DID YOU READ

AFI Fest 2010: Quentin Dupieux, the One-Man “Rubber” Band

AFI Fest 2010: Quentin Dupieux, the One-Man “Rubber” Band (photo)

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Anyone who has seen “Rubber” during its most unlikely of festival runs will know what a big deal it was for the film’s star, Robert the tire, to finally roll into Hollywood last weekend for its premiere at AFI Fest, where the guest of honor donned a bowtie for the occasion and posed for pictures at the film’s afterparty. That audience members would want to pose with a tire they had just seen crush bugs, explode rabbits and eventually blow up the human population of a small desert town with its mind is a testament to the strength of the simple idea at the core of Quentin Dupieux’s sharp absurdist comic thriller.

A tribute in some ways to films like Steven Spielberg’s “Duel,” but on one wheel instead of four, the instant identification of “Rubber” as “that killer movie” has made it an easy recommendation among festivalgoers, yet that description hardly does justice to the alternate reality Dupieux creates. Giving himself the license to do anything he pleases after breaking the fourth wall for an introduction from an investigating lieutenant (Stephen Spinella) who tells audience directly, “All great films contain no reason,” and rattling off examples in “Love Story” and “E.T.” as evidence, Dupieux imagines a world in which cops inexplicably carry stuffed crocodiles under their arms and tourists will camp out to watch a tire telekinetically explode the heads of any person who dare step in front of it.

In other words, it’s the kind of film you might expect from Dupieux, a known iconoclast from his days of spinning as a DJ under the pseudonym Mr. Oizo. Now a remixer of images as well as sounds, he took a break from the festival to talk about “Rubber,” the limits of French cinema and why education can only limit creativity.

How did you come up with this idea?

Honestly, I don’t know because when you want to make movies, you’re basically always thinking. You have tons of ideas per day. And you have tons of bad ideas. Your brain is always trying to find good ideas. The tire came and I just picked it up, like okay, this is good, interesting… and that’s it. I wrote it in three weeks because I decided with my producer to shoot a movie quickly – write it quick, shoot it quick, edit it quick and I finished the shooting here a year ago exactly.

11102010_Rubber1.jpgThis was actually an alternative to another film you were working on. Did that development process have an impact on how you approached this film?

Yeah, I’d been writing this other script for a year-and-a-half. It’s called “Reality,” and the script is really good, but we realized that it was quite hard to finance because it’s a bit expensive and it has a lot of actors, a lot of locations. So my producer started to look for money to do it and in the mean time, we decided instead of waiting, we decided, let’s do a pirate movie – a commando movie. Let’s do something we can do now, something you could shoot in two weeks. And then I wrote “Rubber” very quickly and we did it with almost nothing, like less than a Kanye West video. Less.

It sounds like you wrote the film first and figured out the logistics of having the tire as your star later.

The process of finding the tire is quite stupid because first, I wrote ten pages of a script called “Day of the Cubes” and it was almost the same idea, but it was not about the tire, it was about an army of cubes from space — one day people wake up and there are cubes floating everywhere. I was already trying to do a fantastic movie, like oh something strange is happening. But then we quickly did CGI tests and I realized that no, I don’t want to do this. CGI is not funny. I’m going to shoot empty spaces and then we’re going to work on computers to put the cubes [onscreen]? So I decided to get rid of those 10 pages and start again. Instead of doing an army of cubes, I decided to focus on one character – the tire.

How long did it take to find the personality of the tire?

Honestly, when I wrote the script, for the tire sequences, I was thinking of the first 30 minutes of “Wall-E.” To me, it was the same kind of spirit. I just tried to give life to a dead object. First, it was like [the tire is] going to be a bit like Wall-E, even if it’s like Rambo and make things explode. I wanted it to be something cute in the beginning. In my mind, it was like okay, it’s going to be nice to see him trying to roll and fall and wake up.

It was quite hard to shoot. “Okay, we can’t do this, we can’t do this, we can’t do this.” It was a bit like “Jaws.” Spielberg was having trouble with the remote-controlled shark and he had to create something different because the shark was not working. So that’s a bit the same because the possibilities were very limited with the tire. Basically, we had a remote-controlled tire, but it was just able to roll, stop and roll again. That’s it. So we had to do a lot of stuff with a puppeteer out of frame and I created the character and his personality on set.

11102010_Rubber2.jpgWhen you set up a movie where you tell the audience in the first frames of the movie that there is “no reason” for what you’re about to see, did that push you towards strictly going for the unexpected?

No, to me, it’s a good way to take people’s hand and bring them into the movie. I think it’s a very good first scene. If you cut it and you start the movie with the tire waking up, the movie’s totally different. This scene – this long monologue – gives the tone and when we first showed the movie in Cannes, it was the first time with an audience, and I realized the monologue was working because people were laughing and were getting the spirit and the tone. It’s more like a warning. If you don’t like this, go away now because it’s going to be hard for you.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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