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Going Solo: Movies With (Mostly) Just One Actor

Going Solo: Movies With (Mostly) Just One Actor (photo)

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“127 Hours” is James Franco’s show — there are other people in the cast, like Kate Mara and Amber Tamblyn as hikers his character, Aron Ralston, encounters while exploring the canyons near Moab, UT. There’s his family, his coworker and his former lover, all glimpsed in memories, but for the majority of the runtime of Danny Boyle’s film Franco is alone on screen, doing a remarkable job of holding our attention with no one to talk to but his camera and his own increasingly desperate self.

Movies may be a visual medium, but it’s through dialogue that we tend to get to know characters and grasp plots. So having an actor alone on screen is a tricky proposition, one that often requires gimmicks, games or just letting go of any traditional narrative. Here’s a look at a few films, recent and older, that have offered significant solo time for a character.


“Wrecked” (2010)
Directed by Michael Greenspan
Soloist: Adrien Brody

A man wakes up in a wrecked car in the middle of the woods. His leg is pinned under the dash and there’s a dead body in the back seat. Also, he’s Adrien Brody, so we know some serious emoting is going to be going on in this Canadian indie, the feature debut of director Michael Greenspan. Aside from a few flashbacks and the sporadic appearances of a woman (“Wonderfall”‘s Caroline Dhavernas) and a dog who may or may not be real, Brody spends most of this film alone, telegraphing his pain, frustration and confusion (he doesn’t remember anything about who he is or how he ended up in the car) through the kind of half-muttered interjections you make to keep yourself company when you’re sure you’re totally alone. “Wrecked” is intriguing when it keeps to the unprotected confines of the car and the mystery of who its passengers are, but eventually it has to open up to the larger woods and a somewhat silly threat to our hero.


“Buried” (2010)
Directed by Rodrigo Cortés
Soloist: Ryan Reynolds

A man wakes up in a coffin buried in the sand. In Iraq! Like “Wrecked,” Rodrigo Cortés’ film is a high-concept one-man show about a character trapped in a claustrophobic space, though here there’s an attempt at topicality. The sense of time running out is also upped, with limited oxygen and an unstable space posing threats to Ryan Reynolds’ Paul Conroy, captured convoy driver. On the other hand, Paul has a cell phone, which means he actually has people to talk to. Reynolds is remarkably game, but is also given off-screen characters with which to interact, relieving some of the burden of having to be exciting on screen all by oneself.

“Symbol” (2010)
Directed by Hitoshi Matsumoto
Soloist: Hitoshi Matsumoto

Comedian and filmmaker Hitoshi Matsumoto (of “Big Man Japan”) pits two seemingly unrelated storylines against each other in his second feature. In one, the patriarch of a Mexican family prepares for a lucha libre match against intimidating opponents. In the other, a man (played by Matsumoto) awakens by himself in a white room with no doors or windows, just switches that are actually the genitalia of snickering cherubim hiding in the walls. Alone, Matsumoto displays his gift for physical comedy — the unnamed man he plays, clad in bright pajamas and sporting a bowl cut, isn’t terribly bright but is amusing prone to burst of loud frustration. His exploration into what the switches do is a prolonged, and very funny, absurdist journey.


“Yaadein” (1964)
Directed by Sunil Dutt
Soloist: Sunil Dutt

You can’t fault Sunil Dutt for a lack of confidence — he directed himself in this black and white 1964 Hindi film, aside from a silhouette toward the end, the only actor on screen. “Yaadein” (Memories) consists of a monologue from Anil, played by Dutt, who reminisces about his marriage to Priya, the birth of their children, his straying and its effects on the family. He’s come home to an empty house, and believes his wife has finally left him, despairing at his mistakes and overcome with regret. This film is apparently one of three sharing a listing in the Guinness Book of World Records for “Fewest actors in a narrative film.”

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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