This browser is supported only in Windows 10 and above.

DID YOU READ

Stephen Dorff Finds a Home “Somewhere”

Stephen Dorff Finds a Home “Somewhere” (photo)

Posted by on

When Stephen Dorff exits a black Ferrari in the middle of nowhere at the beginning of “Somewhere,” one thing is clear as the dust settles from the dirt donuts he’s made in the distance – he was meant to be a movie star. So it is with slight irony that the film in which Dorff plays one in the middle of an existential crisis is the role that may lead to his professional rediscovery in real life. Once a darling of indie cinema during the ’90s to the point where he played Candy Darling in “I Shot Andy Warhol,” Dorff has since endured life on a Uwe Boll set and seen his devilish grin that made him poised to become a leading man co-opted by filmmakers to pigeonhole him as a bad guy in films such as “Blade.”

As Johnny Marco, the only demons Dorff battles in “Somewhere” are those of his character’s own creation — the one-night stands that text him to ask “why are you such an asshole?” on his Blackberry, the hazy nights of partying in his otherwise empty suite at the Chateau Marmont, and worst of all, the estranged relationship with his ex Layla and their daughter Cleo (Elle Fanning), the latter of whom he clearly adores. Johnny’s reconnection with Cleo serves as the path to his own salvation in “Somewhere,” and though the film is hardly autobiographical, it’s territory known well to both Dorff and director Sofia Coppola, who both were wild enough at one time to have 21st birthdays at the Chateau Marmont and nowadays have the artistic cred to fit in with the rest of the Hollywood hotel’s famous guest list. I recently spoke to Dorff about working with his longtime friend Coppola, why he didn’t need to do much background research on his role, and why it’s okay to call this a comeback. [There are spoilers for “Somewhere” at the start of the second page.]

Since you’ve known Sofia Coppola for a while, when you saw the finished film, were there touches where you thought she really knows me well?

I just think [Sofia] gave me such a great opportunity to kind of create a new kind of movie star and there’s a lot of differences between me and Johnny Marco, but at the same time, there were obviously things I could totally understand and relate to. But when I first saw the movie, I was just blown away by just the piece because it’s such an intimate portrait of this guy’s life. She just led me to great places as far as the challenge of working in this environment with not much dialogue. There’s no tricks. It’s all just pretty much a naked performance.

12212010_Somewhere2.jpgWas it an interesting way of working for you?

It was a lot harder. I love being challenged. Sofia gave me the ultimate challenge here because there’s nothing driving the acting but human emotion. There’s no explosions, there’s no murder, there’s no bank robbery. There’s nothing that we normally see in these movies that usually trigger the emotion or trigger the next scene. This is all just inside this guy’s head and then basically we see him grow and hopefully by the end, he becomes a man, which I think he does.

In past interviews, you’ve estimated that Johnny was two years into being really famous, which seems like such a precise observation. Does it help or limit you as an actor when you have such a precise idea of where this guy is headed, perhaps from personal experience?

I just wanted to set up where he was. I figured he started acting and got some parts obviously, but then his real fame came quite quick, so I thought it would be a little more daunting for a guy to have this crazy fame for a movie he wasn’t even that proud of. Now when we open, he’s probably had about a year-and-a-half into this kind of spinning, monotonous boredom, broken kind of thing of what’s going on inside him and detachment from family, from his ex, from his daughter.

If you’re broken inside and you’ve got some issues that you haven’t dealt with, then you’re really screwed. I think that’s what happens to most of these talented people who lose everything is because they probably never fixed what was going on inside them. They just went from one movie premiere to the next and just kept rocking with it and you can keep going and keep making money, but if you don’t have your insides figured out and you’re hurting inside, then that’s not going to go away no matter how much money you make or how many girls you’ve got throwing themselves at you, what kind of car you drive. It doesn’t really mean anything. And that’s what I loved. The movie, to me, was always about an adolescent father becoming a man.

12212010_Somewhere3.jpgDid you have a favorite movie star excess that was from the film or were you suggesting things to Sofia to include?

I would suggest certain things here and there and she’d let me go with certain things, like the press conference scenes and things like that. Basically, she made me feel like a partner on this movie just by bringing me in so early, giving me every kind of luxury that I could’ve ever asked for to play this part, like staying in the hotel, spending some time with Elle in the beginning, just me and her where we could develop our own kind of trust and rhythm, so that by the time we were on set, we were kind of a unit — it just became kind of effortless. [Sofia is] just is an amazing director because every choice she makes, whether it’s an early prep choice in rehearsal or me picking up Elle from school and spending time with her, it just all led me to finding the character.

IFC_FOD_TV_long_haired_businessmen_table

Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

Posted by on

via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

SAE_102_tout_2

Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

Posted by on
GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

via GIPHY

The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

via GIPHY

They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

via GIPHY

Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

via GIPHY

Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.