Five Oscar Bait Movies You Won’t See This Awards Season

Five Oscar Bait Movies You Won’t See This Awards Season (photo)

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As demonstrated by our recent holiday indie film preview, there will be nearly a hundred films opening in theaters before the end of the year, with many of them aspiring for Oscar gold. But in a tradition that’s getting to be as commonplace as end-of-the-year gift-giving, there are a handful of movies that seemed destined to compete during awards season that won’t be seeing the inside of your local theater until next year. Internal studio strife, endless tinkering or simply bad early reviews have contributed to why these five particular pieces of Oscar bait will be sitting on the sidelines instead of jockeying for awards attention.


Since the awards season success of “The Diving Bell and the Butterfly,” Oscar prognosticators had been anticipating the arrival of Julian Schnabel’s latest film with the idea that the director would once again bring a true artistic sensibility to journalist Rula Jebreal’s semi-autobiographical novel that covers three generations of women in Jerusalem, but centers on a young Palestinean orphan (“Slumdog Millionaire”‘s Freida Pinto) emboldened to become a revolutionary under Israeli occupation during the late 1960s. However, even before the film premiered at the Venice Film Festival in September, it had already caused some ripples for taking a pro-Palestine point of view, which Schnabel has tried to downplay, telling The Huffington Post in an interview, “This film is not a treatise in political history, nor a polemic. It is a poem.”

But it turned out that U.S. distributor (and noted pro-Israel supporter) Harvey Weinstein’s headaches in Venice weren’t caused by the film’s content, but by the response from critics, who ranged from calling it heartfelt but misguided, as IndieWire‘s Anne Thompson did, to calling it “a disaster,” per The Guardian‘s Peter Bradshaw. Some might argue that the dour reception to the film in Venice and subsequently, Telluride doomed its awards chances, but it was also probably the emergence of “The King’s Speech” at those same festivals that deep sixed its December release, which has now been moved to March. Just this week, Schnabel seemed unfazed by the move and the polarizing response in an interview with The Guardian, saying “If Arab people see a Jewish person can do this, they might think, ‘Maybe there’s somebody on the other side we can talk to.’ I’m not a saint. I’m just somebody who thought this was a worthwhile thing to do.”


While “Miral” was a last-minute call, The Weinstein Company likely never had plans to release this long-shelved production that once started with such high hopes. It was a coronation of sorts for director Mikael Hafstrom, who did right by the Weinsteins with the financially bankable thrillers “Derailed” and “1408” before being handed the keys to the film penned by “The Wings of the Dove” scribe Hossein Amini and a cast with awards bait written all over it, mixing Chow Yun Fat, Ken Watanabe, Rinko Kikuchi and Gong Li with John Cusack, Franka Potente and David Morse in a ’40s murder mystery centered around Cusack’s American intelligence officer snooping around for clues concerning the murder of his friend (Jeffrey Dean Morgan) shortly before Pearl Harbor in World War II.

Although the Chinese wouldn’t allow the production to shoot on its soil in 2008, the film did make its premiere at the Shanghai International Film Festival in June before being released in much of Asia over the summer. (This was only after a 2009 awards run in the States was scrapped.) In his review for Film Business Asia, Derek Elley noted “[‘Shanghai’] has the feel of one that has been ruthlessly pared in post-production,” but generally gave the film a positive review, making it slightly strange that the company hasn’t rescheduled the film’s release in the U.S., let alone dropping it into awards season just to test the waters for acting nominations. A Weinstein Company rep recently told The Los Angeles Times that the film needed to be released in China first, which caused part of the delay, but as the article goes on to note “Shanghai” has endured other post-production issues. Still, Hafstrom will have one film out while all those ceremonies start rolling around, only it won’t be competing – his next film “The Rite,” a supernatural thriller which does boast an Oscar winner in star Anthony Hopkins, will is headed to theaters in January, and perhaps not coincidentally it’s his first English-language film not made for the Weinsteins.

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Documentary Now! Robert Evans Mansion

The Reel Deal

Everything You Need To Know About “Mr. Runner Up” Inspiration Robert Evans

Watch the two-part finale of Documentary Now! this Wednesday at 10P on IFC.

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Photo Credit: Everett Collection

In its upcoming two-part finale, Documentary Now! spoofs the crown jewel of docs: The Kid Stays In The Picture. It’s the autobiographical documentary about Robert Evans, the unlikely Hollywood mogul whose mix of self-aggrandizing bravado, classic good looks and extremely circumstantial good luck took him from being a salesman to an actor to the head of Paramount Pictures.

If you’ve never seen the film, it’s totally worth it. Rotten Tomatoes agrees, with a staggeringly-high approval rating. Watch it before, or watch it after — doesn’t matter. You’ll appreciate it whenever.

