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Going Solo: Movies With (Mostly) Just One Actor

Going Solo: Movies With (Mostly) Just One Actor (photo)

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“127 Hours” is James Franco’s show — there are other people in the cast, like Kate Mara and Amber Tamblyn as hikers his character, Aron Ralston, encounters while exploring the canyons near Moab, UT. There’s his family, his coworker and his former lover, all glimpsed in memories, but for the majority of the runtime of Danny Boyle’s film Franco is alone on screen, doing a remarkable job of holding our attention with no one to talk to but his camera and his own increasingly desperate self.

Movies may be a visual medium, but it’s through dialogue that we tend to get to know characters and grasp plots. So having an actor alone on screen is a tricky proposition, one that often requires gimmicks, games or just letting go of any traditional narrative. Here’s a look at a few films, recent and older, that have offered significant solo time for a character.


“Wrecked” (2010)
Directed by Michael Greenspan
Soloist: Adrien Brody

A man wakes up in a wrecked car in the middle of the woods. His leg is pinned under the dash and there’s a dead body in the back seat. Also, he’s Adrien Brody, so we know some serious emoting is going to be going on in this Canadian indie, the feature debut of director Michael Greenspan. Aside from a few flashbacks and the sporadic appearances of a woman (“Wonderfall”‘s Caroline Dhavernas) and a dog who may or may not be real, Brody spends most of this film alone, telegraphing his pain, frustration and confusion (he doesn’t remember anything about who he is or how he ended up in the car) through the kind of half-muttered interjections you make to keep yourself company when you’re sure you’re totally alone. “Wrecked” is intriguing when it keeps to the unprotected confines of the car and the mystery of who its passengers are, but eventually it has to open up to the larger woods and a somewhat silly threat to our hero.


“Buried” (2010)
Directed by Rodrigo Cortés
Soloist: Ryan Reynolds

A man wakes up in a coffin buried in the sand. In Iraq! Like “Wrecked,” Rodrigo Cortés’ film is a high-concept one-man show about a character trapped in a claustrophobic space, though here there’s an attempt at topicality. The sense of time running out is also upped, with limited oxygen and an unstable space posing threats to Ryan Reynolds’ Paul Conroy, captured convoy driver. On the other hand, Paul has a cell phone, which means he actually has people to talk to. Reynolds is remarkably game, but is also given off-screen characters with which to interact, relieving some of the burden of having to be exciting on screen all by oneself.

“Symbol” (2010)
Directed by Hitoshi Matsumoto
Soloist: Hitoshi Matsumoto

Comedian and filmmaker Hitoshi Matsumoto (of “Big Man Japan”) pits two seemingly unrelated storylines against each other in his second feature. In one, the patriarch of a Mexican family prepares for a lucha libre match against intimidating opponents. In the other, a man (played by Matsumoto) awakens by himself in a white room with no doors or windows, just switches that are actually the genitalia of snickering cherubim hiding in the walls. Alone, Matsumoto displays his gift for physical comedy — the unnamed man he plays, clad in bright pajamas and sporting a bowl cut, isn’t terribly bright but is amusing prone to burst of loud frustration. His exploration into what the switches do is a prolonged, and very funny, absurdist journey.


“Yaadein” (1964)
Directed by Sunil Dutt
Soloist: Sunil Dutt

You can’t fault Sunil Dutt for a lack of confidence — he directed himself in this black and white 1964 Hindi film, aside from a silhouette toward the end, the only actor on screen. “Yaadein” (Memories) consists of a monologue from Anil, played by Dutt, who reminisces about his marriage to Priya, the birth of their children, his straying and its effects on the family. He’s come home to an empty house, and believes his wife has finally left him, despairing at his mistakes and overcome with regret. This film is apparently one of three sharing a listing in the Guinness Book of World Records for “Fewest actors in a narrative film.”

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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