fighter” ultimately affirms the importance of the bond between Dickie and Micky, it also doesn’t shy away from the fact that Micky’s greatest enemy is his bloodsucking entourage. Which is interesting when you consider that Wahlberg is the executive producer and inspiration for the television series “Entourage,” a feel-good show about the pleasures of having a group of people you spend every day with and who depend on you for their livelihood. “The Fighter” plays at times like Wahlberg’s rejection of the values he celebrated in “Entourage.” I don’t know; maybe he’s gotten sick of buying cars for people or something.

The film was directed by David O. Russell, the man who made “I Heart Huckabees” and the brilliant Iraq war thriller “Three Kings.” He places most of his attention on Ward with his family, which is amusingly deranged in a way that reminded me a little of the family his earlier film “Flirting With Disaster.” Instead of stylizing Micky’s fights “Raging Bull”-style, Russell goes for naturalism: using TV cameras and setups to capture the big bouts, even employing the real HBO analysts who covered Ward’s matches in real life and having them recite the actual commentary they said the first time around. As a result, the boxing looks and sounds a lot like the real thing (the matches in the film are on YouTube if you want to compare) and I suspect that over time “The Fighter” will accrue a cult following among boxing aficionados as a rare film that got the sport they love right.

Like the Eklunds and Wards, “The Fighter” is a bit of a mess. It’s sloppy and it takes a while to get its act together. Once it does, though, it works, and the big fights between Micky and Alfonso Sanchez and Shea Neary send that tingle up your spine that you demand from any good inspirational sports movie. Still, “The Fighter” belongs to Bale, who will almost certainly get an Oscar nomination for his performance, and deservedly so. I would say he’s unforgettable as Dickie Eklund, but in this case, the opposite would be a bigger compliment. Most actors have baggage. They carry their great roles around with them throughout their careers. When we watch Harrison Ford, we’re always watching Indiana Jones and Han Solo too. But Bale somehow manages to make every performance feel like his debut. He slips so completely inside his characters, we lose the actor and see only the person he’s playing. Bale’s so good, and he’s always so good, that he’s totally forgettable.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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