In the meantime, here’s a bit of background that will come in handy…

Robert Loves Robert

Robert Evans desk

USA Films/Everett Collection

Robert Evans is the ultimate Robert Evans fan. The movie was written, produced, directed and narrated by Robert Evans. It is totally unbiased.

He’s Kind Of A Big Deal

Robert Evans, Chinatown
Paramount Pictures

Evans produced some of Hollywood’s true classics: Chinatown, Rosemary’s Baby, The Godfather, Love Story…the list goes on. Totally legit and amazing movies.

He’s Also Kind Of A Joke

Wag The Dog
New Line Cinema

Evans has been parodied in TV shows and movies like Entourage and Wag The Dog. He is the quintessential “producer” you already have in your head.

So Wrong He’s Right

Robert Evans Slap
20th Century Film Corp

Robert Evans is a notorious narcissist whose love of self is so blind and sincere that it’s actually adorable.

There’s Something Missing

via Giphy

Entire sections of Robert Evans’ life are left out of the documentary. Maybe it’s because of timing. Maybe it’s because real life isn’t a tidy narrative. Who knows.

He Blew It

Spider coke

Evans had a pretty spectacular fall from grace. He was convicted of cocaine trafficking in the early 80’s, and was connected to a contract killing during the production of The Cotton Club. Oops.

Losing Is For Losers

Everett Collection
Everett Collection

In the Robert Evans mythology, all tragedies are just triumphs in disguise, and every story has a happy ending…for Robert Evans.

Bill Hader Jerry Wallach

With these simple facts in hand you are now prepared to thoroughly enjoy the two-part finale of Documentary Now! starting this Wednesday at 10/9c on IFC.

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Weird Roles

Anthony Michael Hall’s Most Rotten Movies

Catch Anthony Michael Hall in Weird Science on Friday at 8P on IFC.

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Photo Credit: Universal/Everett Collection

Anthony Michael Hall was the quintessential ’80s nerd. We love him in classics like The Breakfast Club and National Lampoon’s Vacation. But even the brainiest among us has his weak spots. In honor of Weird Science airing this Rotten Friday, we analyze Hall’s worst movies.

Weird Science (1985) 56%

A low point for John Hughes, Weird Science is way too wacky for its own good. Anthony Michael Hall’s Gary and his pal Wyatt (Ilan Mitchell-Smith) create the “perfect woman.” Supernatural chaos ensues. The film costars a young Bill Paxton, floppy disks, and a general disconnect from all reality.

The Caveman’s Valentine (2001) 46%

This ambitious drama starring Samuel L. Jackson couldn’t live up to its rich premise. Jackson plays Romulus, a Juilliard-educated, paranoid schizophrenic who lives in a cave. Hall co-stars as Bob, a rich man, who wants to see Romulus play the piano. The plot centers around Romulus investigating a murder, but with so much going on, the movie never quite finds its rhythm.

All About the Benjamins (2002) 30%

Ice Cube plays a bounty hunter who teams up with Mike Epps’ con man to catch diamond thieves. Hall plays Lil J, a small-time drug dealer. It’s definitely a role we’ve never seen Hall in, but overall the movie isn’t funny or original enough to justify its violence.

Freddy Got Fingered (2001) 11%

This showcase for Tom Green’s goofy gross-out comedy is often hailed as one of the worst films of all time. Green plays Gord, a 20-something slacker, who dreams of having his own animated series. Hall is Dave Davidson, a CEO of an animation studio who eventually helps Gord find success. Too bad Tom Green wasn’t so lucky.

Johnny Be Good (1988) 0%

Hall plays against type as Johnny Walker, a star quarterback. Robert Downey Jr. is his best friend and Uma Thurman plays his devoted girlfriend. Despite the support of a future A-list cast, the movie lacks central conflict and charm. Or, as TV Guide put it, “Johnny be worthless.” Ouch.

Catch the “Too Rotten to Miss” Weird Science this Friday at 8P on IFC.

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Season 6: Episode 1: Pickathon

Binge Fest

Portlandia Season 6 Now Available On DVD

The perfect addition to your locally-sourced, artisanal DVD collection.

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End of summer got you feeling like:

Portlandia Toni Screaming GIF

Ease into fall with Portlandia‘s sixth season. Relive the latest exploits of Fred Armisen and Carrie Brownstein’s cast of characters, including Doug and Claire’s poignant breakup, Lance’s foray into intellectual society, and the terrifying rampage of a tsukemen Noodle Monster! Plus, guest stars The Flaming Lips, Glenn Danzig, Louis C.K., Kevin Corrigan, Zoë Kravitz, and more stop by to experience what Portlandia is all about.

Pick up a copy of the DVD today, or watch full episodes and series extras now on IFC.com and the IFC app.

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