This browser is supported only in Windows 10 and above.

DID YOU READ

Five Weird Broadway Musical Adaptations to Rival “Spider-Man”

Five Weird Broadway Musical Adaptations to Rival “Spider-Man” (photo)

Posted by on

Spider-Man, as the song goes, does whatever a spider can. Apparently spiders can make the most expensive show in Broadway history. After months of delays and a few flirtations with outright cancellation, “Spider-Man: Turn Off the Dark,” a $65 million production directed by Julie Taymor (“Frida”) and featuring songs by U2’s Bono and The Edge, had its public debut on Sunday. The evening was not without its share of technical hiccups. But the show is off and swinging now.

Even its creators would acknowledge that Spider-Man is an unusual choice of source material. During a 60 Minutes report on the show, Taymor said the is-this-a-good-idea? factor was the primary reason she wanted to make it. She’s certainly not the first person to see Broadway potential in an property that seems, at least on paper, better suited to other mediums. To wit, these five other notable examples whose theatrical destinies were — sorry, Spidey — short-lived. This is by no means a comprehensive list, just the ones with the best clips on YouTube. So you’re off the hook, legendarily awful “Breakfast at Tiffany’s musical, at least for now.

“Big Deal” (1986)
from the film “Big Deal on Madonna Street” (1958) directed by Mario Monicelli
Total Performances: 69

I don’t know that I ever want to see criminals sing and dance in the midst of a heist — shouldn’t they be keeping their voices down so nobody notices they’re stealing something? Maybe audiences agreed with me, since “Big Deal,” the musical adaptation of the classic Italian crime comedy “Big Deal on Madonna Street” lasted less than 70 performances on Broadway despite the fact that it was written, directed, and choreographed by stage and screen legend Bob Fosse, who directed the original Broadway production of “Chicago” and won an Academy Award for “Cabaret.” Here’s the cast of “Big Deal” performing “Beat Me Daddy Eight to the Bar” at the 40th Annual Tony Awards, where Fosse won for Best Choreography. No wonder why, the dancing is incredible. But I’m still having a hard time deciphering what this has to do with, y’know, people stealing things.

“Carrie: The Musical” (1988)
from the novel “Carrie” (1974) by Stephen King
Total Performances: 5

A horror tragedy about a social outcast doesn’t sound like the place to start a poppy musical but, hey, it worked for “Phantom of the Opera.” A few years after writing the screenplay for the “Carrie” film, screenwriter Lawrence D. Gordon began to envision a “Carrie” musical. Why? In his words, from the show’s official program, “we all thought… that this was a fascinating piece of material. That this little book that sold over forty million copies and has gone through over fifty printings has done so for good reason: that Stephen King has the uncanny gift of touching our deepest fears and fantasies. That the appeal of this story might be made even more powerful put to music — and performed as theatre.” It might have, but it wasn’t. “Carrie,” was plagued throughout production by endless rewrites and its own share of “Spider-Man”-esque snafus. Though “Carrie” has begun to accrue a bit of a cult following online, the show lasted just five official performances before closing, though not before receiving reviews, like this one, from “Broadway Magazine,” which includes clips from many different numbers, including my favorite, the uplifting ballad “Unsuspecting Hearts.” I’ll tell you what those hearts never suspected: getting burned alive by telekinetic fire.

“High Fidelity” (2006)
Based on the novel “High Fidelity” (1995) by Nick Hornby
Total performances: 13

Jukebox musicals are all the rage on Broadway, so why not make a musical out of a novel (and a beloved film) that had about a jukebox worth of music in it? Because when you make the musical you can’t use songs by Elvis Costello and Stevie Wonder and The Beta Band, like Nick Hornby or Stephen Frears did, you have to make your own. That can be a difficult task. Take, for example, “Desert Island Top 5 Break-Ups,” performed as part of a concert in Times Square. If your musical looks like something the protagonists of the movie it’s based on would have mercilessly made fun of, you have failed. Plain and simple.

“It’s a Bird… It’s a Plane… It’s Superman” (1966)
From the Superman comics created by Jerry Siegel and Joe Shuster
Total Performances: 129

Spider-Man’s not the first comic book super-hero to make it to Broadway, of course. Superman beat him to the punch by more than forty years. Or, maybe it’s more correctly stated that Superman’s musical was such a disaster that it took forty years for someone to try it again. By all accounts “It’s a Bird… It’s a Plane… It’s Superman” wasn’t nearly as ambitious as “Turn Off the Dark” but it did have a dude singing in tights which, really, is still a dealbreaker for a lot of people. This clip is from a 1975 television special of the musical and features a far more introspective Superman (played by David Wilson) than I’m accustomed to reading in the comic books. “Why can’t the strongest man in the world / Be the happiest man in the world?” he asks in song while caressing a lamp and ignoring the pleas for help from the building that’s on fire across town. The most hopefully titled song in the show? “”You’ve Got Possibilities.” The most honestly titled song in the show? “We Don’t Matter at All.”

“Sweet Smell of Success” (2002)
from the film “Sweet Smell of Success” (1957) directed by Alexander Mackendrick
Total Performances: 109

You can sort of see the thinking here: Alexander Mackendrick’s classic New York noir about an egomaniacal gossip columnist (Burt Lancaster in the film, John Lithgow in the show) had a showbiz setting and a plot that revolved around music (the columnist’s sister falls for a jazz musician who the columnist despises). But watch the Broadway cast sing “Dirt” in the clip below. The song is about the public’s insatiable need for sleaze. And I think it’s supposed to be kind of sleazy. But on stage it all looks so quaint, almost a parody of a prude’s vision of tawdriness. Wry, knowing jokes from Lithgow don’t exactly match the bleakness of Lancaster’s stone-faced machinations, either. As the cast circles around Lithgow one last time, they sing “it don’t have to be true.” But it is.

Further jaw-dropping YouTube clips: “Dance of the Vampires” (based on Polanski’s “Fearless Vampire Killers”), “Big: The Musical” (based on Penny Marshall’s “Big”), “Urban Cowboy: The Musical” (based on James Bridges’ “Urban Cowboy”), “Cry-Baby: The Musical” (based on John Waters’ “Cry-Baby”), and a German musical production of “Barbarella” (based on Roger Vadim’s “Barbarella”)

Watch More
Uncle-Buck

Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

Watch More
IFC_Portlandia-AORewind-blog

A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

Posted by on
GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

Watch More
SistersWeekend_103_MPX-1920×1080

WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

Posted by on

Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

IFC_Comedy-Crib_Sisters-Weekend-Series-Image

IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

SistersWeekend_101_MPX-1920x1080

IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

IFC_Comedy-Crib_Sisters-Weekend_About-Image

IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

SistersWeekend_102_MPX-1920x1080

IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

Watch More