For Their Consideration: John Hawkes in “Winter’s Bone”

For Their Consideration: John Hawkes in “Winter’s Bone” (photo)

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Throughout awards season, IFC.com will highlight Oscar dark horses that aren’t getting the recognition they deserve for their work. For the full “For Their Consideration” archive go here.

He may have just received a nomination for Best Supporting Male from the Spirit Awards, but John Hawkes is still, sadly, considered the longest of long shots for a Best Supporting Actor nomination at the 2011 Academy Awards. The last time Movie City News polled its “Gurus o’ Gold in that category, he didn’t get a single vote. AwardsCircuit.com currently has him eighteenth out of twenty actors they think have a shot at the Oscar. In Contention has him even lower, listed in the “rest of the field” category, ranking him below their group of the fifteen serious contenders, which includes names like Harrison Ford for “Morning Glory.” In other words, he’s got a snowball in hell’s chance to hear his name at the Kodak Theatre next February 27. But while his superb co-star, Jennifer Lawrence, has been garnering the lion’s share of “Winter’s Bone”‘s Oscar buzz, its Hawkes’ performance that’s the best in the film, or really most films this year.

Hawkes plays Teardrop, uncle to Lawrence’s 17-year-old Ree, whose father Jessup has gone missing from their home in the Ozarks. Jessup, looking at a 10-year jail sentence for cooking meth, put up the family’s land as his bond and split. If he doesn’t show up for his court date, Ree loses her house and her only means of keeping her catatonic mother and two younger siblings together under one roof. Ree’s one chance is to find her father somewhere in the surrounding hill country. She starts with her Uncle Teardrop, Jessup’s brother, but blood relation doesn’t trump the community’s code of silence when it comes to matters involving the police. “Don’t go running after Jessup,” he warns Ree. “Show or don’t show, that choice is up to the one that’s going to jail, not you.”

I’ve liked Hawkes as an actor since I first saw him in 2005’s “Me You and Everyone We Know.” From that film, to his work in series like “Deadwood” and “Eastbound and Down,” he has tended to excel at mild-mannered characters but he is ferocious as Uncle Teardrop. With ominous tattoos on his hands and face and a goatee as gnarled as the old trees that dot the landscape, he strikes an intimidating figure. In one memorable scene, he backs down a cop trying to interrogate him about Jessup’s disappearance simply by eyeballing him in his pickup’s rear-view. Violence seems imminent whenever Teardrop’s around; it can’t be a coincidence that Hawkes is almost always paired onscreen with some kind of deadly weapon, from the pistol he casually spins in his kitchen table Lazy Susan, to the rifle he keeps in his truck, to the axe he wields on another man’s windshield, to the rickety old woodsplitter he confronts Ree in front of. “You have always scared me,” Ree tells him after she startles him at the woodsplitter. “That’s cause you’re smart,” he says. The man wears menace like a cologne.

But it isn’t simply that Hawkes is a convincing heavy; plenty of people do that every year and don’t get Oscar nominations for it. What makes his performance as Teardrop special is the way he provides near-subliminal hints of depths beneath the terrifying facade. Lawrence is the star and dominates the screentime. When Teardrop is onscreen at all, he’s with Ree, and they’re either talking about Jessup or looking for him. Hawkes doesn’t have a lot of opportunities to express what is on his character’s mind and even if he did, a man like Teardrop would never tell his niece how he was feeling. So Hawkes has to say it all with gestures: the slouch behind the wheel of his truck, the desperate way he drags on his cigarette. In “Winter’s Bone”‘s final scene, he tells us exactly what is going to happen to Teardrop after the film is over without uttering a single word.

Teardrop is a complex man. Cruel one moment, caring the next, he’s fully aware that he’s trapped by the deranged rules of the society he lives in, but totally unwilling to do anything about them. Hawkes handles the man’s sides equally well, and makes every whiplash between them frighteningly real. And he manage to turn the stylized backwoods poetry of director Debra Granik’s screenplay into something casual and conversational. The world of “Winter’s Bone” is a harsh landscape of mangy dogs, abandoned cars, and the cold hills of Missouri. The area’s so bombed out it’s practically post-apocalyptic, as if a bunch of folks stumbled on the sets left standing from John Hillcoat’s adaptation of “The Road” and decided to move in. You see John Hawkes in interviews and he doesn’t look like the sort of the guy that place would produce. But Teardrop is.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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