DID YOU READ

A Venetian on Venice in “The Tourist”

A Venetian on Venice in “The Tourist” (photo)

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Alberto Zambenedetti is a film scholar and a critic originally from Venice, Italy. He has published many articles and book chapters on Italian cinema and writes regularly on spietati.it. Alberto and I went to see the new spy thriller “The Tourist” starring Angelina Jolie and Johnny Depp, which is set in Venice, and afterwards we had a conversation about the film’s depiction of his hometown.

Matt Singer: Putting aside your feelings about the movie as a whole, how did you feel about the portrayal of Venice?

Alberto Zambenedetti: It was a missed opportunity. The way the movie used the geography of the city on the whole was very jumbled. This film could have been set anywhere. It doesn’t have to be Venice. It could be Amsterdam. It could be any city, other than the fact that they’re always on boats. But they could have just been in cars.

There is that big boat-and-foot chase in the middle. Jolie is in a boat, pulling Depp who’s tied up in another boat, and meanwhile these goons with guns are running from bridge to bridge trying to shoot at them. Is that possible in Venice?

Yeah, it’s possible.

The boat seemed to be going very slowly. Is that a rule in Venice that boats can only go so fast or did she just get in a crappy boat?

[laughs]

I guess the only way for people on foot to keep up with a boat is for the boat to go very slowly.

Yeah.

I was wondering if there is maybe a speed limit for boats in Venice.

Yeah, but why would you obey it in a chase?

Good point.

That didn’t bother me as much. What really bothered me was the incoherent way they mapped out the space. You’ve got this place, one of the most interesting in the world when it comes to actually having to find your way around. It would be a perfect place to stage a good chase scene. And the chases were just very dull. What did you think? For someone who’s never been to Venice, did you feel like the movie showed you anything that you haven’t seen before?

Well I took note of the Hotel Danieli, where Depp and Jolie first stay when they arrive. That’s a real hotel?

It’s one of the top hotels in the world. It’s beautiful. They just put it in the wrong place in Venice.

It’s in the wrong spot?

That’s not where the hotel actually is. Everything you see from their window is wrong.

I also took note of how poor the roofing was everywhere around it. Depp sneaks out of the window of their suite to escape some bad guys and winds up on a rooftop where he keeps cracking and moving all the shingles. Are Venetians known for their poor roofing skills?

Not that I know of. That did look like a really bad roofing job.

You audibly groaned a few times in the movie. The first time was when they arrive in Venice at the train station.

Yeah. They filmed Johnny Depp walking out of the train station, which is on the Grand Canal. Then Angelina Jolie pulls up in her boat. When we get the reverse shot of them taking off together in her the boat, they’re in a completely different place.

So the boat pulls up to the dock at the Grand Canal. When it leaves it’s magically transported to a different location?

Right in front of St. Mark’s Square. That’s what made me cringe. In a movie set in New York, it would be like having two characters standing in Brooklyn Heights, looking at all of downtown Manhattan. Then in the reverse shot, the characters are in Central Park. Both are highlights of the city but they’re completely unrelated places.

You also made a noise when Angelina Jolie dropped Johnny Depp off at the airport later in the film.

Yeah, because she drops him off at the water taxi station at the airport. The airport is not on the main island of Venice. Then there’s a reverse shot, she’s pulling away in a boat already back on the main island. It doesn’t make any sense.

When this film plays in Venice, how do you think people will react to these mismatched locations?

They’ll laugh at it.

I’m sure this is not the first movie to do this sort of thing, though.

Well it’s happened before but this is really a low point.

It’s that bad?

This is terrible. Even “Indiana Jones and the Last Crusade” was better, and that had Harrison Ford in the sewer system in Venice — and of course there is no sewer system in Venice. This just really uses the city as a backdrop. A flat backdrop.

So you thought this represented a low-point for Venice onscreen?

Absolutely.

It didn’t seem that bad to me. But I guess that’s what they’re counting on, people like me who don’t know anything about Venice. What non-Italian movie best evokes what the city is really like?

“Don’t Look Now” is good. “The Comfort of Strangers” is pretty good, although it has a dreamlike quality to it. Even the wacky Bond movies weren’t bad. [“Casino Royale” and “From Russia With Love”]

And have you seen any worse than this?

No, this was the lowest point.

What? Have you seen “The League of Extraordinary Gentlemen?” There’s a car chase in Venice!

I have not. But then again, that’s a fantasy. This is meant to be in the real world. It’s not like the city isn’t represented well by some of the beautiful helicopter establishing shots. But if you’re making a movie in Venice, why keep it in the background the whole time? When you make a spy movie in New York, you bring the city into the story because it has its own geography and character. Just compare “The Tourist” and its use of Venice to the “Bourne” films. This film could be something. But it isn’t.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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