“Undeclared” Ep. 7 and 8, “Addicts” / “God Visits”

“Undeclared” Ep. 7 and 8, “Addicts” / “God Visits” (photo)

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“Undeclared” is now airing on IFC, and we thought we’d take this opportunity to revisit the show that further cemented broadcast television’s inability to recognize the genius of Judd Apatow. Every week, Matt Singer and Alison Willmore will be offering their thoughts on two more episodes.

Episode 7
Written by Jennifer Konner & Alexandra Rushfield
Directed by Greg Mottola

Episode 8
God Visits
Written by Rodney Rothman
Directed by John Hamburg

“All you had to do was get a few hundred dollars. How hard is that? Didn’t you see ‘Oliver’? That little bugger scammed people all over the place!” — Ron

Alison: “Addicts” and “God Visits” deal with the financial and philosophical vulnerabilities of so many a naïve college student. In the first episode, Steven and crew take advantage of “free money” — i.e., credit cards — and find themselves in trouble after excursions into online trading and meth-addicted townie Dave’s (Will Ferrell) paper-writing service. In the second, Steven and Lloyd find their respective worlds rocked by, respectively, a proselytizing classmate and a nihilism-spouting professor. Both episodes lean on more college-specific plotlines and situations than has been typical of the series so far, with the gang facing minor crises of morality by way of easy access to funds or new ways at looking at existence.

The stories that unfold from the start of “Addicts” take pleasantly unexpected directions — that opening scene, with Ron getting everyone to run out to the application booth like it’s Valhalla, seems to be setting up a cautionary tale about the perils of credit card debt. Instead, that turns out to be an incidental factor, a burden to be confronted later. “Addicts” is about the quirkily, nerdily destructive behavior everyone gets caught up in as soon as they have cash. Ron pulls Lloyd into his online trading scheme, and after minor protestations Lloyd abandons his artistic austerity for a leather suit and lighting a cigar with a dollar bill. Steven, struggling academically, buys a paper from Dave that gets an A, and after that can’t help indulging again, bringing Lizzie and Rachel along with him. (Marshall just likes having a wad of cash to wave around, but isn’t actually interesting in buying anything.)

Naturally, things goes wrong, with these scams and schemes turning out to be unreliable — the stomach-growing company Ron’s invested in flops, and Dave overindulges in drugs and spends the night playing video games instead of writing the papers he was contracted to. There’s no easy path, but it’s Steven who once again has to take the lesson on the chin when his dad Hal appears to congratulate him on his recent good grades (and I don’t know about y’all, but my college sure wasn’t sending report cards home to my parents) and claim all the scrimping and saving for Steven’s outrageous tuition is clearly paying off with his son learning and taking advantage of the education he’s receiving. Oof.

In “God Visits,” the obvious “mind control” stories, with Lloyd embracing meaninglessness (and his duvet) while Steven relishes Christianity, are paralleled with more subversive ones on the side involving the girls. Marshall tries to convince Rachel (with ever more desperation — I love the moment he claims everyone at the party is slow dancing to Dido to lure her back) that they need to preserve the spare room vacated by previously unseen suitemate Sheila (played by Joss Whedon favorite Felicia Day) as a party palace, though she feels increasingly guilty about keeping the room from Tina (Christina Payano), who’s hoping to escape her own obsessive violinist roomie. Meanwhile, Ron goes to work on Lizzie after deciding he can’t stand Eric any longer and that she should be with Steven — he ingeniously convinces her to attempt to reunite with his suitemate, only to run smack into the latter’s newfound piety. Hey, there’s a reason cults recruit off of campuses — undergrads are easy marks.

My question for you, Matt, is how you think the “Addicts” paper plot compares to the cheating storyline in “Freaks and Geeks.” And would you ever trust Will Ferrell with your academic future?

Matt: It depends on the subject. Obviously the man is an expert on human anatomy — anyone who’s seen his rippling dorsimus muscles in “Anchorman” knows that — but his handle on the works of Jackson Pollock is a little less sturdy. As for the cheating storyline in general, the “Freaks and Geeks” episode you’re referring to is “Tests and Breasts,” where freak Daniel convinces math whiz Lindsay to help him pass an exam he’s certain to fail. Daniels’ plight was played as a grand tragedy tinged with notes of dark humor: when Lindsay wants to confess, he sways her back to his side with a lengthy and impassioned monologue about what it’s like to be told from childhood that you’re dumb. Cheating on “Freaks and Geeks” was an act of desperation and revenge.

On “Undeclared” its basically just a platform for a great guest spot from Ferrell as he lazies around in his unmentionables, drops some speed, and hallucinates himself into a ninja video game. The UNEC kids aren’t downtrodden, they’re just lazy teenagers with cash to burn. There are immediate repercussions to their grades when Dave gets too distracted to write their work, but nothing particularly serious: no threats of expulsion or angry lectures from parents. Even with Hal occasionally popping in at the fourth floor, UNEC is still basically an adults-free zone. Everyone who’s ever gone to college will recognize that moment where you discover that the only person you have to answer to in life when you make bad decisions is yourself.

One other connection between the cheating storylines on “Freaks and Geeks” and “Undeclared”: it informs us of the fact that Steven is, by his own admission, not very bright. That’s a continuation of the portrayal of geeks on “Freaks and Geeks,” where Sam and especially Bill were also considered nerds because of their physical awkwardness, not necessarily for their intellectual gifts. Apatow dweebs get all of the afflictions of geekdom — bullying, a lack of athletic ability, nearsightedness — with very few of the upsides. Then again, many of them wind up hooking up with incredibly hot women, so don’t shed too many tears for them.

11262010_undeclared07c.jpgSteven has Lizzie practically throwing herself at him in “God Visits,” but he rejects her because of his sudden interest in “the greatest story ever told.” Though the subject is a perfect one for the show, and results in some of the funniest scenes of the series between Steven, Lizzie, and Ron, one thing always bugs me about this storyline. Apatow established in the pilot that Steven is Jewish; when he meets Lloyd for the first time, he mentions that he once visited England on a Jewish teen tour named “Shalom Europe.” Obviously he’s a pretty casual Jew, but shouldn’t his random conversion to Christianity spark some sort of inner conflict? Or better yet, shouldn’t it prompt a wildly outraged response from Hal? That just feels like a rare missed opportunity to me.

We’ve already discussed the role of the female characters in “Undeclared” several times in this column. In that regard, “Addicts” is something of an important landmark in the series’ history: it’s the first episode written by women (Jennifer Konner and Alexandra Rushfield). Alison, do think it’s at all odd that the first female-penned “Undeclared” is maybe the least female-centric in the entire season?

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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