DID YOU READ

Stephen Dorff Finds a Home “Somewhere”

Stephen Dorff Finds a Home “Somewhere” (photo)

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When Stephen Dorff exits a black Ferrari in the middle of nowhere at the beginning of “Somewhere,” one thing is clear as the dust settles from the dirt donuts he’s made in the distance – he was meant to be a movie star. So it is with slight irony that the film in which Dorff plays one in the middle of an existential crisis is the role that may lead to his professional rediscovery in real life. Once a darling of indie cinema during the ’90s to the point where he played Candy Darling in “I Shot Andy Warhol,” Dorff has since endured life on a Uwe Boll set and seen his devilish grin that made him poised to become a leading man co-opted by filmmakers to pigeonhole him as a bad guy in films such as “Blade.”

As Johnny Marco, the only demons Dorff battles in “Somewhere” are those of his character’s own creation — the one-night stands that text him to ask “why are you such an asshole?” on his Blackberry, the hazy nights of partying in his otherwise empty suite at the Chateau Marmont, and worst of all, the estranged relationship with his ex Layla and their daughter Cleo (Elle Fanning), the latter of whom he clearly adores. Johnny’s reconnection with Cleo serves as the path to his own salvation in “Somewhere,” and though the film is hardly autobiographical, it’s territory known well to both Dorff and director Sofia Coppola, who both were wild enough at one time to have 21st birthdays at the Chateau Marmont and nowadays have the artistic cred to fit in with the rest of the Hollywood hotel’s famous guest list. I recently spoke to Dorff about working with his longtime friend Coppola, why he didn’t need to do much background research on his role, and why it’s okay to call this a comeback. [There are spoilers for “Somewhere” at the start of the second page.]

Since you’ve known Sofia Coppola for a while, when you saw the finished film, were there touches where you thought she really knows me well?

I just think [Sofia] gave me such a great opportunity to kind of create a new kind of movie star and there’s a lot of differences between me and Johnny Marco, but at the same time, there were obviously things I could totally understand and relate to. But when I first saw the movie, I was just blown away by just the piece because it’s such an intimate portrait of this guy’s life. She just led me to great places as far as the challenge of working in this environment with not much dialogue. There’s no tricks. It’s all just pretty much a naked performance.

12212010_Somewhere2.jpgWas it an interesting way of working for you?

It was a lot harder. I love being challenged. Sofia gave me the ultimate challenge here because there’s nothing driving the acting but human emotion. There’s no explosions, there’s no murder, there’s no bank robbery. There’s nothing that we normally see in these movies that usually trigger the emotion or trigger the next scene. This is all just inside this guy’s head and then basically we see him grow and hopefully by the end, he becomes a man, which I think he does.

In past interviews, you’ve estimated that Johnny was two years into being really famous, which seems like such a precise observation. Does it help or limit you as an actor when you have such a precise idea of where this guy is headed, perhaps from personal experience?

I just wanted to set up where he was. I figured he started acting and got some parts obviously, but then his real fame came quite quick, so I thought it would be a little more daunting for a guy to have this crazy fame for a movie he wasn’t even that proud of. Now when we open, he’s probably had about a year-and-a-half into this kind of spinning, monotonous boredom, broken kind of thing of what’s going on inside him and detachment from family, from his ex, from his daughter.

If you’re broken inside and you’ve got some issues that you haven’t dealt with, then you’re really screwed. I think that’s what happens to most of these talented people who lose everything is because they probably never fixed what was going on inside them. They just went from one movie premiere to the next and just kept rocking with it and you can keep going and keep making money, but if you don’t have your insides figured out and you’re hurting inside, then that’s not going to go away no matter how much money you make or how many girls you’ve got throwing themselves at you, what kind of car you drive. It doesn’t really mean anything. And that’s what I loved. The movie, to me, was always about an adolescent father becoming a man.

12212010_Somewhere3.jpgDid you have a favorite movie star excess that was from the film or were you suggesting things to Sofia to include?

I would suggest certain things here and there and she’d let me go with certain things, like the press conference scenes and things like that. Basically, she made me feel like a partner on this movie just by bringing me in so early, giving me every kind of luxury that I could’ve ever asked for to play this part, like staying in the hotel, spending some time with Elle in the beginning, just me and her where we could develop our own kind of trust and rhythm, so that by the time we were on set, we were kind of a unit — it just became kind of effortless. [Sofia is] just is an amazing director because every choice she makes, whether it’s an early prep choice in rehearsal or me picking up Elle from school and spending time with her, it just all led me to finding the character.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.