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Five Oscar Bait Movies You Won’t See This Awards Season

Five Oscar Bait Movies You Won’t See This Awards Season (photo)

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As demonstrated by our recent holiday indie film preview, there will be nearly a hundred films opening in theaters before the end of the year, with many of them aspiring for Oscar gold. But in a tradition that’s getting to be as commonplace as end-of-the-year gift-giving, there are a handful of movies that seemed destined to compete during awards season that won’t be seeing the inside of your local theater until next year. Internal studio strife, endless tinkering or simply bad early reviews have contributed to why these five particular pieces of Oscar bait will be sitting on the sidelines instead of jockeying for awards attention.

“Miral”

Since the awards season success of “The Diving Bell and the Butterfly,” Oscar prognosticators had been anticipating the arrival of Julian Schnabel’s latest film with the idea that the director would once again bring a true artistic sensibility to journalist Rula Jebreal’s semi-autobiographical novel that covers three generations of women in Jerusalem, but centers on a young Palestinean orphan (“Slumdog Millionaire”‘s Freida Pinto) emboldened to become a revolutionary under Israeli occupation during the late 1960s. However, even before the film premiered at the Venice Film Festival in September, it had already caused some ripples for taking a pro-Palestine point of view, which Schnabel has tried to downplay, telling The Huffington Post in an interview, “This film is not a treatise in political history, nor a polemic. It is a poem.”

But it turned out that U.S. distributor (and noted pro-Israel supporter) Harvey Weinstein’s headaches in Venice weren’t caused by the film’s content, but by the response from critics, who ranged from calling it heartfelt but misguided, as IndieWire‘s Anne Thompson did, to calling it “a disaster,” per The Guardian‘s Peter Bradshaw. Some might argue that the dour reception to the film in Venice and subsequently, Telluride doomed its awards chances, but it was also probably the emergence of “The King’s Speech” at those same festivals that deep sixed its December release, which has now been moved to March. Just this week, Schnabel seemed unfazed by the move and the polarizing response in an interview with The Guardian, saying “If Arab people see a Jewish person can do this, they might think, ‘Maybe there’s somebody on the other side we can talk to.’ I’m not a saint. I’m just somebody who thought this was a worthwhile thing to do.”

“Shanghai”

While “Miral” was a last-minute call, The Weinstein Company likely never had plans to release this long-shelved production that once started with such high hopes. It was a coronation of sorts for director Mikael Hafstrom, who did right by the Weinsteins with the financially bankable thrillers “Derailed” and “1408” before being handed the keys to the film penned by “The Wings of the Dove” scribe Hossein Amini and a cast with awards bait written all over it, mixing Chow Yun Fat, Ken Watanabe, Rinko Kikuchi and Gong Li with John Cusack, Franka Potente and David Morse in a ’40s murder mystery centered around Cusack’s American intelligence officer snooping around for clues concerning the murder of his friend (Jeffrey Dean Morgan) shortly before Pearl Harbor in World War II.

Although the Chinese wouldn’t allow the production to shoot on its soil in 2008, the film did make its premiere at the Shanghai International Film Festival in June before being released in much of Asia over the summer. (This was only after a 2009 awards run in the States was scrapped.) In his review for Film Business Asia, Derek Elley noted “[‘Shanghai’] has the feel of one that has been ruthlessly pared in post-production,” but generally gave the film a positive review, making it slightly strange that the company hasn’t rescheduled the film’s release in the U.S., let alone dropping it into awards season just to test the waters for acting nominations. A Weinstein Company rep recently told The Los Angeles Times that the film needed to be released in China first, which caused part of the delay, but as the article goes on to note “Shanghai” has endured other post-production issues. Still, Hafstrom will have one film out while all those ceremonies start rolling around, only it won’t be competing – his next film “The Rite,” a supernatural thriller which does boast an Oscar winner in star Anthony Hopkins, will is headed to theaters in January, and perhaps not coincidentally it’s his first English-language film not made for the Weinsteins.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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