“Red Hill,” Reviewed

“Red Hill,” Reviewed (photo)

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“Red Hill” is a movie smoothie: a whole bunch of different movies blended together in one mixture that combines the tropes of several genres. Take a couple parts American Western, throw in a handful of 80s slasher film, a dash of 70s revenge and vigilante movies, and sprinkle in some racial injustice as the crunchy granola social commentary on top. In movies like this, as with smoothies, it’s all about the recipe: balancing out all the ingredients so they work in harmony and your concoction isn’t too sweet or gritty. For the most part, “Red Hill” goes down smooth, though there are a few chunky bits that could have used an extra pulse through the blender.

The setting and setup are pure Western, albeit one set in the high country of modern Australia rather than nineteenth century United States. Even the hero’s name, Shane Cooper, comes from the West, obviously inspired by the movie “Shane” and actor Gary Cooper, whose most famous Western, “High Noon” bears certain similarities to “Red Hill.” We meet Cooper at his first day on the job as a member of the Red Hill police force. His wife is pregnant, and after a previous miscarriage, doctors told Shane to move his family out of the city and into the country, where things are quiet and peaceful. Bad idea, since just as he’s introduced around the Red Hill police station, news reports on television warn about an explosion at a nearby prison and the escape of convicted murderer Jimmy Conway (Tommy Lewis). Naturally, Jimmy makes his way to Red Hill, and it’s up to Shane, the grizzled town sheriff (Steve Bisley), and a good old fashion posse to catch him.

At that point, “Red Hill” switches from a Western-tinged police procedural to a Western-set serial killer movie. Though he shares a name with Robert De Niro’s character in “Goodfellas” and a wardrobe with Clint Eastwood, Jimmy shares a hunting technique with Michael Myers: stoic, silent, merciless, super pissed off, and really good at moving around without ever being seen. This middle chunk, where Shane struggles to survive (mostly off-screen) as Jimmy stalks his prey, is “Red Hill”‘s weakest. It’s repetitive too, as Jimmy brutally murders one middle-aged white dude after another in exactly the same fashion: sneaking up on them, shooting them with his shotgun, pumping his shotgun menacingly, following them as they crawl away injured, letting them beg for their life, and then killing them anyway. Thematically, these scenes certainly have their place, but there’s not nearly enough variety to the slaughter or enough urgency to Lewis’ performance. Sticking a tattered William Shatner mask on a silent murderer creates this air of mystery and menace. As a sort of slasher without a mask, Jimmy just looks glum and kind of bored. He’s waited almost a decade for this night, but it’s like his mind is somewhere else.

Things recover, though, in the film’s final act, when the Jimmy’s (admittedly predictable) secrets are revealed during a suspenseful series of chases and standoffs. After spending most of the second act off-screen, Kwanten morphs into a believable Western lawman, and director Patrick Hughes peppers the climax with a series of striking, iconic visuals — one man on horseback silhouetted against a stormy sky, another standing in front of an enormous fire, his rifle resting on his hip — that lend the finale an epic feel. Suddenly this isn’t just a movie about homages to other movies. It’s a story about a country trying to sweep the dirtiest bits of his history under the rug (or, in this case, burn it away). You may question a few of Hughes’ ingredient choices, but you can’t deny the taste “Red Hill” leaves in your mouth: sharp, peppery, and wonderfully bitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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