DID YOU READ

Derek Cianfrance, Ryan Gosling and Michelle Williams Pen a “Blue Valentine”

Derek Cianfrance, Ryan Gosling and Michelle Williams Pen a “Blue Valentine” (photo)

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“Blue Valentine” is the story of Cindy and Dean, an ordinary couple who meet, fall in love, get married, have a child and, eventually, split up. And in the hands of director Derek Cianfrance and his exceptional leads Ryan Gosling and Michelle Williams, that story is something both intimate and epic and, however you look at it, a genuine heartbreaker. The film juxtaposes the elation of falling in love with the unvarnished moment when that love slips away, worn down by time, disappointment and the weight of a thousand small concerns. I got a chance to talk to Cianfrance, Gosling and Williams at Sundance back in January, where the film premiered. Since then, it was acquired by the Weinstein Company and fought a high-profile battle against an NC-17 rating, eventually emerging triumphant. It’s one of my favorite films of the year.

Why craft both ends of a love story like this? Movies tend to be more interested in the beginnings of them.

Derek Cianfrance: Well, there is a model for love tragedy, and that’s “Romeo and Juliet” — the story of these two young lovers who at the peak of their romance die and their love is preserved for all time. As I was going through my life, I never met anyone who had that good romantic fortune to die at the peak of their life. They had to suffer through, and time became this betrayer. So the story we’ve been told is “Romeo and Juliet,” but the story behind that story, you know?

12302010_derekcianfrance.jpgRyan, Michelle, what was the appeal of this love story with a gap in the middle?

Ryan Gosling: Working with Michelle was a big appeal, working with Derek. I also had been a part of one of those big romantic movies and — this is a long time ago — people would come up to me and tell me that they thought it was romantic, but one guy told me that he was engaged and [his fiancée] broke up with him after that movie because she said to him, “You wouldn’t build a house for me, would you?” He was like, “Well, no, but I don’t know how.” She said, “But if you knew how?” He said, “No, I wouldn’t. But it doesn’t mean I don’t love you.” She said, “Yeah, it does.” And she called it off.

If you see some of those movies, then you look at your own romance and it doesn’t compare, you think, oh, what I have isn’t love because that’s love. And our hope, I think, in making this movie is that you will recognize your relationship in this, maybe not to this extreme, but on certain levels, and go home and realize that that’s really what it is. We hold ourselves to unreasonable standards, it’s probably why a lot of times we don’t stick it out.

The film is definitely about romance and being romantic, but it also seems like it reverses roles in having the male character be the big romantic and the female character be more concerned with what the practical reality of the relationship and where it’s going is.

DC: One of the things I used to try to tell Michelle and Ryan is that she was the man and he was the woman. That was pretty much the extent of my direction.

12302010_bluevalentine3.jpgDo you agree with Dean when he says “I think men are more romantic than women”?

DC: I don’t know. I was interested in the feminine man and the masculine woman. I don’t think you see a lot of that. The majority of the time movies are from a man’s point of view, and there’s always some kind of adultery that’s going on or whatever — I just never related to it.

RG: I thought it was exciting because was like new ground for a female character that I hadn’t really seen. I mean, I love my character for all of his flaws and I know that guy, I meet him a lot, in myself sometimes too. But [Cindy’s] a great female character and if I was an actress, I would watch and watch and watch this movie.

Michelle Williams: It scared the shit out of me. [laughs] Derek talked me down off the cliff more than once.

What was scary about it?

MW: Just that, inverting the dynamic and doing something there wasn’t like such a model for in current cinema. That isn’t necessarily where people’s empathy extends to. But then I also, in my own mind, reconcile it. I realized somewhere in the middle of the movie, this is two days. It’s two days in their marriage, just two really, really bad days. I thought of it sometimes as… it wasn’t the end of the story, it’s not just the divorce papers the next day. It’s an ongoing fight and maybe it’s the beginning of something real, like when you break new ground in a relationship. Weirdly, this is a lesson I’m learning, you can find more love there.

RG: I think there have been some oddly sexist reactions to the film from females at the festival that I was kind of shocked by.

12302010_bluevalentine4.jpgReally? What kinds of things have you been hearing?

RG: It just seems like there’s this idea that if a woman has a guy that loves her and loves their kid and is faithful, that she should be happy. And there’s no mention of, like — does she love him? Does she love their life? She’s just obligated to stay, she can’t look around at her life and say, this is great, you’re great, but I’m not happy and I don’t know why. I need to figure that out and I can’t do that if you’re here. I got pregnant when I was a kid, I’ve been married now and I’m still figuring out that part of me…

MW: And that you move from your father’s house to your husband’s house and never have a space of your own. All your identity is wrapped up in the way that your father thinks of you, the way that your husband thinks of you — what do you think of you?

RG: And now you’re raising a little girl and she’s learning from your example. What kind of example are you setting?

MW: And we haven’t been able to break the family habits and the cycles. These aren’t people that have access to therapy, so it just feels like a tangle of wires like in her head. But also maybe you’re a hard guy to leave. [laughs] I’m probably not going to get a lot of sympathy from women who are like what?!?

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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