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Five Oscar Bait Movies You Won’t See This Awards Season

Five Oscar Bait Movies You Won’t See This Awards Season (photo)

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As demonstrated by our recent holiday indie film preview, there will be nearly a hundred films opening in theaters before the end of the year, with many of them aspiring for Oscar gold. But in a tradition that’s getting to be as commonplace as end-of-the-year gift-giving, there are a handful of movies that seemed destined to compete during awards season that won’t be seeing the inside of your local theater until next year. Internal studio strife, endless tinkering or simply bad early reviews have contributed to why these five particular pieces of Oscar bait will be sitting on the sidelines instead of jockeying for awards attention.

“Miral”

Since the awards season success of “The Diving Bell and the Butterfly,” Oscar prognosticators had been anticipating the arrival of Julian Schnabel’s latest film with the idea that the director would once again bring a true artistic sensibility to journalist Rula Jebreal’s semi-autobiographical novel that covers three generations of women in Jerusalem, but centers on a young Palestinean orphan (“Slumdog Millionaire”‘s Freida Pinto) emboldened to become a revolutionary under Israeli occupation during the late 1960s. However, even before the film premiered at the Venice Film Festival in September, it had already caused some ripples for taking a pro-Palestine point of view, which Schnabel has tried to downplay, telling The Huffington Post in an interview, “This film is not a treatise in political history, nor a polemic. It is a poem.”

But it turned out that U.S. distributor (and noted pro-Israel supporter) Harvey Weinstein’s headaches in Venice weren’t caused by the film’s content, but by the response from critics, who ranged from calling it heartfelt but misguided, as IndieWire‘s Anne Thompson did, to calling it “a disaster,” per The Guardian‘s Peter Bradshaw. Some might argue that the dour reception to the film in Venice and subsequently, Telluride doomed its awards chances, but it was also probably the emergence of “The King’s Speech” at those same festivals that deep sixed its December release, which has now been moved to March. Just this week, Schnabel seemed unfazed by the move and the polarizing response in an interview with The Guardian, saying “If Arab people see a Jewish person can do this, they might think, ‘Maybe there’s somebody on the other side we can talk to.’ I’m not a saint. I’m just somebody who thought this was a worthwhile thing to do.”

“Shanghai”

While “Miral” was a last-minute call, The Weinstein Company likely never had plans to release this long-shelved production that once started with such high hopes. It was a coronation of sorts for director Mikael Hafstrom, who did right by the Weinsteins with the financially bankable thrillers “Derailed” and “1408” before being handed the keys to the film penned by “The Wings of the Dove” scribe Hossein Amini and a cast with awards bait written all over it, mixing Chow Yun Fat, Ken Watanabe, Rinko Kikuchi and Gong Li with John Cusack, Franka Potente and David Morse in a ’40s murder mystery centered around Cusack’s American intelligence officer snooping around for clues concerning the murder of his friend (Jeffrey Dean Morgan) shortly before Pearl Harbor in World War II.

Although the Chinese wouldn’t allow the production to shoot on its soil in 2008, the film did make its premiere at the Shanghai International Film Festival in June before being released in much of Asia over the summer. (This was only after a 2009 awards run in the States was scrapped.) In his review for Film Business Asia, Derek Elley noted “[‘Shanghai’] has the feel of one that has been ruthlessly pared in post-production,” but generally gave the film a positive review, making it slightly strange that the company hasn’t rescheduled the film’s release in the U.S., let alone dropping it into awards season just to test the waters for acting nominations. A Weinstein Company rep recently told The Los Angeles Times that the film needed to be released in China first, which caused part of the delay, but as the article goes on to note “Shanghai” has endured other post-production issues. Still, Hafstrom will have one film out while all those ceremonies start rolling around, only it won’t be competing – his next film “The Rite,” a supernatural thriller which does boast an Oscar winner in star Anthony Hopkins, will is headed to theaters in January, and perhaps not coincidentally it’s his first English-language film not made for the Weinsteins.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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