DID YOU READ

“The Nutcracker in 3D”‘s Intriguingly Disastrous Reviews

“The Nutcracker in 3D”‘s Intriguingly Disastrous Reviews (photo)

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As someone with a morbid fascination with bad movies, I’d pinned all my hopes for a holiday film disaster on “Burlesque,” Christina Aguilera’s rumpy ode to the joys of PG-13 gyrations. But that industrial video for the corset industry inspirational story about dance has gotten only middling reviews, and currently stands at 33% on Rotten Tomatoes, not the sort of notices you need for a future cult classic. But it looks like I might have backed the wrong horse, as Andrey Konchalovskiy’s incredibly loose adaptation of “The Nutcracker” has garnered the most toxic (and yet oddly intoxicating) reviews of any movie this year.

Currently sitting at 0% on Rotten Tomatoes, “The Nutcracker in 3D” sounds like one of those holy grail bad movies that combines crass commercialism (the film, shot in 2007, was post-converted to 3D for release) and hopelessly misguided passion (the director has been trying to make this version of “The Nutcracker” for twenty years). And what distinguishes this version of “The Nutcracker?” Well, it apparently ditches most of the dancing, adds lyrics to the classic Tchaikovsky music, and even tosses in some dark Holocaust metaphors for good measure. As Peter Martin from Twitch eloquently puts it, that’s “both nutty and cracked.” Here’s a sampling of the reviews, starting with David Edelstein’s from New York:

“Is this movie a tax shelter? Is there some “The Producers”-like scheme to open and close in a week and make off with the unused three-quarters of the budget? Amid the laborious CGI chases in muzzy 3-D, I glanced at my 8-year-old daughter, who put her hand on my arm and said, “It’s okay, Daddy. I’m not mad at you for taking me to this.”

Christy Lemire, Associated Press (who also compared the movie to “The Producers”):

“Uncle Albert shows up with some toys, including a wooden nutcracker shaped like a boy, whom he has nicknamed NC. Uncle Albert is meant to be Albert Einstein, and Nathan Lane plays him as a jaunty, heavily accented buffoon who frequently looks into the camera to make inane observations. He also sings a song to the kids about the Theory of Relativity which is painful in its literal-mindedness. This is just one example of the clunky lyrics Tim Rice (“Evita,” “Jesus Christ Superstar”) has contributed, which distract from the purity and grace of the music. During “Waltz of the Flowers,” the Snow Fairy sings to Mary: “Is each day a new beginning? Do you have a fight worth winning?”

J. Hoberman, The Village Voice:

“The evil rodents who take over the city in a bit of 9/11-evoking terror are nothing less than Ratzis–they even operate an extermination camp for children’s toys, complete with crematoria. Konchalovsky not only anticipated “Toy Story 3″‘s dump truck to hell sequence, he exceeded it. In one fantastic bit of business, Turturro (or his avatar) dances an exultant flamenco amid toys heaped in the street like bundles of confiscated clothing. The wildest thing about this movie is its faith that what kids (and parents) really want for Christmas is a “Nutcracker” version of the Final Solution.”

Roger Ebert, Chicago Sun-Times:

“Only one thing could have made this film worse, and they haven’t neglected it. That would be to present it in 3-D. They have. The movie was filmed in Hungary in 2007, and perhaps those studio execs screening it sensed a certain lack of enthusiasm. Maybe they thought that by retroactively “adapting” it to 3-D, it would play better. No luck. I’ve seen bad retro 3-D, but I’ve never seen 3-D as bad as this. The film is so dim and dingy, you almost wonder if the smoke from those burning toys is drifting between you and the screen.”

And on and on. Reviews this epically bad only come along once in a very long while. As A.O. Scott wrote in The New York Times last weekend in a piece about why we go to the movies (to not be bored, basically), “Very few movies are so bad that they ruin the experience of moviegoing.” For a film that bad to sneak past all the various gatekeepers of the movie business requires a degree of either bad judgment or mass delusion that’s nearly impossible, almost as impossible as a movie emerging from that same system as a masterpiece. That’s what makes “Nutcracker” my must-see bad movie this holiday weekend. Sorry Christina.

The trailer for “The Nutcracker in 3D.” Give it credit: it doesn’t try to hide the weirdness.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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