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Love Must Have a Eulogy: “Blue Valentine,” Reviewed

Love Must Have a Eulogy: “Blue Valentine,” Reviewed (photo)

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This review originally ran as part of our coverage of the 2010 Sundance Film Festival.

Sundance is best known as the home of the American indie narrative, the primordial festival ooze from which first emerged the likes of “Sex, Lies, and Videotape” and “Clerks” and “The Blair Witch Project.” And while the film landscape has changed, that’s still the reason most attendees make the slog to an expensive snow-covered Utah ski town every year to sit in synagogues and racquet clubs and high school auditoriums that have been temporarily transformed into movie theaters and wait for that flash of talent, of quality, of something new. Not to oversell it, but Derek Cianfrance’s “Blue Valentine” is as good as the festival got on that front this year, a chronicle of the beginning and the end of a relationship that’s so sharp, smart and explosively emotionally honest it flattens everything else in its path.

Cianfrance has the good fortune and good taste to have as his stars pretty much the two best young actors working today (honestly, who tops them?), Ryan Gosling and Michelle Williams. They’re Dean and Cindy — he paints houses, she’s a nurse, they’re married, with a daughter and a house in Pennsylvania and a car and a tangible history together that’s begun to bow them down. In the present, we spend two days in their company, as they lose their dog, drop their daughter off at her grandfather’s for the night and head up to a cheesy themed hotel for some too-late alone time. And in the past, which we flicker back to in vivid bursts of 16mm (the present is shot in digital), they’re younger and happier and meet and fall in messy, giddy love.

“Blue Valentine” fits nicely into A.O Scott’s American neo-neo realism — Dean and Cindy loom large because their normalcy is so assiduously realized, all of their smallest details and how those details curl and become brittle over time. Dean is a romantic, better with the big gestures, which is what wins him Cindy’s heart when he’s a mover who’s fallen in love at first sight and she’s a college student dreaming of med school but faced with a mountain-sized life decision. Cindy’s the smart one, poised, for a while, to get past the working class grind that shaped the lives of the people with which she grew up.

01312010_bluevalentine2.jpgTo watch how the years work on these two, how worn down they start to look, how closed off, is something close to physically taxing. “Blue Valentine” may be simultaneously one of the most and least romantic movies I’ve ever seen. It’s an ode to the transcendence that romance lends the prosaic world — Cindy tap dances at the doorway of a closed storefront while Dean plays her a song on the ukulele (confessing to only being able to sing if he can do it in a goofy voice), both utterly enchanted with each other. And it’s about how those prosaic things can accrue, the small complaints (you have to drink a beer at 8am just to be able to go to your job, she says, and he replies that it’s a luxury that he has a job where he can drink a beer at 8am), until one day you turn around and you’re just not in love anymore.

Out of sequence anti-romances have become their own sort of Sundance subgenre — last year saw crowd favorite “(500) Days of Summer” and the less successful “Peter and Vandy.” But there’s an incontestable epic quality to “Blue Valentine” that sets it apart, something helped by the talents of its leads, certainly, but also by its desire to capture the grandness in these ordinary lives. That we should all see such highs and lows.

“Blue Valentine” opens in limited release on December 29th.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

E.coli-class-

IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

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IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

via GIPHY

The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

via GIPHY

Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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