It seems to me that a lot of directors in Danny Boyle’s position would just phone it in. They’d follow up a success with “Slumdog Millionaire,” with all its critical acclaim, box office receipts, and Oscar awards by going right back to the well with something like “Slumdog 2: Jamal’s Revenge.” So that was the first question I put to Boyle when I got to interview him and actor James Franco about their new collaboration “127 Hours”: how much of this dynamic and very unusual film about a man (Franco) and his battle for survival after his right hand is pinned under and immovable boulder was about doing something drastically different from “Slumdog?” “I think you should always go back to the beginning,” Boyle said. “Because you start learning. I want that excitement, that uncertainty, that adrenaline to be part of the film.”
During our brief conversation, I also asked about the psychological toll filming this sort of grueling experience has on an actor’s psyche and whether the highly publicized faintings at advance screenings of “127 Hours” worries or excites them. Here’s the interview (and if you’re interested in more about the film and Boyle’s diverse career, be sure to check out this week’s IFC podcast):
Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…
IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?
Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.
IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?
Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!
IFC: What’s your comedy origin story?
Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.
IFC: What was the genesis of Neurotica?
Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.
IFC: How would you describe Ivy?
Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.
IFC: How would Ivy’s clientele describe her?
Jenny: Open-minded, caring, excellent aim.
IFC: Why don’t more small towns have local dungeons?
Jenny: How do you know they don’t?
IFC: What are the pros and cons of joining a chain mega dungeon?
Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”
IFC: Mouths are gross! Why is that?
Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.
See the whole season of Neurotica right now on IFC’s Comedy Crib.
Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.
We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.
Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).
In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?
From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.
Feeling better about that walk down memory lane? Good. Enjoy the revival.
In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.
Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.
Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.
It’s Decor and Decorum
With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.
Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.