DID YOU READ

Sally Hawkins on the Year She Became a “Made” Woman

Sally Hawkins on the Year She Became a “Made” Woman (photo)

Posted by on

A month after my first interview with Sally Hawkins was canceled after she lost her voice, there’s still a raspiness in her throat that’s at odds with her otherwise indefatigable spirit. Yet both are evidence of a 2010 in which Hawkins has appeared in three films to hit the States this fall — “Never Let Me Go,” “It’s a Wonderful Afterlife” and “Made in Dagenham” — and stood toe to toe with Cherry Jones on Broadway in a revival of George Bernard Shaw’s “Mrs. Warren’s Profession.” (This isn’t even to mention the three on the way in 2011: the dramas “Desert Flower” and “Jane Eyre” and the Sundance-bound comedy “Submarine,” which I felt was one of the best at this year’s Toronto Film Festival.) In the midst of this incredibly busy season for the actress, Hawkins took the time to talk about overcoming shyness, why there truly are no small parts and how Mike Leigh changed her approach to acting.

Actors are sometimes the last to know about when all these projects are going to come out, but has it been surprising how busy you’ve been this past year?

It’s wonderful. Like you say, you never really know. You do your bit and then you hope for the best and you think, oh I hope there’s an audience at the end of the day. But here, it’s an incredible response. It’s just been amazing. I didn’t think I’d be in this situation again and talking to people about a film that I’m passionate about a few years after “Happy-Go-Lucky” …I feel so lucky. But it’s all that you want for [“Made in Dagenham,” in particular], something that’s based on an important part of history and without these women, God knows where we would be, so it’s wonderful to talk to so many people and people want to talk to you as well.

12142010_SallyHawkinsMadeinDagenham.jpgI’ve heard you say you were shy growing up and yet you’re in a profession that requires you to be open. Did that actually help you play Rita, who is similarly thrust into the spotlight [as a factory worker who leads the charge for equal pay in “Made in Dagenham”]?

Absolutely. I’m getting better at it. In interviews, you have to realize it’s not about you and that makes it easier. You’re there, sort of working and promoting a film and getting it out there to a bigger audience, so that makes it easier to take it away from you. But I suppose I was quite shy growing up and I think acting is, like it is for a lot of actors I know, a way of expressing and for Rita, I think it’s similar. She is quite quiet and shy and she’s had no experience of talking publicly in this way. Her world’s been quite small and she ends up at the end of the film where it’s grown extensively and become global in a way.

I think the way she deals with it and the way I’m able to deal with it is that she’s doing a service and the more she invests in that, the more passionate she becomes, and the easier and the stronger she becomes actually because she’s speaking as the voice of the women and there’s a responsibility to that. She’s the one that’s been pushed forward and she owes it to not only herself, but to all of them to keep calm, to keep that clarity of voice and their integrity to speak the truth and it’s all she can do. So I think it was a nice dimension of Rita, but it’s what I saw in all these women actually.

You’ve got “The Roaring Girl” [about Bernadette Devlin, the youngest woman ever elected to British Parliament] in development too. Are these historical parts where the good roles are or are you a bit of a history buff?

Hopefully that’ll happen soon. When you’ve got roles like “Made in Dagenham” and then a figure like Bernadette Devlin, they’re formidable women. Bernadette Devlin was a subject that came up with Aisling Walsh, the director who I worked with on “Fingersmith,” a BBC project years ago and we’ve stayed in contact. These projects, they’re around in the mix for awhile and sometimes they just bob up to the surface and it just so happens that it’s a one that has a similar theme, but you can’t help but be drawn to those kind of figures. You just hope that if you’re called upon to do those roles, you do them justice and you do them well.

12142010_Submarine1.jpgTalking about projects that bubble up, “Submarine” came as a bit of a surprise. [Hawkins plays the mother of Oliver Tate, an eccentric teen living in England.] Since it’s such an original vision, did you have any idea how that film was going to turn out?

No. Richard [Ayoade, the director] is incredible and he’s a master filmmaker in the making, if not already there. I’ve known him for a number of years; he’s also a good friend and he has a creativity, so you can’t really know. [“Submarine”] has such a lovely tone to it, a slightly stylized ’80s tone, which just made it more interesting as you’re walking into this dimension, you’re not quite sure how or where to place it and I love films that sort of slip in between the gaps in time and space. You’re not quite sure where they are, where they fit and that informs the awkwardness of how Oliver sees the world and the way he sees it in a heightened, slightly surreal, odd way you do as a teenager and all those hormones are rushing around.

When I spoke to Richard in Toronto, I was expecting him to cite a lot of coming-of-age stories as influences, but it took me aback when he mentioned “Taxi Driver.”

Knowing Richard as a film geek and film buff – I mean, I think I know and love a lot of films, but then it’s nothing compared to Richard. His library of films is ridiculous. Brilliant. You could be there for years. He’s influenced by so many films and “Taxi Driver,” I know, is one of the big ones. That’ll probably be an influence on every film that Richard makes because I remember him talking about “Taxi Driver” and every single moment he knows the film so well. I can’t wait to see his next film because yeah, it’s brilliant.

Watch More
FrankAndLamar_100-Trailer_MPX-1920×1080

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More
Brockmire-103-banner-4

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More
Brockmire_101_tout_2

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet