“Cool It,” Reviewed

“Cool It,” Reviewed (photo)

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For those coming to Ondi Timoner’s “Cool It” with a considerable amount of skepticism, the first half-hour will do little to sway you as Timoner strains to make you like Bjorn Lomborg, the controversial advocate of alternative energy strategies nicknamed for the title of his most famous book as “The Skeptical Environmentalist.” After a montage gingerly demonstrates how his views on global warming have clashed with the majority of the world’s scientists, Lomborg is shown caring for his mother with Alzheimer’s, feeding schoolchildren in Nairobi and gazing longingly over riverbanks and outside train windows.

Occasionally someone like Stanford environmental studies professor Stephen Schneider comes on screen to wag his finger in disagreement, but when the realization sets in that Timoner is burnishing Lomborg’s image only for the Greenpeace refugee to give a point-by-point repudiation of “An Inconvenient Truth” using Al Gore’s favorite weapon, the slideshow, against him, there’s good reason to believe “Cool It” will become the histrionic piece of propaganda that it is intended to rail against.

Certainly, the film indulges in a bit of that, opening and closing with twee animated sequences of earth with a voiceover by children and follows a rigid formula of persuasion, but if “Cool It” is effective, it’s because of Timoner’s ability to parlay her insistence on keeping an open mind onto her audience. As it turns out, the same curiosity that led the director into the claustrophobic and dangerous worlds of Brian Jonestown Massacre’s lead singer Anton Newcombe in “Dig!” or internet entrpreneur Josh Harris in “We Live in Public” is a necessity when trying to offer up energy alternatives such as algae fuel, cloud brightening and wave energy and urban heat islands (sidewalks that cool the surface) that seem even further afield for the average citizen than the more widely accepted solutions of solar or wind energy.

Since Timoner’s interest has always been in people rather than ideology, “Cool It” doesn’t appear at first to play to her strengths with the film’s half-hearted introduction trying to tell Lomborg’s story, even when he, like any activist worth their salt, would rather discuss his cause. However, once Lomborg gets into his groove speaking about alternative energy solutions that are off the beaten path, “Cool It” takes on the passion that probably brought Timoner and Lomborg together in the first place and in fact becomes exciting when it demonstrates how some of the crazier technologies that are lesser known to the general public can work towards cooling the planet. It also helps that Timoner expresses her humanistic touch in small ways with her subjects, depicting the many scientists and experts on hand not as a parade of static talking heads, but in their natural environments, whether it’s standing on a grassy knoll or sitting in a laboratories with a plate full of beakers of green algae fuel jiggling in the background.

Knowing Lomborg is already such a polarizing figure in climate change circles, Timoner dedicates ample time to clarifying his positions, immediately disavowing the notion that he doesn’t believe in global warming and gives Lomborg ample time with a chalkboard to explain his longtime poo-pooing of carbon emissions, which like many of his other arguments is based in the idea that it’s simply not as important in the bigger scheme of things as other pressing needs around the world like education, health care and clean water. Other scholars such as Paul Reiter, professor of medical entomology at Pasteur Insitute, appear on camera to bring up sentiments that won’t be popular amongst most environmentalists, with Reiter saying, “Science has been hijacked by alarmists” and Timoner, shortly thereafter, showing celebrities like David Duchovny and Lance Bass looking slightly foolish as they espouse the importance of using low-wattage light bulbs and driving hybrids when “Cool It”‘s commentators dismiss these actions as drops in the bucket.

Yet one of the film’s most keen observations is also its most subtle, depicting a room packed with photographers and reporters when Al Gore came to testify in front of Congress on climate change. Lomborg, who was there to meet the former vice president, uses the moment as the joke that opens his lecture, saying that he can tell the exact moment when Gore realized he was shaking hands with the enemy. But it is when you see Lomborg sitting in front of a congressional panel with an empty room behind him that you understand why “Cool It” is an important addition to the debate because even though many disagree with his views, more people should be there to listen.

“Cool It” is now open in limited release.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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