“Undeclared” Ep. 1 and 2, “Prototype” / “Oh, So You Have a Boyfriend?”

“Undeclared” Ep. 1 and 2, “Prototype” / “Oh, So You Have a Boyfriend?” (photo)

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“Undeclared” is now airing on IFC, and we thought we’d take this opportunity to revisit the show that further cemented broadcast television’s inability to recognize the genius of Judd Apatow. Every week, Matt Singer and Alison Willmore will be offering their thoughts on that night’s episode.

Episode 1
Written by Judd Apatow
Directed by Jake Kasdan

Episode 2
“Oh, So You Have a Boyfriend?”
Written by Kristofor Brown
Directed by Paul Feig

“When I’m lecturing, I expect you to listen. This is not high school.” — Professor Duggan

No, it’s certainly not. And Judd Apatow’s short-lived college series “Undeclared” wasn’t his short-lived high-school series “Freaks and Geeks,” either. It was made for a different network (Fox instead of NBC), a contemporary story instead of a period piece, and just a half-hour each week instead of “Freaks”‘s full hour. Maybe most importantly, with that change of format came a change in tone: “Undeclared” is a single camera sitcom while “Freaks and Geeks” was always more of a drama with comedic elements. Though they were equally spurned by audiences during their initial runs, “Freaks and Geeks” has definitely evolved into the bigger cult hit on DVD. The general consensus is that “Undeclared” is good, but not as good. So is the general consensus right?

So far, yes. But let’s be fair here. Despite the fact that Apatow was a major creative force on both shows, “Undeclared” really is a very different animal than “Freaks and Geeks.” I don’t think it’s unfair to say it was aiming lower than its predecessor; after the bitter struggles Apatow endured keeping the iconoclastic “Freaks” on the air, that was almost certainly by design. And through the first two episodes “Undeclared” hits its admittedly easier target, namely awkward observational humor about life in a college dorm, early and often.

11052010_undeclared1b.jpgThe setting is a nondescript California university in the fall of 2001. I was a college junior at the time, and while I attended school on the east coast, I recognize a lot about this place from the tacky dorm furniture to the Dandy Warhols theme song that was a particular favorite that year at our college radio station. Our hero is Steven Karp (Jay Baruchel), a dweeby Jewish kid who’s bought into one of the big myths of college: the chance to completely reinvent yourself in an environment where no one knew you in high school (a myth that was explored on “Freaks and Geeks,” in the episode “Noshing and Moshing”). The “A” story of these first two episodes involve his budding relationship with his neighbor Lizzie (Carla Gallo), who sleeps with him after an intense fight with her long distance boyfriend Eric (“Freaks and Geeks” MVP Jason Segel, doing outstandingly creepy work as a disembodied voice on the other end of a telephone).

Through two episodes, the early theme in “Undeclared” is about how women play games and act crazy. Lizzie impulsively sleeps with Steven in Episode 1 but she doesn’t even tell Steven that she has a boyfriend until Episode 2, where she invites him to a pseudodate that ends with a long kiss on the lips. Meanwhile, Steven’s father Hal (Loudon Wainwright III) tells his son that after decades of marriage, Steven’s mother wants a divorce. Though Hal’s a goofball (and as he notes in one hilarious scene, has the hairy beer gut of an 18-year-old), there’s no indication so far that he’s a bad husband or a bad provider. His side of the story — the only side of the story we get — is that Steven’s mom is breaking his heart for no good reason. We’ll have to see how this theme develops through the series but it already marks a big difference from “Freaks and Geeks” where the roles for women were a bit more diverse and nuanced.

As for the world of “Undeclared,” it’s kind of remarkable how a show designed to reflect the modern college experience already looks like more of a period piece than “Freaks and Geeks” after less than ten years. From the “X-Files” posters to the “American Pie” screening on the quad, to Lizzie’s clunky cellphone and “Waaazzup?” greeting with Eric, “Prototype” and “Oh, So You Have a Boyfriend” play in 2010 like an unintended parody of turn of the century pop culture. Alison, you were in college at this time too: how do you react to seeing dorm life circa-2001 today? Were you chuckling with recognition at the sight of the “Snood” t-shirts too? Or were you lucky enough to escape that dorktastic obsession?

Alison: “Snood”? I scoff at your “Snood” addiction! Okay, I was actually of the cult of the basically identical (though it did come first!) “Bust-A-Move,” which provided mindless solace whenever it was two in the morning and I had a paper due in a few hours. But yes, the music, the set dressing, the pop culture references are all very of their moment, and that moment is almost a decade gone, and while “Freaks and Geeks” careful recreation of the cultural detritus of its age made it a great period piece, “Undeclared”‘s dead-on capturing of then-current college life means that it does now seem noticeably dated.

Like a lot of sitcoms, “Undeclared” takes a little while to find its feet, establish its characters as more than quick sketches and set up the interpersonal relationships that provide forward momentum for the storylines. What’s interesting about the pilot, “Prototype,” is its mixture of more formula establishing elements — the most obvious being Monica Keena’s Rachel Lindquist, whose only given quality in this first episode is one of anxiety — with the kind of warm but unflinching honesty we’ve come to know and love from “Freaks and Geeks.” Take the conversation between Hal, Lloyd (Charlie Hunnam) and Ron (Seth Rogen) leading out of that beer belly comparison, in which Hal sighs that “the women, they don’t appreciate you” and Lloyd counters that surely Hal’s wife also put in time and work into their relationship, and that its failure can’t only be blamed on her. Hal doesn’t want to hear it, but Ron’s won over by the reasoning.

11052010_undeclared1c.jpgStanding out also is the scene in which Lizzie and Steven try to will themselves into believing that college really will provide the escape and the freedom they’d hoped, despite the fact that they’ve each just been given harsh reminders of how close the burdens of home are — a quick car ride or phone call away. Obvious obstacles aside, the two are a good match in their powers of rationalization alone. Steven’s constantly striving to believe in own reinvention and possible coolness, while Lizzie’s doing everything she can to tell herself she’s happy in a relationship that’s clearly awful and making her miserable.

In terms of “Freaks and Geeks” alums, there’s the aforementioned Segel as the so far disembodied voice of Lizzie’s oppressive, insecure boyfriend from hell, and Rogen as Ron, playing a character not that far removed from Ken Miller, with a shorter haircut, glasses, and a Canadian background to match the actor’s sometimes accent. But what about the newcomers? Baruchel’s Steven could absolutely be Sam Weir, post-growth spurt (and skipped ahead 20 years) and ready to set aside geeky things for the promise of partying, girls and semi-adulthood. Gallo’s Lizzie bobbles between charming and irritating in her enthusiasm and her inability to put her foot down when it comes to Eric, and neither Rachel nor Timm Sharp’s Marshall have gotten much definition yet, though Sharp does bring some nice bits of physical comedy to the well-trodden joke of a lecture being boring enough to put you to sleep.

Then there’s Lloyd. The UK-born Hunnam is currently kicking ass and taking names as the very plausibly American Jax Teller on “Sons of Anarchy,” but in this series, he plays a sort of magical Brit (the first we see him, he’s actually wearing a Union Jack t-shirt) who displays immense ease with the ladies and immense shamelessness in using his vague exoticism to help that along. Matt, Lloyd seems to me as both the most sitcommy character (at least at the outset) in “Undeclared,” but also the most fun. Do you agree? And does Hunnam’s accent ever strike you as weirdly uneven for a guy who’s actually English?

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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