DID YOU READ

Love Must Have a Eulogy: “Blue Valentine,” Reviewed

Love Must Have a Eulogy: “Blue Valentine,” Reviewed (photo)

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This review originally ran as part of our coverage of the 2010 Sundance Film Festival.

Sundance is best known as the home of the American indie narrative, the primordial festival ooze from which first emerged the likes of “Sex, Lies, and Videotape” and “Clerks” and “The Blair Witch Project.” And while the film landscape has changed, that’s still the reason most attendees make the slog to an expensive snow-covered Utah ski town every year to sit in synagogues and racquet clubs and high school auditoriums that have been temporarily transformed into movie theaters and wait for that flash of talent, of quality, of something new. Not to oversell it, but Derek Cianfrance’s “Blue Valentine” is as good as the festival got on that front this year, a chronicle of the beginning and the end of a relationship that’s so sharp, smart and explosively emotionally honest it flattens everything else in its path.

Cianfrance has the good fortune and good taste to have as his stars pretty much the two best young actors working today (honestly, who tops them?), Ryan Gosling and Michelle Williams. They’re Dean and Cindy — he paints houses, she’s a nurse, they’re married, with a daughter and a house in Pennsylvania and a car and a tangible history together that’s begun to bow them down. In the present, we spend two days in their company, as they lose their dog, drop their daughter off at her grandfather’s for the night and head up to a cheesy themed hotel for some too-late alone time. And in the past, which we flicker back to in vivid bursts of 16mm (the present is shot in digital), they’re younger and happier and meet and fall in messy, giddy love.

“Blue Valentine” fits nicely into A.O Scott’s American neo-neo realism — Dean and Cindy loom large because their normalcy is so assiduously realized, all of their smallest details and how those details curl and become brittle over time. Dean is a romantic, better with the big gestures, which is what wins him Cindy’s heart when he’s a mover who’s fallen in love at first sight and she’s a college student dreaming of med school but faced with a mountain-sized life decision. Cindy’s the smart one, poised, for a while, to get past the working class grind that shaped the lives of the people with which she grew up.

01312010_bluevalentine2.jpgTo watch how the years work on these two, how worn down they start to look, how closed off, is something close to physically taxing. “Blue Valentine” may be simultaneously one of the most and least romantic movies I’ve ever seen. It’s an ode to the transcendence that romance lends the prosaic world — Cindy tap dances at the doorway of a closed storefront while Dean plays her a song on the ukulele (confessing to only being able to sing if he can do it in a goofy voice), both utterly enchanted with each other. And it’s about how those prosaic things can accrue, the small complaints (you have to drink a beer at 8am just to be able to go to your job, she says, and he replies that it’s a luxury that he has a job where he can drink a beer at 8am), until one day you turn around and you’re just not in love anymore.

Out of sequence anti-romances have become their own sort of Sundance subgenre — last year saw crowd favorite “(500) Days of Summer” and the less successful “Peter and Vandy.” But there’s an incontestable epic quality to “Blue Valentine” that sets it apart, something helped by the talents of its leads, certainly, but also by its desire to capture the grandness in these ordinary lives. That we should all see such highs and lows.

“Blue Valentine” opens in limited release on December 29th.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
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Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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