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AFI Fest 2010: “The Fighter,” Reviewed

AFI Fest 2010: “The Fighter,” Reviewed (photo)

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Reviewed at the 2010 AFI Fest.

In his introduction to “The Fighter,” Mark Wahlberg mentioned no less than four times how hard he worked to get the film made, even telling the audience that he’d mow lawns and shovel shit for two hours for anyone who didn’t enjoy the film. In case that didn’t endear himself to those assembled for the secret screening at the Mann’s Chinese, he killed with the opening line, “I haven’t seen a crowd like this since I performed with the Funky Bunch.”

While one can see all four years of training onscreen in the biceps of Wahlberg’s Micky Ward, if there was one wish I had as I watched “The Fighter,” it would be that his third collaboration with “Three Kings” and “I Heart Huckabee’s” director David O. Russell was a little more funky. As it stands, wobbles and gives as good as it gets, “The Fighter” is a sturdy piece of entertainment that adds a wrinkle to the traditional underdog tale by having Ward’s greatest battles come from within his own family.

Nearly an hour passes between Ward’s first and second fights in the film, spent largely shaking off the pull of his domineering momager Alice (Melissa Leo) and his drug-addled half-brother Dickie (Christian Bale), who once was a promising boxer himself until he became addicted to drugs. It’s by design that Ward is marginalized by the two, whose plans for Micky’s career are selfishly devised and in some part meant to further Dickie’s flagging career, and though Ward is given some backbone by a local bartender he falls for (Amy Adams), it’s not surprising how often he says he wants to quit.

11102010_TheFighterWahlberg.jpgYet as far as the film is concerned, this seems to have an unfortunate trickle down effect on Wahlberg, who’s mostly passive as the dutiful son while his co-stars Leo and Bale run roughshod with thick Bawston accents and in Bale’s case, a live-wire energy that’s equally (and accurately) beguiling and maddening as a crack addict. Boxing fans might appreciate this particular dynamic since the real-life Ward was famous for his ability to do the rope-a-dope, a technique that’s hinted at during the film’s fight sequences, but it’s an odd requirement for Wahlberg outside the ring as the film’s lead where he can only wait out Leo and Bale as they chew the scenery. (Odder still, the one aspect of Ward’s character that isn’t unquestionably saintly — his relationship with the mother of his young daughter who despises him — is largely left unexplored.)

Typically, patience is a virtue in Russell’s films, where the gradual discomfort of long scenes give way to something authentic, and in fact, the film’s richest scene — a showdown in the Wards’ living room after Micky suggests he changes trainers from his brother to a Vegas professional that devolves into a personal attack on his new girlfriend — seems to have evolved out of his tried-and-true methods. However, “The Fighter” is the first film Russell isn’t credited with writing himself and it’s telling that the film is far more visually idiosyncratic than it is narratively. The collision of screenwriter Scott Silver’s strident dialogue against cinematographer Hoyte Van Hoytema’s wandering camera that has an Altman-esque desire to look around every corner results in a naturalistic-looking film that doesn’t entirely feel natural. Instead, it’s a rah-rah crowdpleaser defined most by the blaring horn section of the Dap Kings’ remix of The Heavy’s “How You Like Me Now” after every one of Ward’s victories and the inclusion of a traditional training montage before Ward gets his shot at the title.

Certainly, that’s no reason to dismiss “The Fighter,” which hits all the beats a film like this should and rises above its station with strong performances from Bale, Leo and Adams, who is let loose to play against type and curse up a storm while still occasionally batting those wide eyes with a tinge of red around them. That should come as good news for Wahlberg since he won’t have to get out the lawnmower, but also don’t expect him to be pulling out an Oscar speech anytime soon, either.

“The Fighter” opens in limited release on December 10th before expanding on December 17th.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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