“Undeclared” Ep. 3 and 4, “Eric Visits” / “Jobs, Jobs, Jobs”

“Undeclared” Ep. 3 and 4, “Eric Visits” / “Jobs, Jobs, Jobs” (photo)

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“Undeclared” is now airing on IFC, and we thought we’d take this opportunity to revisit the show that further cemented broadcast television’s inability to recognize the genius of Judd Apatow. Every week, Matt Singer and Alison Willmore will be offering their thoughts on that night’s episode.

Episode 3
“Eric Visits”
Written by Judd Apatow & Rodney Rothman
Directed by John Hamburg

Episode 4
“Jobs, Jobs, Jobs”
Written by Joel Madison
Directed by Greg Mottola

“Why would you even want to be on that show? I mean, it hasn’t been funny in, like, forever.” — Rachel

“Undeclared” really kicks into gear with “Eric Visits” and “Jobs, Jobs, Jobs,” the first of which gets a big boost from guest Jason Segel as Lizzie’s so far unseen but much heard boyfriend Eric, and the second of which has a surprisingly serious center. Let’s deal with Eric first. As Nick on “Freaks and Geeks,” Segel displayed an unparalleled ability to play creepy-charming, a talent in full, magnificent display here. Having just rewatched both “Eric Visits” and “Forgetting Sarah Marshall,” I feel comfortable declaring Segel film and television’s reigning king of creepy-charming. The secret is that his intense neediness never contains the threat of harm to its target — he plays suffocatingly clingy, mushy, vulnerable, but he’s a puppy. There’s more danger of him hurting himself, emotionally or, as his punches his own head in frustration while weeping in the shower, physically.

Eric is a goofier and more pathetic creation than Nick, and, with that patchy beard, scraggly haircut and near-unibrow, just generally… grosser. (When he emerges, post-coital, from Lizzie’s room in his boxers, poor traumatized Steven can barely look at him.) He’s a college dropout who works at a copy shop and is obviously a few years older than Lizzie — she informs Steven that she’s been dating him since tenth grade, which is ever so statutory rapey. All of Eric’s gifts to her take advantage of his copy shop resources, including the ridiculous “Dreaming of you” pillowcase.

And yet… Eric is a nice guy. A likable guy, even, when he’s not being smotheringly lovey-dovey. His interactions with Steven, who he never even considers as a romantic threat, are sincere and open, and after some consolation he’s ready to gracefully accept defeat and move on. It’s Steven who, having seen Eric’s positive side, can’t bring himself to let the guy slink off into the night alone, and while that chocolate box photo collage (the assembling of which includes a nice bit involving Eric cheerily slicing up headshots up perfectly without even needing to look) might be shudder-inducing, at least we now know Lizzie isn’t stuck in a completely insane relationship.

In the second of these episodes, we have another character whose surface loserdom hides a caring heart: Steven’s dad Hal, who after being downsized can’t pay Steven’s tuition, and ends up taking a downwardly mobile (but much more enjoyable) waitstaff position at a posh restaurant. Once again, Steven’s escapist college mellow is harshed by his proximity to the real world and his real parents (or parent). Here, though, that comes with a real rebuke of Steven’s unthinking sense of entitlement — after scolding his father for putting Tivo above his son’s education, Steven’s forced to actually confront the sacrifices the man is making on his behalf, and because of it signs himself back up for that abusive job at the cafeteria alongside Marshall and his weird rash.

Speaking of TiVo, these two episodes are heavily salted with pop culture references, from Ron trying to bond with Lloyd over “You’ve Got Mail” (and Lloyd predicting with hilarious accuracy what happens in the second half of the movie) to Jimmy (Geoffrey Arend) the impressionist’s repertoire. Matt, what’s your opinion on all this specificity, given how little most characters on TV seem to watch TV (or movies) themselves? And what’s your take on Jimmy and his rant about his comedy aspirations and need to practice his skills?

Matt: Jimmy is an interesting character. He’s a fan of a lot of Judd Apatow’s collaborators, and he’s got a poster for at least one Apatow production, “The Cable Guy,” hanging on his dorm room wall. But he’s also portrayed as a fairly awful person: talented maybe, but also completely self-obsessed and incapable of carrying on a normal conversation without breaking out his Jimmy Stewart or Al Pacino impersonations. Though his neuroses seem fairly specific — he wants to be on “SNL” and thinks of his entire life as a long-form audition for the job — his portrayal is also a bit of an indictment of the kind of person who can only communication with others through the filter of pop culture. Which is sort of interesting because, as you point out Alison, most of the characters on “Undeclared” communicate with each other through the filter of pop culture, as Ron and Lloyd do during the “You’ve Got Mail” boondoggle, as Steven and Lizzie did last week at a screening of “American Pie.” I suppose the point here is a cautionary one: we all love pop culture, but be careful not to take that too far.

Alison, you said you felt like “Undeclared” kicked into gear with these third and fourth episodes. Watching them, I felt like I was watching Judd Apatow — or maybe “Judd Apatow” — kick into gear as well. These episodes look and feel more like Apatow’s more famous film work than anything in “Freaks and Geeks.” The “You’ve Got Mail” scenes are a good example. Once Ron gets hammered on the contents of the free keg he’s found, he starts opening up to Lloyd about his taste in movies. He tells people his favorite flick is “Red Dawn” but his real passion is for Nora Ephron. The scene may have been scripted but Rogen’s delivery feels improvised, as if he riffed on different movies for Ron to like until he found the funniest one. Those small moments of truth are the best parts of these episodes, just as moments like Paul Rudd railing against the Michael McDonald music on the sample televisions at the electronics store are the best parts of “The 40-Year-Old Virgin.”

11122010_undeclared03b.jpgI feel like we’re also watching Seth Rogen become “Seth Rogen.” Ron is a classic Apatow creation: the sweet-natured, schlubby party dude with a cockeyed view of the world and of problem solving. One of my favorite moments in either episode this week is the shot panning down all the different improvised cups and mugs Ron found to hold all the beer in the keg he has to return: mouthwash bottles, vases, even ziplock bags. That moment would not feel the least bit out of place in “Virgin” or “Knocked Up.”

Though “Jobs, Jobs, Jobs” has a stock sitcom premise — even Steven and Marshall’s white on white cafeteria uniforms seem to harken back to Lucy and Ethel at the chocolate factory — I like the way Steven and Hal’s simultaneous employment in the food service industry crystalizes the former’s ugly sense of entitlement. The show’s rebuke of his elitism also feels like a sign of things to come for Apatow. All three of his movies have had working class protagonists and ethos; in the case of “Funny People,” Adam Sandler’s character’s extreme wealth is presented as one of the primarly obstacles to his happiness. And as a guy who got mono from a tainted utensil, I wholeheartedly endorse “Undeclared”‘s depiction of a college cafeteria as the most unsanitary and revolting place on earth.

Maybe it’s because I had just listened to his fascinating two-part appearance on the WTF Podcast With Marc Maron, but Apatow himself was obviously on my mind a lot this week. Alison, did I miss any other connections between these two episodes and his later films?

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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