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40 Years of “Airport”: “Airport” (1970)

40 Years of “Airport”: “Airport” (1970) (photo)

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In 1970, one movie invented the modern disaster film. After grossing more than $100 million at the domestic box office (adjusted for inflation, it made more than any of the “Lord of the Rings”), it spawned three sequels that stretched through the entire decade. But this landmark series is now almost totally forgotten, long eclipsed by the film that so brilliantly spoofed the genre tropes it helped define. In honor of its fortieth anniversary, we’re looking back at the “Airport” franchise this week, one film at a time. Today, the movie that started it all, based on the novel by Arthur Hailey.

Airport (1970)
Directed by George Seaton

Nature of Air Emergency: A distraught man detonates a crude suicide bomb on a commercial jet in the hopes that his wife will collect his life insurance. Captain Vern Demerest (Dean Martin) has to land the damaged plan in the middle of a brutal Chicago snowstorm at an airport where the main runway is closed.

George Kennedy Plays: Joe Patroni, Chief Mechanic of Trans Global Airlines.

11082010_airport2.jpgMost Surprising Subplot: Flight attendant Gwen’s (Jacqueline Bisset) unwanted and out-of-wedlock pregnancy, which prompts a weirdly frank discussion about abortion between Bisset and Martin. “I stopped taking the pills because they were making me gain weight,” she tells him. “So instead of being plump I’m pregnant.” His response: “I’ll make sure you don’t go to some butcher two flights up over a drug store. I hear Sweden’s the best place. Good doctors, good hospitals. Medically safe.” Call me naive, but I wasn’t prepared for the silly disaster picture about the plane that gets blown up and still lands safely to set aside a few minutes for a sincerely moving conversation about family planning. Go ahead. Call me naive.

If “Airport” Were Made Today: it would be hard to play Helen Hayes’ stowaway character as the comic relief. Mrs. Ada Quonsett is a widow who hitches rides on airplanes whenever she feels like it. Everything she does is illegal and immoral, but she’s a little old lady and she’s having a lot of fun being bad; even after she’s caught, she still tries to talk her way into the admiral’s club with a “borrowed” membership card. In 1970, people sneaking onto airplanes with forged documents could be kind of charming (talk about being naive). In 2010, people sneaking on airplanes with forged documents, even little old lady types, not so charming.

11082010_airport3.jpgCharacter You Kind of Want To Die: This one random passenger who keeps screwing things up for everyone else. When the flight crew get wind of the bomber’s plan, they hatch an elaborate scheme to grab his explosives, hidden in a briefcase, away from him. The plan works, until this one random guy sees what’s happening and sticks his nose in where it doesn’t belong; he stops the flight attendant with the case, and the bomber is able to grab it back. Then a few minutes later, just as Dean Martin is about to convince him not to blow himself up, a man comes out of the bathroom and bumps into the bomber, and the same random douchebag screams out “He’s got a bomb!” That starts a scuffle that results in the bomb going off. That one idiot is indirectly responsible for everything that goes wrong on that airplane! Is it weird that I kind of enjoyed watching him struggle for air when the cabin depressurized? Also: how intense does a trip to the bathroom have to be to not hear a guy threatening to blow up an airplane right outside the door?

Line That Makes You Wonder Whether The Whole Film Was An Informercial For The Air Travel Industry: “Remind me to send a thank you note to Mr. Boeing.” — Capt. Harris (Barry Nelson), inspecting the damaged plane after its safe landing.

Parodied in “Airplane!”: The opening credits of “Airplane!” are an obvious parody of “Jaws”: a model 747 tail fin snakes through lines of clouds while ominous John Williams-esque music plays. You assume the model looks so cheap because the Zuckers couldn’t afford anything fancier until you watch some of the flying sequences in “Airport,” which actually tries to pass off an incredibly phony toy plane skimming through cotton balls as a real plane in flight.

11082010_airport4.jpgHow Does It Hold Up? Better than I expected. “Airport” may have helped invent the modern disaster movie, but it’s a lot less over-the-top than many of the films that would follow (I’m looking at you, movie about Michael Caine fighting millions of angry bees). Most of the movie isn’t even about the airplane disaster; it really does focus on this airport and the tough decisions that have to be made by its manager, Mel Bakersfeld (Burt Lancaster). Even amidst all the movie stars and the big action set pieces, the movie has a nice working-class vibe. While Martin’s romancing Bisset, Lancaster and Kennedy are doing the unglamorous stuff: dealing with corporate bureaucracy, fielding complaints from angry customers, and digging planes out of snow banks, all on their nights off. For the people in the sky, air travel is exotic and exciting. Even though their flight gets attacked, it’s all this grand adventure that works out in the end. For the people on the ground, it’s just a job, and a pretty crappy one at that; it destroys at least one marriage before the picture’s over. I guess the powers that be at Universal felt that the movie stars and big action set pieces were what put asses in the seats, not the promise of tough management decisions. That would have a major impact on the tone and plot of the sequels.

Strange But True: According to Wikipedia, the plane that Universal leased to double for the damaged Trans Global jet was later sold to a Brazilian airline. On March 21, 1989, it was involved a real-life air disaster resulting in over twenty-five fatalities. Creepy.

Tomorrow: “Airport 1975”
Wednesday: “Airport ’77”
Thursday: “The Concorde… Airport ’79”
Friday: “Airplane!”

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.